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Creativity in the recording studioal...
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Creativity in the recording studioalternative takes /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Creativity in the recording studioby Paul Thompson.
其他題名:
alternative takes /
作者:
Thompson, Paul.
出版者:
Cham :Springer International Publishing :2019.
面頁冊數:
xiv, 285 p. :ill., digital ;22 cm.
Contained By:
Springer eBooks
標題:
Sound recordingsProduction and direction.
電子資源:
https://doi.org/10.1007/978-3-030-01650-0
ISBN:
9783030016500$q(electronic bk.)
Creativity in the recording studioalternative takes /
Thompson, Paul.
Creativity in the recording studio
alternative takes /[electronic resource] :by Paul Thompson. - Cham :Springer International Publishing :2019. - xiv, 285 p. :ill., digital ;22 cm. - Leisure studies in a global era. - Leisure studies in a global era..
1. Introduction -- SIDE A - Creativity as a System. 2. Creativity -- 3 The Creative System of Commercial Record Production. - 4. The Domain of Commercial Record Production -- 5. The Field of Commercial Record Production -- SIDE B - Creative Systems in Action. 6. The Creative System of Songwriting -- 7. The Creative System of Studio Performance -- 8. The Creative System of Engineering. - 9. The Creative System of Producing. - 10. Conclusion.
"Creativity in the Recording Studio: Alternative Takes offers a fresh and fascinating look behind the scenes of the record making process. This book is an indispensable addition to the record production bookshelf." - Albin Zak, Professor of Music, University at Albany, USA and author of The Poetics of Rock: Cutting Tracks, Making Records. "In this detailed and global tour de force, Paul Thompson very effectively dispels the romantic notion of the singular genius in record production. Using Mihaly Csikszentmihalyi's systems theory he illustrates the complexity of the creative process and the multiplicity of its contributors through the use of familiar and relevant clarifying examples." - Richard James Burgess, record producer, music engineer, and author of The Art of Music Production and The History of Music Production Paul Thompson offers an alternative take on the romanticized and mythologized process of record-making. Side A illustrates how creativity arises out of a system in action, and introduces the history, culture, traditions and institutions that contribute to the process of commercial record production. Side B demonstrates this system in action during the central tasks of songwriting, performing, engineering and producing. Using examples from John Lennon, David Bowie, Tupac Shakur, Bjork, Marta Salogni, Sylvia Massy and Rick Rubin, each chapter takes the reader inside a different part of the commercial record production process and uncovers the interactive and interrelated multitude of factors involved in each creative task.
ISBN: 9783030016500$q(electronic bk.)
Standard No.: 10.1007/978-3-030-01650-0doiSubjects--Topical Terms:
454594
Sound recordings
--Production and direction.
LC Class. No.: ML3790 / .T56 2019
Dewey Class. No.: 781.49
Creativity in the recording studioalternative takes /
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"Creativity in the Recording Studio: Alternative Takes offers a fresh and fascinating look behind the scenes of the record making process. This book is an indispensable addition to the record production bookshelf." - Albin Zak, Professor of Music, University at Albany, USA and author of The Poetics of Rock: Cutting Tracks, Making Records. "In this detailed and global tour de force, Paul Thompson very effectively dispels the romantic notion of the singular genius in record production. Using Mihaly Csikszentmihalyi's systems theory he illustrates the complexity of the creative process and the multiplicity of its contributors through the use of familiar and relevant clarifying examples." - Richard James Burgess, record producer, music engineer, and author of The Art of Music Production and The History of Music Production Paul Thompson offers an alternative take on the romanticized and mythologized process of record-making. Side A illustrates how creativity arises out of a system in action, and introduces the history, culture, traditions and institutions that contribute to the process of commercial record production. Side B demonstrates this system in action during the central tasks of songwriting, performing, engineering and producing. Using examples from John Lennon, David Bowie, Tupac Shakur, Bjork, Marta Salogni, Sylvia Massy and Rick Rubin, each chapter takes the reader inside a different part of the commercial record production process and uncovers the interactive and interrelated multitude of factors involved in each creative task.
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