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Schubert's late musichistory, theory...

Bodley, Lorraine Byrne.

Schubert's late musichistory, theory, style /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Schubert's late musicedited by Lorraine Byrne Bodley, Julian Horton.
其他題名:	history, theory, style /
其他作者:	Bodley, Lorraine Byrne.
出版者:	Cambridge :Cambridge University Press,2016.
面頁冊數:	xxix, 458 p. :digital ;24 cm.
附註:	Title from publisher's bibliographic system (viewed on 05 Apr 2016).
電子資源:	https://doi.org/10.1017/CBO9781316275887
ISBN:	9781316275887$q(electronic bk.)

Schubert's late musichistory, theory, style /
Schubert's late musichistory, theory, style /[electronic resource] :edited by Lorraine Byrne Bodley, Julian Horton. - Cambridge :Cambridge University Press,2016. - xxix, 458 p. :digital ;24 cm.

Title from publisher's bibliographic system (viewed on 05 Apr 2016).

Schubert's late music has proved pivotal for the development of diverse fields of musical scholarship, from biography and music history to the theory of harmony. This collection addresses current issues in Schubert studies including compositional technique, the topical issue of 'late' style, tonal strategy and form in the composer's instrumental music, and musical readings of the 'postmodern' Schubert. Offering fresh approaches to Schubert's instrumental and vocal works and their reception, this book argues that the music that the composer produced from 1822-8 is central to a paradigm shift in the history of music during the nineteenth century. The contributors provide a timely reassessment of Schubert's legacy, assembling a portrait of the composer that is very different from the sentimental Schubert permeating nineteenth-century culture and the postmodern Schubert of more recent literature.

ISBN: 9781316275887$q(electronic bk.)Subjects--Personal Names:

443852
Schubert, Franz,
1797-1828--Criticism and interpretation.

LC Class. No.: ML410.S3 / S34 2016

Dewey Class. No.: 780.92

Schubert's late musichistory, theory, style /
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520 $a Schubert's late music has proved pivotal for the development of diverse fields of musical scholarship, from biography and music history to the theory of harmony. This collection addresses current issues in Schubert studies including compositional technique, the topical issue of 'late' style, tonal strategy and form in the composer's instrumental music, and musical readings of the 'postmodern' Schubert. Offering fresh approaches to Schubert's instrumental and vocal works and their reception, this book argues that the music that the composer produced from 1822-8 is central to a paradigm shift in the history of music during the nineteenth century. The contributors provide a timely reassessment of Schubert's legacy, assembling a portrait of the composer that is very different from the sentimental Schubert permeating nineteenth-century culture and the postmodern Schubert of more recent literature.
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