國立高雄大學圖資館 |

語系: 繁體中文

說明(常見問題)

圖資館首頁

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

The changing social economy of artar...

Abbing, Hans.

The changing social economy of artare the arts becoming less exclusive? /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The changing social economy of artby Hans Abbing.
其他題名:	are the arts becoming less exclusive? /
作者:	Abbing, Hans.
出版者:	Cham :Springer International Publishing :2019.
面頁冊數:	v, 257 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
標題:	Art and society.
電子資源:	https://doi.org/10.1007/978-3-030-21668-9
ISBN:	9783030216689$q(electronic bk.)

The changing social economy of artare the arts becoming less exclusive? /
Abbing, Hans.

The changing social economy of artare the arts becoming less exclusive? /[electronic resource] :by Hans Abbing. - Cham :Springer International Publishing :2019. - v, 257 p. :ill., digital ;24 cm.

Chapter 1: Preface -- Chapter 2: The Triumph of Serious Art -- Chapter 3: Authentic Art and Artists -- Chapter 4: Exclusion -- Chapter 5: Distrust of Commerce and Commercialism -- Chapter 6: Sharing Art -- Chapter 7: Conclusion.

Is art for everybody? Why do art lovers attach so much value to authenticity, autonomy and authorship? Why did the arts become so serious in the first place? Why do many artists reject commerce and cultural entrepreneurship? Crucially, are any of the answers to these questions currently changing? Hans Abbing is uniquely placed to answer such questions, and, drawing on his experiences as an economist and sociologist as well as a professional artist, in this volume he addresses them head on. In order to investigate changes in the social economy of the arts, Abbing compares developments in the established arts with those in the popular arts and proceeds to outline key ways that the former can learn from the latter; by lowering the cost of production, fostering innovation, and becoming less exclusive. These assertions are contextualized with analysis of the separation between serious art and entertainment in the nineteenth century, lending credence to the idea that government-supported art worlds have promoted the exclusion of various social groups. Abbing outlines how this is presently changing and why, while the established arts have become less exclusive, they are not yet for everybody.

ISBN: 9783030216689$q(electronic bk.)

Standard No.: 10.1007/978-3-030-21668-9doiSubjects--Topical Terms:

223840
Art and society.

LC Class. No.: N72.S6 / A235 2019

Dewey Class. No.: 701.03

The changing social economy of artare the arts becoming less exclusive? /
LDR:02411nmm a2200325 a 4500 001 566350
003 DE-He213
005 20191218115233.0
006 m d
007 cr nn 008maaau
008 200429s2019 gw s 0 eng d
020 $a 9783030216689$q(electronic bk.)
020 $a 9783030216672$q(paper)
024 7 $a 10.1007/978-3-030-21668-9 $2 doi
035 $a 978-3-030-21668-9
040 $a GP $c GP
041 0 $a eng
050 4 $a N72.S6 $b A235 2019
072 7 $a VSG $2 bicssc
072 7 $a BUS000000 $2 bisacsh
072 7 $a KCY $2 thema
082 0 4 $a 701.03 $2 23
090 $a N72.S6 $b A124 2019
100 1 $a Abbing, Hans. $3 851972
245 1 4 $a The changing social economy of art $h [electronic resource] : $b are the arts becoming less exclusive? / $c by Hans Abbing.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2019.
300 $a v, 257 p. : $b ill., digital ; $c 24 cm.
505 0 $a Chapter 1: Preface -- Chapter 2: The Triumph of Serious Art -- Chapter 3: Authentic Art and Artists -- Chapter 4: Exclusion -- Chapter 5: Distrust of Commerce and Commercialism -- Chapter 6: Sharing Art -- Chapter 7: Conclusion.
520 $a Is art for everybody? Why do art lovers attach so much value to authenticity, autonomy and authorship? Why did the arts become so serious in the first place? Why do many artists reject commerce and cultural entrepreneurship? Crucially, are any of the answers to these questions currently changing? Hans Abbing is uniquely placed to answer such questions, and, drawing on his experiences as an economist and sociologist as well as a professional artist, in this volume he addresses them head on. In order to investigate changes in the social economy of the arts, Abbing compares developments in the established arts with those in the popular arts and proceeds to outline key ways that the former can learn from the latter; by lowering the cost of production, fostering innovation, and becoming less exclusive. These assertions are contextualized with analysis of the separation between serious art and entertainment in the nineteenth century, lending credence to the idea that government-supported art worlds have promoted the exclusion of various social groups. Abbing outlines how this is presently changing and why, while the established arts have become less exclusive, they are not yet for everybody.
650 0 $a Art and society. $3 223840
650 0 $a Authenticity (Philosophy) $3 471240
650 0 $a Commercialism. $3 851973
650 1 4 $a Popular Science in Economics. $3 770313
650 2 4 $a Cultural Economics. $3 737497
650 2 4 $a Public Economics. $3 731080
650 2 4 $a Cultural Studies. $3 561258
650 2 4 $a Cultural Management. $3 675146
650 2 4 $a Entrepreneurship. $3 183598
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer eBooks
856 4 0 $u https://doi.org/10.1007/978-3-030-21668-9
950 $a Economics and Finance (Springer-41170)