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The films of Arturo Ripsteinthe sini...

Duno Gottberg, Luis.

The films of Arturo Ripsteinthe sinister gaze of the world /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The films of Arturo Ripsteinedited by Manuel Gutierrez Silva, Luis Duno Gottberg.
其他題名:	the sinister gaze of the world /
其他作者:	Gutierrez Silva, Manuel.
出版者:	Cham :Springer International Publishing :2019.
面頁冊數:	xvii, 341 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
標題:	Motion picturesHistory and criticism.Mexico
電子資源:	https://doi.org/10.1007/978-3-030-22956-6
ISBN:	9783030229566$q(electronic bk.)

The films of Arturo Ripsteinthe sinister gaze of the world /
The films of Arturo Ripsteinthe sinister gaze of the world /[electronic resource] :edited by Manuel Gutierrez Silva, Luis Duno Gottberg. - Cham :Springer International Publishing :2019. - xvii, 341 p. :ill., digital ;24 cm.

1. Introduction; Manuel Gutierrez Silva -- Part I. Slicing the Nationalist Gaze: Arturo Ripstein in the History of Mexican Cinema -- 2. Fifty Years in Film 1: Ripstein's early years and his place in Mexican cinema; Luis Duno-Gottberg and Manuel Gutierrez Silva -- 3. Anachronism and Dislocation: Tiempo de morir (1965) Between the Nuevo Cine Mexicano and the Global Western; Rielle Navitski -- 4. El castillo de la pureza (1972): A National Allegory about the Perils of Closed Markets; Christina L. Sisk -- 5. Marranismo, Allegory, and the Unsayable in Arturo Ripstein's El Santo Oficio (1974); Erin Graff Zivin -- 6. Becoming "Arturo Ripstein"? On Collaboration and the "Author Function" in The Transnational Film Adaptation of El lugar sin limites (1978); Catherine Grant -- Part II. The Sinister Gaze: Pathos, Abjection, and Blood -- 7. Fifty Years in Film 2. Accomplices: Arturo Ripstein and Paz Alicia Garciadiego, An Interview; Luis Duno Gottberg and Manuel Gutierrez Silva -- 8. Deconstructing the Divas: Music in Arturo Ripstein's El lugar sin limites (1978) and La reina de la noche (1994); Catherine Leen -- 9. Mexican Abjection: Lucha Reyes and the Politics of Suffering in La reina de la noche (1994); Sergio de la Mora -- 10. Profundo carmesi (1996): Blood Weddings in Contemporary Mexico; Javier Guerrero -- Part III. Undoing the Melodramatic Gaze -- 11. Fifty Years in Film 3: The Melodrama and Filmmaking in the Twenty-First Century, An Interview; Luis Duno Gottberg and Manuel Gutierrez Silva -- 12. Arturo Ripstein: The Film Auteur in the Age of Neoliberal Production; Ignacio Sanchez Prado -- 13. La perdicion de los hombres (200): Beyond Melodrama and its Variations; Niamh Thornton -- 14. Mothers, Maidens and Machos: Demolishing the Myths of Mexican Melodrama in Principio y fin (1996); Caryn Connelly -- 15. From La Manuela to La Princesa de Jade: Visual Spectacle and the Repetition Compulsion; Claudia Schaefer.

This book gathers eleven scholarly contributions dedicated to the work of Mexican director Arturo Ripstein. The collection, the first of its kind, constitutes a sustained critical engagement with the twenty-nine films made by this highly acclaimed yet under-studied filmmaker. The eleven essays included come from scholars whose work stands at the intersection of the fields of Latin American and Mexican Film Studies, Gender and Queer Studies, Cultural Studies, History and Literary studies. Ripstein's films, often scripted by his long-time collaborator, Paz Alicia Garciadiego, represent an unprecedented achievement in Mexican and Latin American film. Unlike many of his contemporaries, Ripstein has successfully maintained a prolific output unmatched by any director in the region. Though several book-length studies have been published in Spanish, French, German, and Greek, to date no analogue exists in English. This volume provides a much-needed contribution to the field.

ISBN: 9783030229566$q(electronic bk.)

Standard No.: 10.1007/978-3-030-22956-6doiSubjects--Personal Names:

853768
Ripstein, Arturo.
Subjects--Topical Terms:

620635
Motion pictures
--History and criticism.--Mexico

LC Class. No.: PN1993.5.M4 / F556 2019

Dewey Class. No.: 791.430972

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520 $a This book gathers eleven scholarly contributions dedicated to the work of Mexican director Arturo Ripstein. The collection, the first of its kind, constitutes a sustained critical engagement with the twenty-nine films made by this highly acclaimed yet under-studied filmmaker. The eleven essays included come from scholars whose work stands at the intersection of the fields of Latin American and Mexican Film Studies, Gender and Queer Studies, Cultural Studies, History and Literary studies. Ripstein's films, often scripted by his long-time collaborator, Paz Alicia Garciadiego, represent an unprecedented achievement in Mexican and Latin American film. Unlike many of his contemporaries, Ripstein has successfully maintained a prolific output unmatched by any director in the region. Though several book-length studies have been published in Spanish, French, German, and Greek, to date no analogue exists in English. This volume provides a much-needed contribution to the field.
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