國立高雄大學圖資館 |

語系: 繁體中文

說明(常見問題)

圖資館首頁

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Experimental and expanded animationn...

Hamlyn, Nicky.

Experimental and expanded animationnew perspectives and practices /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Experimental and expanded animationedited by Vicky Smith, Nicky Hamlyn.
其他題名:	new perspectives and practices /
其他作者:	Smith, Vicky.
出版者:	Cham :Springer International Publishing :2018.
面頁冊數:	xv, 286 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
標題:	Animation (Cinematography)
電子資源:	http://dx.doi.org/10.1007/978-3-319-73873-4
ISBN:	9783319738734$q(electronic bk.)

Experimental and expanded animationnew perspectives and practices /
Experimental and expanded animationnew perspectives and practices /[electronic resource] :edited by Vicky Smith, Nicky Hamlyn. - Cham :Springer International Publishing :2018. - xv, 286 p. :ill., digital ;24 cm. - Experimental film and artists' moving image,2523-7527. - Experimental film and artists' moving image..

1.Introduction, Vicky Smith and Nicky Hamlyn -- 2. Lines and Interruptions in Experimental Animation, Simon Payne -- 3. Performing the Margins of the New, Dirk de Bruyn -- 4. 21st Century Flicker: Jodie Mack, Benedict Drew and Sebastian Buerkner, Barnaby Dicker -- 5. Experimental Time-lapse Animation and the Manifestation of Change and Agency in Objects, Vicky Smith -- 6. Analogon: Of A World Already Animated, Sean Cubitt -- 7. Space and Material: The Virtual Object in Early CGI Art, Alex Jukes -- 8. Just about Film: Bruce McClure, Guy Sherwin and the Resurgence of Celluloid Sound Projections, Nicky Hamlyn -- 9 -- Re-Splitting, De-Syncronising, Re-Animating: (E)motion, Neo-spectacle and Innocence in the film-works of John Stezaker, Paul Wells -- 10. Cut to Cute: Fact, Form, and Feeling in Digital Animation, Johanna Gosse -- 11. Into the post feminist doll house: Animation, Installation and Mushi, Suzanne Buchan -- 12. Intermediality in the tableaux vivants in Magic Mirror (75min, 2013) and Confessions To The Mirror (2016), Sarah Pucill -- 13. Siting Animation: the Affect of Place, Birgitta Hosea.

This book discusses developments and continuities in experimental animation that, since Robert Russet and Cecile Starr's Experimental Animation: Origins of a New Art (1976), has proliferated in the context of expanded cinema, performance and live 'making' and is today exhibited in galleries, public sites and online. With reference to historical, critical, phenomenological and inter-disciplinary approaches, international researchers offer new and diverse methodologies for thinking through these myriad animation practices. This volume addresses fundamental questions of form, such as drawing and the line, but also broadens out to encompass topics such as the inter-medial, post-humanism, the real, fakeness and fabrication, causation, new forms of synthetic space, ecology, critical re-workings of cartoons, and process as narrative. This book will appeal to cross and inter-disciplinary researchers, animation practitioners, scholars, teachers and students from Fine Art, Film and Media Studies, Philosophy and Aesthetics.

ISBN: 9783319738734$q(electronic bk.)

Standard No.: 10.1007/978-3-319-73873-4doiSubjects--Topical Terms:

240768
Animation (Cinematography)

LC Class. No.: TR897.5 / .E974 2018

Dewey Class. No.: 777.7

Experimental and expanded animationnew perspectives and practices /
LDR:03203nmm a2200325 a 4500 001 543926
003 DE-He213
005 20190227155801.0
006 m d
007 cr nn 008maaau
008 190430s2018 gw s 0 eng d
020 $a 9783319738734$q(electronic bk.)
020 $a 9783319738727$q(paper)
024 7 $a 10.1007/978-3-319-73873-4 $2 doi
035 $a 978-3-319-73873-4
040 $a GP $c GP
041 0 $a eng
050 4 $a TR897.5 $b .E974 2018
072 7 $a APFV $2 bicssc
072 7 $a PER004000 $2 bisacsh
082 0 4 $a 777.7 $2 23
090 $a TR897.5 $b .E96 2018
245 0 0 $a Experimental and expanded animation $h [electronic resource] : $b new perspectives and practices / $c edited by Vicky Smith, Nicky Hamlyn.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2018.
300 $a xv, 286 p. : $b ill., digital ; $c 24 cm.
490 1 $a Experimental film and artists' moving image, $x 2523-7527
505 0 $a 1.Introduction, Vicky Smith and Nicky Hamlyn -- 2. Lines and Interruptions in Experimental Animation, Simon Payne -- 3. Performing the Margins of the New, Dirk de Bruyn -- 4. 21st Century Flicker: Jodie Mack, Benedict Drew and Sebastian Buerkner, Barnaby Dicker -- 5. Experimental Time-lapse Animation and the Manifestation of Change and Agency in Objects, Vicky Smith -- 6. Analogon: Of A World Already Animated, Sean Cubitt -- 7. Space and Material: The Virtual Object in Early CGI Art, Alex Jukes -- 8. Just about Film: Bruce McClure, Guy Sherwin and the Resurgence of Celluloid Sound Projections, Nicky Hamlyn -- 9 -- Re-Splitting, De-Syncronising, Re-Animating: (E)motion, Neo-spectacle and Innocence in the film-works of John Stezaker, Paul Wells -- 10. Cut to Cute: Fact, Form, and Feeling in Digital Animation, Johanna Gosse -- 11. Into the post feminist doll house: Animation, Installation and Mushi, Suzanne Buchan -- 12. Intermediality in the tableaux vivants in Magic Mirror (75min, 2013) and Confessions To The Mirror (2016), Sarah Pucill -- 13. Siting Animation: the Affect of Place, Birgitta Hosea.
520 $a This book discusses developments and continuities in experimental animation that, since Robert Russet and Cecile Starr's Experimental Animation: Origins of a New Art (1976), has proliferated in the context of expanded cinema, performance and live 'making' and is today exhibited in galleries, public sites and online. With reference to historical, critical, phenomenological and inter-disciplinary approaches, international researchers offer new and diverse methodologies for thinking through these myriad animation practices. This volume addresses fundamental questions of form, such as drawing and the line, but also broadens out to encompass topics such as the inter-medial, post-humanism, the real, fakeness and fabrication, causation, new forms of synthetic space, ecology, critical re-workings of cartoons, and process as narrative. This book will appeal to cross and inter-disciplinary researchers, animation practitioners, scholars, teachers and students from Fine Art, Film and Media Studies, Philosophy and Aesthetics.
650 0 $a Animation (Cinematography) $3 240768
650 1 4 $a Cultural and Media Studies. $3 732821
650 2 4 $a Animation. $3 758666
650 2 4 $a Performing Arts. $3 284098
650 2 4 $a Screen Performance. $3 745015
700 1 $a Smith, Vicky. $3 822348
700 1 $a Hamlyn, Nicky. $3 822349
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer eBooks
830 0 $a Experimental film and artists' moving image. $3 822350
856 4 0 $u http://dx.doi.org/10.1007/978-3-319-73873-4
950 $a Literature, Cultural and Media Studies (Springer-41173)