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Comics as communicationa functional ...

Davies, Paul Fisher.

Comics as communicationa functional approach /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Comics as communicationby Paul Fisher Davies.
其他題名:	a functional approach /
作者:	Davies, Paul Fisher.
出版者:	Cham :Springer International Publishing :2019.
面頁冊數:	xix, 338 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
標題:	Graphic novelsHistory and criticism.
電子資源:	https://doi.org/10.1007/978-3-030-29722-0
ISBN:	9783030297220$q(electronic bk.)

Comics as communicationa functional approach /
Davies, Paul Fisher.

Comics as communicationa functional approach /[electronic resource] :by Paul Fisher Davies. - Cham :Springer International Publishing :2019. - xix, 338 p. :ill., digital ;24 cm. - Palgrave studies in comics and graphic novels. - Palgrave studies in comics and graphic novels..

1. Introduction -- 2. Prelude: 'Animating' the narrative in abstract comics -- 3. Representing Processes in Graphic Narrative -- 4. Games Comics Play: Interpersonal Interaction in Graphic Narrative -- 5. Abstraction and the Interpersonal in Graphic Narrative -- 6. Cohesion and the Textuality of Comics -- 7. The Logical Structures of Comics: Hypotaxis, Parataxis and Text Worlds -- 8. Coda: Metaphor, magic and making meanings -- 9. Conclusion.

This book explores how comics function to make meanings in the manner of a language. It outlines a framework for describing the resources and practices of comics creation and readership, using an approach that is compatible with similar descriptions of linguistic and multimodal communication. The approach is based largely on the work of Michael Halliday, drawing also on the pragmatics of Paul Grice, the Text World Theory of Paul Werth and Joanna Gavins, and ideas from art theory, psychology and narratology. This brings a broad Hallidayan framework of multimodal analysis to comics scholarship, and plays a part in extending that tradition of multimodal linguistics to graphic narrative.

ISBN: 9783030297220$q(electronic bk.)

Standard No.: 10.1007/978-3-030-29722-0doiSubjects--Topical Terms:

529675
Graphic novels
--History and criticism.

LC Class. No.: PN6714 / .D38 2019

Dewey Class. No.: 741.59

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300 $a xix, 338 p. : $b ill., digital ; $c 24 cm.
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505 0 $a 1. Introduction -- 2. Prelude: 'Animating' the narrative in abstract comics -- 3. Representing Processes in Graphic Narrative -- 4. Games Comics Play: Interpersonal Interaction in Graphic Narrative -- 5. Abstraction and the Interpersonal in Graphic Narrative -- 6. Cohesion and the Textuality of Comics -- 7. The Logical Structures of Comics: Hypotaxis, Parataxis and Text Worlds -- 8. Coda: Metaphor, magic and making meanings -- 9. Conclusion.
520 $a This book explores how comics function to make meanings in the manner of a language. It outlines a framework for describing the resources and practices of comics creation and readership, using an approach that is compatible with similar descriptions of linguistic and multimodal communication. The approach is based largely on the work of Michael Halliday, drawing also on the pragmatics of Paul Grice, the Text World Theory of Paul Werth and Joanna Gavins, and ideas from art theory, psychology and narratology. This brings a broad Hallidayan framework of multimodal analysis to comics scholarship, and plays a part in extending that tradition of multimodal linguistics to graphic narrative.
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