國立高雄大學圖資館 |

語系: 繁體中文

說明(常見問題)

圖資館首頁

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Intercultural aesthetics in traditio...

Feng, Wei.

Intercultural aesthetics in traditional Chinese theatrefrom 1978 to the present /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Intercultural aesthetics in traditional Chinese theatreby Wei Feng.
其他題名:	from 1978 to the present /
作者:	Feng, Wei.
出版者:	Cham :Springer International Publishing :2020.
面頁冊數:	xv, 277 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
標題:	Chinese dramaHistory and criticism.
電子資源:	https://doi.org/10.1007/978-3-030-40635-6
ISBN:	9783030406356$q(electronic bk.)

Intercultural aesthetics in traditional Chinese theatrefrom 1978 to the present /
Feng, Wei.

Intercultural aesthetics in traditional Chinese theatrefrom 1978 to the present /[electronic resource] :by Wei Feng. - Cham :Springer International Publishing :2020. - xv, 277 p. :ill., digital ;24 cm.

1. Introduction -- 2. Chapter 1: 'Egotistic' Adaptations of King Lear: Intercultural Playwrights Haunted by Tradition -- 3. Chapter 2: Border-Crossing Chou Actors in Beckettian Jingju -- 4. Chapter 3: Expressionistic Chuanju: Ghosts and Scenography in Lady Macbeth -- 5. Audiences Freed from Illusion?: Brechtian Estrangement and Metatheatricality Displaced in Xiqu -- 6. Conclusion.

This book traces the transformation of traditional Chinese theatre's (xiqu) aesthetics during its encounters with Western drama and theatrical forms in both mainland China and Taiwan since 1978. Through analyzing both the text and performances of eight adapted plays from William Shakespeare, Bertolt Brecht, and Samuel Beckett, this book elaborates on significant changes taking place in playwriting, acting, scenography, and stage-audience relations stemming from intercultural appropriation. As exemplified by each chapter, during the intercultural dialogue of Chinese and foreign elements there exists one-sided dominance by either culture, fusion, and hybridity, which corresponds to the various facets of China's pursuit of modernity between its traditional and Western influences.

ISBN: 9783030406356$q(electronic bk.)

Standard No.: 10.1007/978-3-030-40635-6doiSubjects--Topical Terms:

216431
Chinese drama
--History and criticism.

LC Class. No.: PL2357 / .F464 2020

Dewey Class. No.: 895.12009

Intercultural aesthetics in traditional Chinese theatrefrom 1978 to the present /
LDR:02118nmm a2200325 a 4500 001 580572
003 DE-He213
005 20201029112242.0
006 m
007 cr
008 210105s2020
020 $a 9783030406356$q(electronic bk.)
020 $a 9783030406349$q(paper)
024 7 $a 10.1007/978-3-030-40635-6 $2 doi
035 $a 978-3-030-40635-6
040 $a GP $c GP
041 0 $a eng
050 4 $a PL2357 $b .F464 2020
072 7 $a AN $2 bicssc
072 7 $a PER011000 $2 bisacsh
072 7 $a ATD $2 thema
082 0 4 $a 895.12009 $2 23
090 $a PL2357 $b .F332 2020
100 1 $a Feng, Wei. $3 788087
245 1 0 $a Intercultural aesthetics in traditional Chinese theatre $h [electronic resource] : $b from 1978 to the present / $c by Wei Feng.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2020.
300 $a xv, 277 p. : $b ill., digital ; $c 24 cm.
505 0 $a 1. Introduction -- 2. Chapter 1: 'Egotistic' Adaptations of King Lear: Intercultural Playwrights Haunted by Tradition -- 3. Chapter 2: Border-Crossing Chou Actors in Beckettian Jingju -- 4. Chapter 3: Expressionistic Chuanju: Ghosts and Scenography in Lady Macbeth -- 5. Audiences Freed from Illusion?: Brechtian Estrangement and Metatheatricality Displaced in Xiqu -- 6. Conclusion.
520 $a This book traces the transformation of traditional Chinese theatre's (xiqu) aesthetics during its encounters with Western drama and theatrical forms in both mainland China and Taiwan since 1978. Through analyzing both the text and performances of eight adapted plays from William Shakespeare, Bertolt Brecht, and Samuel Beckett, this book elaborates on significant changes taking place in playwriting, acting, scenography, and stage-audience relations stemming from intercultural appropriation. As exemplified by each chapter, during the intercultural dialogue of Chinese and foreign elements there exists one-sided dominance by either culture, fusion, and hybridity, which corresponds to the various facets of China's pursuit of modernity between its traditional and Western influences.
650 0 $a Chinese drama $x History and criticism. $3 216431
650 0 $a Intercultural communication in the performing arts. $3 584373
650 1 4 $a Contemporary Theatre. $3 774209
650 2 4 $a National/Regional Theatre and Performance. $3 787626
650 2 4 $a Global/International Theatre and Performance. $3 779890
650 2 4 $a Performing Arts. $3 284098
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer eBooks
856 4 0 $u https://doi.org/10.1007/978-3-030-40635-6
950 $a Literature, Cultural and Media Studies (Springer-41173)