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Marina Carrpastures of the unknown /

Carr, Marina, (1964-)

Marina Carrpastures of the unknown /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Marina Carrby Melissa Sihra.
其他題名:	pastures of the unknown /
作者:	Sihra, Melissa.
出版者:	Cham :Springer International Publishing :2018.
面頁冊數:	xiv, 303 p. :ill., digital ;21 cm.
Contained By:	Springer eBooks
標題:	English dramaIrish authors
電子資源:	https://doi.org/10.1007/978-3-319-98331-8
ISBN:	9783319983318$q(electronic bk.)

Marina Carrpastures of the unknown /
Sihra, Melissa.

Marina Carrpastures of the unknown /[electronic resource] :by Melissa Sihra. - Cham :Springer International Publishing :2018. - xiv, 303 p. :ill., digital ;21 cm.

This book locates the theatre of Marina Carr within a female genealogy that revises the patriarchal origins of modern Irish drama. The creative vision of Lady Augusta Gregory underpins the analysis of Carr's dramatic vision throughout the volume in order to re-situate the woman artist as central to Irish theatre. For Carr, 'writing is more about the things you cannot understand than the things you can', and her evocation of 'pastures of the unknown' forms the thematic through-line of this work. Lady Gregory's plays offer an intuitive lineage with Carr which can be identified in their use of language, myth, landscape, women, the transformative power of storytelling and infinite energies of nature and the Otherworld. This book reconnects the severed bridge between Carr and Gregory in order to acknowledge a foundational status for all women in Irish theatre.

ISBN: 9783319983318$q(electronic bk.)

Standard No.: 10.1007/978-3-319-98331-8doiSubjects--Personal Names:

826552
Carr, Marina,
1964---Criticism and interpretation.Subjects--Topical Terms:

177497
English drama
--Irish authors

LC Class. No.: PR6053.A6944

Dewey Class. No.: 822.92

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300 $a xiv, 303 p. : $b ill., digital ; $c 21 cm.
520 $a This book locates the theatre of Marina Carr within a female genealogy that revises the patriarchal origins of modern Irish drama. The creative vision of Lady Augusta Gregory underpins the analysis of Carr's dramatic vision throughout the volume in order to re-situate the woman artist as central to Irish theatre. For Carr, 'writing is more about the things you cannot understand than the things you can', and her evocation of 'pastures of the unknown' forms the thematic through-line of this work. Lady Gregory's plays offer an intuitive lineage with Carr which can be identified in their use of language, myth, landscape, women, the transformative power of storytelling and infinite energies of nature and the Otherworld. This book reconnects the severed bridge between Carr and Gregory in order to acknowledge a foundational status for all women in Irish theatre.
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