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Hip hop, Hegel and the art of emanci...

Hegel, Georg Wilhelm Friedrich, (1770-1831.)

Hip hop, Hegel and the art of emancipationlet's get free /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Hip hop, Hegel and the art of emancipationby Jim Vernon.
其他題名:	let's get free /
作者:	Vernon, Jim.
出版者:	Cham :Springer International Publishing :2018.
面頁冊數:	vii, 259 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
標題:	Hip-hopSocial aspects.
電子資源:	http://dx.doi.org/10.1007/978-3-319-91304-9
ISBN:	9783319913049$q(electronic bk.)

Hip hop, Hegel and the art of emancipationlet's get free /
Vernon, Jim.

Hip hop, Hegel and the art of emancipationlet's get free /[electronic resource] :by Jim Vernon. - Cham :Springer International Publishing :2018. - vii, 259 p. :ill., digital ;24 cm.

Chapter 1: Introduction -- Chapter 2: The South Bronx, or the 'State of Nature' -- Chapter 3: Graffiti Writing, or The Symbolic Stage Art -- Chapter 4: DJing and Breaking, or The Classical Stage of Art -- Chapter 5: MCing, or The Romantic Stage of Art -- Chapter 6: Knowledge, or From Art to Religion, Philosophy and Politics -- Chapter 7: Conclusion.

This book argues that Hip Hop's early history in the South Bronx charts a course remarkably similar to the conceptual history of artistic creation presented in Hegel's Lectures on Aesthetics. It contends that the resonances between Hegel's account of the trajectory of art in general, and the historical shifts in the particular culture of Hip Hop, are both numerous and substantial enough to make us re-think not only the nature and import of Hegel's philosophy of art, but the origin, essence and lesson of Hip Hop. As a result, the book articulates and defends a unique reading of Hegel's Aesthetics, as well as providing a philosophical explanation of the Hip Hop community's transition from total social abandonment to some limited form of social inclusion, via the specific mediation of an artistic culture grounded in novel forms of sensible expression. Thus, the fundamental thesis of this book is that Hegel and Hip Hop are mutually illuminating, and when considered in tandem each helps to clarify and reinforce the validity and power of the other.

ISBN: 9783319913049$q(electronic bk.)

Standard No.: 10.1007/978-3-319-91304-9doiSubjects--Personal Names:

178344
Hegel, Georg Wilhelm Friedrich,
1770-1831.Subjects--Topical Terms:

803973
Hip-hop
--Social aspects.

LC Class. No.: ML3918.R37 / V476 2018

Dewey Class. No.: 782.42164901

Hip hop, Hegel and the art of emancipationlet's get free /
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505 0 $a Chapter 1: Introduction -- Chapter 2: The South Bronx, or the 'State of Nature' -- Chapter 3: Graffiti Writing, or The Symbolic Stage Art -- Chapter 4: DJing and Breaking, or The Classical Stage of Art -- Chapter 5: MCing, or The Romantic Stage of Art -- Chapter 6: Knowledge, or From Art to Religion, Philosophy and Politics -- Chapter 7: Conclusion.
520 $a This book argues that Hip Hop's early history in the South Bronx charts a course remarkably similar to the conceptual history of artistic creation presented in Hegel's Lectures on Aesthetics. It contends that the resonances between Hegel's account of the trajectory of art in general, and the historical shifts in the particular culture of Hip Hop, are both numerous and substantial enough to make us re-think not only the nature and import of Hegel's philosophy of art, but the origin, essence and lesson of Hip Hop. As a result, the book articulates and defends a unique reading of Hegel's Aesthetics, as well as providing a philosophical explanation of the Hip Hop community's transition from total social abandonment to some limited form of social inclusion, via the specific mediation of an artistic culture grounded in novel forms of sensible expression. Thus, the fundamental thesis of this book is that Hegel and Hip Hop are mutually illuminating, and when considered in tandem each helps to clarify and reinforce the validity and power of the other.
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