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The economics of the popular music i...

Byun, Chong Hyun Christie.

The economics of the popular music industry

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The economics of the popular music industryby Chong Hyun Christie Byun.
作者:	Byun, Chong Hyun Christie.
出版者:	New York :Palgrave Macmillan US :2016.
面頁冊數:	viii, 128 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
標題:	Music trade.
電子資源:	https://doi.org/10.1057/9781137467058
ISBN:	9781137467058$q(electronic bk.)

The economics of the popular music industry
Byun, Chong Hyun Christie.

The economics of the popular music industry[electronic resource] /by Chong Hyun Christie Byun. - New York :Palgrave Macmillan US :2016. - viii, 128 p. :ill., digital ;24 cm.

This Palgrave Pivot uses modeling from microeconomic theory and industrial organization to demonstrate how consumers and producers have responded to major changes in the music industry. Byun examines the important role of technology in changing its structure, particularly as new methods of creating and accessing music prove to be a double-edged sword for creators and producers. An underlying theme in the project is the question of how the business of music affects creativity, and how artists continue to produce creative output in the face of business pressures, the erosion of copyright enforcement, and rampant online piracy. In addition to being a useful resource for economists interested in the music industry, this approachable Pivot is also ideal for business and music majors studying the effect of technology on their chosen fields.

ISBN: 9781137467058$q(electronic bk.)

Standard No.: 10.1057/9781137467058doiSubjects--Topical Terms:

283215
Music trade.

LC Class. No.: ML3790 / .B98 2016

Dewey Class. No.: 338.4778

The economics of the popular music industry
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520 $a This Palgrave Pivot uses modeling from microeconomic theory and industrial organization to demonstrate how consumers and producers have responded to major changes in the music industry. Byun examines the important role of technology in changing its structure, particularly as new methods of creating and accessing music prove to be a double-edged sword for creators and producers. An underlying theme in the project is the question of how the business of music affects creativity, and how artists continue to produce creative output in the face of business pressures, the erosion of copyright enforcement, and rampant online piracy. In addition to being a useful resource for economists interested in the music industry, this approachable Pivot is also ideal for business and music majors studying the effect of technology on their chosen fields.
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