國立高雄大學圖資館 |

語系: 繁體中文

說明(常見問題)

圖資館首頁

登入

回首頁 到查詢結果 [ subject:"臺灣" ]

切換: 標籤 | MARC模式 | ISBD

Scenographies of the subject

Friedrich, Lars.

Scenographies of the subject

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Scenographies of the subjectedited by Lars Friedrich, Karin Harrasser, Celine Kaiser.
其他作者:	Friedrich, Lars.
出版者:	Wiesbaden :Springer Fachmedien Wiesbaden :2019.
面頁冊數:	vi, 167 p. :ill. (some col.), digital ;24 cm.
Contained By:	Springer eBooks
標題:	Subjectivity (Linguistics)
電子資源:	https://doi.org/10.1007/978-3-658-12906-4
ISBN:	9783658129064$q(electronic bk.)

Scenographies of the subject
Scenographies of the subject[electronic resource] /edited by Lars Friedrich, Karin Harrasser, Celine Kaiser. - Wiesbaden :Springer Fachmedien Wiesbaden :2019. - vi, 167 p. :ill. (some col.), digital ;24 cm.

Founding scenes -- Scenes of Therapy -- Scenes of Transgression -- Scenes of Theory.

Under what circumstances do subjects become visible? And how do subjects themselves change and move the circumstances that allow them to appear? Rather than describing medial, architectural, or rhetorical arrangements that are readily available to subjects, or concentrating on the processes of subject constitution without their scenic arrangements, this volume is dedicated to the reciprocal production of both subjects and scenes. From various perspectives, it underlines the abysmal conditions in which subjects arrive on stage and vice versa the stages arrive at their subjects. Through articles that analyze concrete scenes in a highly-focused manner and question the concept of the scene itself, this volume argues that there is not subject without a scene, and no scene without an instance of description. Based on this thesis, this volume investigates antique drama and revolutionary rhetoric, therapeutic and bureaucratic facilities, experiments in fine art and film, and, not least, scenes of theory: rhetorical stages that perform arguments and politics. Contents Founding scenes Scenes of Therapy Scenes of Transgression Scenes of Theory Target Groups Students of Social Sciences, Humanities, and Cultural Studies The Editors Dr. Lars Friedrich works at the Institute for German Literature at the University of Frankfurt am Main. Dr. Karin Harrasser is a professor at the Art University in Linz. Dr. Celine Kaiser is a professor at the University of Applied Sciences and Arts in Ottersberg.

ISBN: 9783658129064$q(electronic bk.)

Standard No.: 10.1007/978-3-658-12906-4doiSubjects--Topical Terms:

836933
Subjectivity (Linguistics)

LC Class. No.: P299.S89 / S346 2019

Dewey Class. No.: 121.4

Scenographies of the subject
LDR:02577nmm a2200325 a 4500 001 554955
003 DE-He213
005 20190321080733.0
006 m d
007 cr nn 008maaau
008 191118s2019 gw s 0 eng d
020 $a 9783658129064$q(electronic bk.)
020 $a 9783658129057$q(paper)
024 7 $a 10.1007/978-3-658-12906-4 $2 doi
035 $a 978-3-658-12906-4
040 $a GP $c GP
041 0 $a eng
050 4 $a P299.S89 $b S346 2019
072 7 $a JFD $2 bicssc
072 7 $a SOC052000 $2 bisacsh
072 7 $a JBCT $2 thema
082 0 4 $a 121.4 $2 23
090 $a P299.S89 $b S289 2019
245 1 0 $a Scenographies of the subject $h [electronic resource] / $c edited by Lars Friedrich, Karin Harrasser, Celine Kaiser.
260 $a Wiesbaden : $b Springer Fachmedien Wiesbaden : $b Imprint: Springer VS, $c 2019.
300 $a vi, 167 p. : $b ill. (some col.), digital ; $c 24 cm.
505 0 $a Founding scenes -- Scenes of Therapy -- Scenes of Transgression -- Scenes of Theory.
520 $a Under what circumstances do subjects become visible? And how do subjects themselves change and move the circumstances that allow them to appear? Rather than describing medial, architectural, or rhetorical arrangements that are readily available to subjects, or concentrating on the processes of subject constitution without their scenic arrangements, this volume is dedicated to the reciprocal production of both subjects and scenes. From various perspectives, it underlines the abysmal conditions in which subjects arrive on stage and vice versa the stages arrive at their subjects. Through articles that analyze concrete scenes in a highly-focused manner and question the concept of the scene itself, this volume argues that there is not subject without a scene, and no scene without an instance of description. Based on this thesis, this volume investigates antique drama and revolutionary rhetoric, therapeutic and bureaucratic facilities, experiments in fine art and film, and, not least, scenes of theory: rhetorical stages that perform arguments and politics. Contents Founding scenes Scenes of Therapy Scenes of Transgression Scenes of Theory Target Groups Students of Social Sciences, Humanities, and Cultural Studies The Editors Dr. Lars Friedrich works at the Institute for German Literature at the University of Frankfurt am Main. Dr. Karin Harrasser is a professor at the Art University in Linz. Dr. Celine Kaiser is a professor at the University of Applied Sciences and Arts in Ottersberg.
650 0 $a Subjectivity (Linguistics) $3 836933
650 1 4 $a Media Research. $3 675083
650 2 4 $a Knowledge - Discourse. $3 681483
650 2 4 $a Cultural Studies. $3 561258
700 1 $a Friedrich, Lars. $3 836930
700 1 $a Harrasser, Karin. $3 836931
700 1 $a Kaiser, Celine. $3 836932
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer eBooks
856 4 0 $u https://doi.org/10.1007/978-3-658-12906-4
950 $a Social Sciences (Springer-41176)