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Difficulty in poetrya stylistic model /

Castiglione, Davide.

Difficulty in poetrya stylistic model /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Difficulty in poetryby Davide Castiglione.
其他題名:	a stylistic model /
作者:	Castiglione, Davide.
出版者:	Cham :Springer International Publishing :2019.
面頁冊數:	xvi, 386 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
標題:	PoetryHistory and criticism.
電子資源:	https://doi.org/10.1007/978-3-319-97001-1
ISBN:	9783319970011$q(electronic bk.)

Difficulty in poetrya stylistic model /
Castiglione, Davide.

Difficulty in poetrya stylistic model /[electronic resource] :by Davide Castiglione. - Cham :Springer International Publishing :2019. - xvi, 386 p. :ill., digital ;24 cm.

Introduction -- Part I. Theorising poetic difficulty -- Chapter 1. Approaches and issues -- Chapter 2. Semantics and poetic meaning -- Chapter 3. Linguistic indicators of difficulty -- Chapter 4. Readerly indicators of difficulty -- Chapter 5. A new stylistic model -- Part II. Analysing poetic difficulty -- Chapter 6. Geoffrey Hill -- Chapter 7. Ezra Pound -- Chapter 8. Wallace Stevens -- Chapter 9. Jeremy H. Prynne -- Chapter 10. Susan Howe -- Chapter 11. Mark Strand (the accessible poem) -- Chapter 12. Towards a typology of difficulty in poetry -- Conclusion.

This book theoretically defines and linguistically analyses the popular notion that poetry is 'difficult' - hard to read, hard to understand, hard to engage with. It is the first work to offer a stylistic and cognitive model that sheds new light on the mechanisms of difficulty, as well as on its range of potential effects. Its eight chapters are organised into two thematic parts. The first traces the history of difficulty, surveys its main scholarly traditions, addresses related themes - from elitism to obscurity, from abstraction to intentionality - and introduces a wide array of analytical tools from literary theory and cognitive psychology. These tools are then consistently applied in the second part, which includes several extended analyses of poems by canonical modernists such as Ezra Pound, Wallace Stevens and Hart Crane, alongside those of postmodernist innovators such as Geoffrey Hill, Susan Howe and Charles Bernstein, among others. This innovative work will provide fresh insights and approaches for scholars of stylistics, literary studies, cognitive poetics and psychology.

ISBN: 9783319970011$q(electronic bk.)

Standard No.: 10.1007/978-3-319-97001-1doiSubjects--Topical Terms:

175585
Poetry
--History and criticism.

LC Class. No.: PN1126 / .C378 2019

Dewey Class. No.: 809.1

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505 0 $a Introduction -- Part I. Theorising poetic difficulty -- Chapter 1. Approaches and issues -- Chapter 2. Semantics and poetic meaning -- Chapter 3. Linguistic indicators of difficulty -- Chapter 4. Readerly indicators of difficulty -- Chapter 5. A new stylistic model -- Part II. Analysing poetic difficulty -- Chapter 6. Geoffrey Hill -- Chapter 7. Ezra Pound -- Chapter 8. Wallace Stevens -- Chapter 9. Jeremy H. Prynne -- Chapter 10. Susan Howe -- Chapter 11. Mark Strand (the accessible poem) -- Chapter 12. Towards a typology of difficulty in poetry -- Conclusion.
520 $a This book theoretically defines and linguistically analyses the popular notion that poetry is 'difficult' - hard to read, hard to understand, hard to engage with. It is the first work to offer a stylistic and cognitive model that sheds new light on the mechanisms of difficulty, as well as on its range of potential effects. Its eight chapters are organised into two thematic parts. The first traces the history of difficulty, surveys its main scholarly traditions, addresses related themes - from elitism to obscurity, from abstraction to intentionality - and introduces a wide array of analytical tools from literary theory and cognitive psychology. These tools are then consistently applied in the second part, which includes several extended analyses of poems by canonical modernists such as Ezra Pound, Wallace Stevens and Hart Crane, alongside those of postmodernist innovators such as Geoffrey Hill, Susan Howe and Charles Bernstein, among others. This innovative work will provide fresh insights and approaches for scholars of stylistics, literary studies, cognitive poetics and psychology.
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