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Visualising Britain's Holy land in t...

Burritt, Amanda M.

Visualising Britain's Holy land in the nineteenth century

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Visualising Britain's Holy land in the nineteenth centuryby Amanda M. Burritt.
作者:	Burritt, Amanda M.
出版者:	Cham :Springer International Publishing :2020.
面頁冊數:	xii, 239 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
標題:	Cultural History.
標題:	Great BritainEconomic policy1979-1997.
電子資源:	https://doi.org/10.1007/978-3-030-41261-6
ISBN:	9783030412616$q(electronic bk.)

Visualising Britain's Holy land in the nineteenth century
Burritt, Amanda M.

Visualising Britain's Holy land in the nineteenth century[electronic resource] /by Amanda M. Burritt. - Cham :Springer International Publishing :2020. - xii, 239 p. :ill., digital ;24 cm. - Britain and the world. - Britain and the world..

1 Introduction -- 2 Britain's Vision of the Holy Land -- 3 Holy Land and British Perceptions -- 4 David Roberts: The Biblical Landscape -- 5 David Roberts: Experience of Place -- 6 David Wilkie: Bible Stories in Context -- 7 William Holman Hunt: Archaeology, Theology and Biblical Typology -- 8 William Holman Hunt: Faith Experience and New Images -- 9 Conclusion.

This book demonstrates the complexity of nineteenth-century Britain's engagement with Palestine and its surrounds through the conceptual framing of the region as the Holy Land. British engagement with the region of the Near East in the nineteenth century was multi-faceted, and part of its complexity was exemplified in the powerful relationship between developing and diverse Protestant theologies, visual culture and imperial identity. Britain's Holy Land was visualised through pictorial representation which helped Christians to imagine the land in which familiar Bible stories took place. This book explores ways in which the geopolitical Holy Land was understood as embodying biblical land, biblical history and biblical typology. Through case studies of three British artists, David Roberts, David Wilkie and William Holman Hunt, this book provides a nuanced interpretation of some of the motivations, religious perspectives, attitudes and behaviours of British Protestants in their relationship with the Near East at the time.

ISBN: 9783030412616$q(electronic bk.)

Standard No.: 10.1007/978-3-030-41261-6doiSubjects--Topical Terms:

742092
Cultural History.
Subjects--Geographical Terms:

381151
Great Britain
--Economic policy--1979-1997.

LC Class. No.: BR759 / .B877 2020

Dewey Class. No.: 200.941

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520 $a This book demonstrates the complexity of nineteenth-century Britain's engagement with Palestine and its surrounds through the conceptual framing of the region as the Holy Land. British engagement with the region of the Near East in the nineteenth century was multi-faceted, and part of its complexity was exemplified in the powerful relationship between developing and diverse Protestant theologies, visual culture and imperial identity. Britain's Holy Land was visualised through pictorial representation which helped Christians to imagine the land in which familiar Bible stories took place. This book explores ways in which the geopolitical Holy Land was understood as embodying biblical land, biblical history and biblical typology. Through case studies of three British artists, David Roberts, David Wilkie and William Holman Hunt, this book provides a nuanced interpretation of some of the motivations, religious perspectives, attitudes and behaviours of British Protestants in their relationship with the Near East at the time.
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