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Staging lossperformance as commemora...

Pinchbeck, Michael.

Staging lossperformance as commemoration /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Staging lossedited by Michael Pinchbeck, Andrew Westerside.
其他題名:	performance as commemoration /
其他作者:	Pinchbeck, Michael.
出版者:	Cham :Springer International Publishing :2018.
面頁冊數:	xxii, 265 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
標題:	TheaterHistory21st century.
電子資源:	https://doi.org/10.1007/978-3-319-97970-0
ISBN:	9783319979700$q(electronic bk.)

Staging lossperformance as commemoration /
Staging lossperformance as commemoration /[electronic resource] :edited by Michael Pinchbeck, Andrew Westerside. - Cham :Springer International Publishing :2018. - xxii, 265 p. :ill., digital ;24 cm.

This book locates and critically theorises an emerging field of twenty-first century theatre practice concerned, either thematically, methodologically, or formally, with acts of commemoration and the commemorative. With notions of memorial, celebration, temporality and remembrance at its heart, and as a timely topic for debate, this book asks how theatre and performance intersects with commemorative acts or rituals in contemporary theatre and performance practice. It considers the (re)performance of history, commemoration as a form of, or performance of, ritual, performance as memorial, performance as eulogy and eulogy as performance. It asks where personal acts of remembrance merge with public or political acts of remembrance, where the boundary between the commemorative and the performative might lie, and how it might be blurred, broken or questioned. It explores how we might remake the past in the present, to consider not just how performance commemorates but how commemoration performs.

ISBN: 9783319979700$q(electronic bk.)

Standard No.: 10.1007/978-3-319-97970-0doiSubjects--Topical Terms:

645491
Theater
--History--21st century.

LC Class. No.: PN2219.M46 / S734 2018

Dewey Class. No.: 792.02

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520 $a This book locates and critically theorises an emerging field of twenty-first century theatre practice concerned, either thematically, methodologically, or formally, with acts of commemoration and the commemorative. With notions of memorial, celebration, temporality and remembrance at its heart, and as a timely topic for debate, this book asks how theatre and performance intersects with commemorative acts or rituals in contemporary theatre and performance practice. It considers the (re)performance of history, commemoration as a form of, or performance of, ritual, performance as memorial, performance as eulogy and eulogy as performance. It asks where personal acts of remembrance merge with public or political acts of remembrance, where the boundary between the commemorative and the performative might lie, and how it might be blurred, broken or questioned. It explores how we might remake the past in the present, to consider not just how performance commemorates but how commemoration performs.
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