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An economic approach to the plagiari...
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Cameron, Samuel.
An economic approach to the plagiarism of music
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
An economic approach to the plagiarism of musicby Samuel Cameron.
作者:
Cameron, Samuel.
出版者:
Cham :Springer International Publishing :2020.
面頁冊數:
ix, 141 p. :ill., digital ;24 cm.
Contained By:
Springer eBooks
標題:
Plagiarism in music.
電子資源:
https://doi.org/10.1007/978-3-030-42109-0
ISBN:
9783030421090$q(electronic bk.)
An economic approach to the plagiarism of music
Cameron, Samuel.
An economic approach to the plagiarism of music
[electronic resource] /by Samuel Cameron. - Cham :Springer International Publishing :2020. - ix, 141 p. :ill., digital ;24 cm. - Cultural economics & the creative economy,2662-4478. - Cultural economics & the creative economy..
Chapter 1. What is Plagiarism and What is Musical Plagiarism? -- Chapter 2. Plagiarism the Old Fashioned Way: Steal from a Composition -- Chapter 3. Sampling, Samples and Library Music -- Chapter 4. Policy Issues -- Appendix.
This book is an economic analysis of plagiarism in music, focusing on social efficiency and questions of inequity in the revenue of authors/artists. The organisation into central chapters on the traditional literary aspect of composition and the technocratic problem of 'sampling' will help clarify disputes about social efficiency and equity. It will also be extremely helpful as an expository method where the text is used in courses on the music business. These issues have been explored to a great extent in other areas of musical content-notably piracy, copying and streaming. Therefore it is extremely helpful to exclude consumer use of musical content from the discussion to focus solely on the production side. This book also looks at the policy options in terms of the welfare economics of policy analysis.
ISBN: 9783030421090$q(electronic bk.)
Standard No.: 10.1007/978-3-030-42109-0doiSubjects--Topical Terms:
870277
Plagiarism in music.
LC Class. No.: K1485 / .C364 2020
Dewey Class. No.: 338.4778
An economic approach to the plagiarism of music
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