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National identity in 21st-century Cu...
~
Fehimovic, Dunja.
National identity in 21st-century Cuban cinemascreening the repeating island /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
National identity in 21st-century Cuban cinemaby Dunja Fehimovic.
其他題名:
screening the repeating island /
作者:
Fehimovic, Dunja.
出版者:
Cham :Springer International Publishing :2018.
面頁冊數:
xiii, 281 p. :ill., digital ;23 cm.
Contained By:
Springer eBooks
標題:
Motion picturesHistory21st century.Cuba
電子資源:
http://dx.doi.org/10.1007/978-3-319-93103-6
ISBN:
9783319931036$q(electronic bk.)
National identity in 21st-century Cuban cinemascreening the repeating island /
Fehimovic, Dunja.
National identity in 21st-century Cuban cinema
screening the repeating island /[electronic resource] :by Dunja Fehimovic. - Cham :Springer International Publishing :2018. - xiii, 281 p. :ill., digital ;23 cm.
1. Introduction: Screening the Repeating Island -- 2. A Cuban Zombie Nation?: Monsters in Havana -- 3. Not Child's Play: Tactics, Strategies, and Heterotopias -- 4. Time 'Out of Joint': Icons, Images, and Archives -- 5. Of Moles and Giraffes: Recluses, Drifters, and Disconnection -- 6. Conclusion: Shipwrecks and Seasickness.
National Identity in 21st-Century Cuban Cinema tours early 21st-century Cuban cinema through four key figures--the monster, the child, the historic icon, and the recluse--in order to offer a new perspective on the relationship between the Revolution, culture, and national identity in contemporary Cuba. Exploring films chosen to convey a recent diversification of subject matters, genres, and approaches, it depicts a changing industrial landscape in which the national film institute (ICAIC) coexists with international co-producers and small, 'independent' production companies. By tracing the reappearance, reconfiguration, and recycling of national identity in recent fiction feature films, the book demonstrates that the spectre of the national haunts Cuban cinema in ways that reflect intensified transnational flows of people, capital, and culture. Moreover, it shows that the creative manifestations of this spectre screen--both hiding and revealing--a persistent anxiety around Cubanness even as national identity is transformed by connections to the outside world.
ISBN: 9783319931036$q(electronic bk.)
Standard No.: 10.1007/978-3-319-93103-6doiSubjects--Topical Terms:
822327
Motion pictures
--History--Cuba--21st century.
LC Class. No.: PN1993.5.C8 / F44 2018
Dewey Class. No.: 791.43097291
National identity in 21st-century Cuban cinemascreening the repeating island /
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1. Introduction: Screening the Repeating Island -- 2. A Cuban Zombie Nation?: Monsters in Havana -- 3. Not Child's Play: Tactics, Strategies, and Heterotopias -- 4. Time 'Out of Joint': Icons, Images, and Archives -- 5. Of Moles and Giraffes: Recluses, Drifters, and Disconnection -- 6. Conclusion: Shipwrecks and Seasickness.
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National Identity in 21st-Century Cuban Cinema tours early 21st-century Cuban cinema through four key figures--the monster, the child, the historic icon, and the recluse--in order to offer a new perspective on the relationship between the Revolution, culture, and national identity in contemporary Cuba. Exploring films chosen to convey a recent diversification of subject matters, genres, and approaches, it depicts a changing industrial landscape in which the national film institute (ICAIC) coexists with international co-producers and small, 'independent' production companies. By tracing the reappearance, reconfiguration, and recycling of national identity in recent fiction feature films, the book demonstrates that the spectre of the national haunts Cuban cinema in ways that reflect intensified transnational flows of people, capital, and culture. Moreover, it shows that the creative manifestations of this spectre screen--both hiding and revealing--a persistent anxiety around Cubanness even as national identity is transformed by connections to the outside world.
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