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Politics of practicea rhetoric of pe...
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Hunter, Lynette.
Politics of practicea rhetoric of performativity /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Politics of practiceby Lynette Hunter.
其他題名:
a rhetoric of performativity /
作者:
Hunter, Lynette.
出版者:
Cham :Springer International Publishing :2019.
面頁冊數:
xiii, 278 p. :ill., digital ;24 cm.
Contained By:
Springer eBooks
標題:
Performance art.
電子資源:
https://doi.org/10.1007/978-3-030-14019-9
ISBN:
9783030140199$q(electronic bk.)
Politics of practicea rhetoric of performativity /
Hunter, Lynette.
Politics of practice
a rhetoric of performativity /[electronic resource] :by Lynette Hunter. - Cham :Springer International Publishing :2019. - xiii, 278 p. :ill., digital ;24 cm. - Performance philosophy. - Performance philosophy..
1. Introduction -- 2. The Sociocultural and the Sociosituated -- 3. The Alongside -- 4. Sustaining Sociosituated Performativity with Collaboration -- 5. Transition - Critical Reflections -- 6. Keith Hennessy's Sol Niger, and Turbulence -- 7. Ilya Noe's Deerwalk -- 8. Caro Novella's parentesi, and Resistencias Sonoras -- 9. duskin drum - Selections from performance artmaking -- 10. Completed Notes - Finding Critical Form.
This book discusses affective practices in performance through the study of four contemporary performers - Keith Hennessy, Ilya Noe, Caro Novella, and duskin drum - to suggest a tentative rhetoric of performativity generating political affect and permeating attempts at social justice that are often alterior to discourse. The first part of the book makes a case for the political work done alongside discourse by performers practising with materials that are not-known, in ways that are directly relevant to people carrying out their daily lives. In the second part of the book, four case study chapters circle around figures of irresolvable paradox - hendiadys, enthymeme, anecdote, allegory - that gesture to what is not-known, to study strategies for processes of becoming, knowing and valuing. These figures also shape some elements of these performances that make up a suggested rhetorical stance for performativity.
ISBN: 9783030140199$q(electronic bk.)
Standard No.: 10.1007/978-3-030-14019-9doiSubjects--Topical Terms:
223857
Performance art.
LC Class. No.: NX456.5.P38 / H868 2019
Dewey Class. No.: 701.03
Politics of practicea rhetoric of performativity /
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1. Introduction -- 2. The Sociocultural and the Sociosituated -- 3. The Alongside -- 4. Sustaining Sociosituated Performativity with Collaboration -- 5. Transition - Critical Reflections -- 6. Keith Hennessy's Sol Niger, and Turbulence -- 7. Ilya Noe's Deerwalk -- 8. Caro Novella's parentesi, and Resistencias Sonoras -- 9. duskin drum - Selections from performance artmaking -- 10. Completed Notes - Finding Critical Form.
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This book discusses affective practices in performance through the study of four contemporary performers - Keith Hennessy, Ilya Noe, Caro Novella, and duskin drum - to suggest a tentative rhetoric of performativity generating political affect and permeating attempts at social justice that are often alterior to discourse. The first part of the book makes a case for the political work done alongside discourse by performers practising with materials that are not-known, in ways that are directly relevant to people carrying out their daily lives. In the second part of the book, four case study chapters circle around figures of irresolvable paradox - hendiadys, enthymeme, anecdote, allegory - that gesture to what is not-known, to study strategies for processes of becoming, knowing and valuing. These figures also shape some elements of these performances that make up a suggested rhetorical stance for performativity.
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