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Identifying and interpreting incongr...

Ireland, David.

Identifying and interpreting incongruent film music

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Identifying and interpreting incongruent film musicby David Ireland.
作者:	Ireland, David.
出版者:	Cham :Springer International Publishing :2018.
面頁冊數:	xii, 248 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
標題:	Motion pictures and music.
電子資源:	https://doi.org/10.1007/978-3-030-00506-1
ISBN:	9783030005061$q(electronic bk.)

Identifying and interpreting incongruent film music
Ireland, David.

Identifying and interpreting incongruent film music[electronic resource] /by David Ireland. - Cham :Springer International Publishing :2018. - xii, 248 p. :ill., digital ;24 cm. - Palgrave studies in audio-visual culture. - Palgrave studies in audio-visual culture..

1. Introduction -- Part I: Identifying Incongruence -- 2. Interrogating (In)congruence: The Incongruent Perspective -- 3. Identifying (In)congruence -- Part II: Interpreting Incongruence -- 4. Introduction to Part II -- 5. Intradomain Incongruence in the Opening Battle Sequence From Gladiator -- 6. Mozart, Harmonicas, and Aesthetic Incongruence in The Shawshank Redemption -- 7. Jazz, Kazoos, and Conceptual Incongruence in The Informant! -- 8. Duran Duran and Semantic Incongruence in L4yer Cake -- 9. Conclusions.

This book explores the concept of incongruent film music, challenging the idea that this label only describes music that is inappropriate or misfitting for a film's images and narrative. Defining incongruence as a lack of shared properties in the audiovisual relationship, this study examines various types of incongruence between a film and its music and considers the active role that it can play in the construction of a film's meaning and influencing audience response. Synthesising findings from research in the psychology of music in multimedia, as well as from ideas sourced in semiotics, film music, and poststructuralist theory, this interdisciplinary book provides a holistic perspective that reflects the complexity of moments of film-music incongruence. With case studies including well-known films such as Gladiator and The Shawshank Redemption, this book combines scene analysis and empirical audience reception tests to emphasise the subjectivity, context-dependency, and multi-dimensionality inherent in identifying and interpreting incongruent film music.

ISBN: 9783030005061$q(electronic bk.)

Standard No.: 10.1007/978-3-030-00506-1doiSubjects--Topical Terms:

364664
Motion pictures and music.

LC Class. No.: ML2075 / .I745 2018

Dewey Class. No.: 781.542

Identifying and interpreting incongruent film music
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505 0 $a 1. Introduction -- Part I: Identifying Incongruence -- 2. Interrogating (In)congruence: The Incongruent Perspective -- 3. Identifying (In)congruence -- Part II: Interpreting Incongruence -- 4. Introduction to Part II -- 5. Intradomain Incongruence in the Opening Battle Sequence From Gladiator -- 6. Mozart, Harmonicas, and Aesthetic Incongruence in The Shawshank Redemption -- 7. Jazz, Kazoos, and Conceptual Incongruence in The Informant! -- 8. Duran Duran and Semantic Incongruence in L4yer Cake -- 9. Conclusions.
520 $a This book explores the concept of incongruent film music, challenging the idea that this label only describes music that is inappropriate or misfitting for a film's images and narrative. Defining incongruence as a lack of shared properties in the audiovisual relationship, this study examines various types of incongruence between a film and its music and considers the active role that it can play in the construction of a film's meaning and influencing audience response. Synthesising findings from research in the psychology of music in multimedia, as well as from ideas sourced in semiotics, film music, and poststructuralist theory, this interdisciplinary book provides a holistic perspective that reflects the complexity of moments of film-music incongruence. With case studies including well-known films such as Gladiator and The Shawshank Redemption, this book combines scene analysis and empirical audience reception tests to emphasise the subjectivity, context-dependency, and multi-dimensionality inherent in identifying and interpreting incongruent film music.
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