國立高雄大學圖資館 |

語系: 繁體中文

說明(常見問題)

圖資館首頁

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Renegotiating film genres in East As...

Aston, James.

Renegotiating film genres in East Asian cinemas and beyond

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Renegotiating film genres in East Asian cinemas and beyondedited by Lin Feng, James Aston.
其他作者:	Feng, Lin.
出版者:	Cham :Springer International Publishing :2020.
面頁冊數:	xiii, 266 p. :ill. (some col.), digital ;24 cm.
Contained By:	Springer Nature eBook
標題:	Film genresEast Asia.
電子資源:	https://doi.org/10.1007/978-3-030-55077-6
ISBN:	9783030550776$q(electronic bk.)

Renegotiating film genres in East Asian cinemas and beyond
Renegotiating film genres in East Asian cinemas and beyond[electronic resource] /edited by Lin Feng, James Aston. - Cham :Springer International Publishing :2020. - xiii, 266 p. :ill. (some col.), digital ;24 cm. - East Asian popular culture,2634-5935. - East Asian popular culture..

1. Introduction -- 2. Rapidly Shifting Landscapes: Two Case Studies in in the UK Distribution and Exhibition of Chinese Language Films in the 21st Century -- 3. East Asian Noir: Transnational Film Noir in Japan, Korea and Hong Kong -- 4. The Wolf is Coming: Genre hybridity in the contemporary Chinese Blockbuster -- 5. Fantasy, Vampirism, and Genre/Gender Wars on the Chinese Screen of the Roaring 1920s -- 6. Premodern History and the Contemporary South Korean Period Blockbuster -- 7. Chinese Censorship, Genre Mediation and the Puzzle Films of Leste Chen -- 8. Critiquing New Generational Japanese Horror: "Youthful Fatalisms, Old Aesthetics" -- 9. Genre and Censorship: The Crime Film in Late Colonial Hong Kong -- 10. Old Shanghai and Film Noir Crossover.

This book brings together nine original chapters to examine genre agency in East Asian cinema within the transnational context. It addresses several urgent and pertinent issues such as the distribution and exhibition practices of East Asian genre films, intra-regional creative flow of screen culture, and genre's creative response to censorship. The volume expands the scholarly discussion of the rich heritage and fast-changing landscape of filmmaking in East Asian cinemas. Confronting the complex interaction between genres, filmic narrative and aesthetics, film history and politics, and cross-cultural translation, this book not only reevaluates genre's role in film production, distribution, and consumption, but also tackles several under-explored areas in film studies and transnational cinema, such as the history of East Asian commercial cinema, the East Asian film industry, and cross-media and cross-market film dissemination. Lin Feng is the Director of Studies of History of Art and Film at the University of Leicester, UK. Her research primarily focuses on Chinese and transnational cinemas, cinematic cities, star studies, and the representation and reception of East Asia in Anglophone cinemas. James Aston is a Senior Lecturer in Film Studies at the University of Hull, UK. His research primarily focuses on contemporary global horror and East Asian cinemas. He is the author of Hardcore Horror in the 21st Century: Production, Marketing and Consumption (2018)

ISBN: 9783030550776$q(electronic bk.)

Standard No.: 10.1007/978-3-030-55077-6doiSubjects--Topical Terms:

881516
Film genres
--East Asia.

LC Class. No.: PN1993.5.E18 / R46 2020

Dewey Class. No.: 791.436095

Renegotiating film genres in East Asian cinemas and beyond
LDR:03331nmm a2200337 a 4500 001 589589
003 DE-He213
005 20210308132710.0
006 m d
007 cr nn 008maaau
008 210601s2020 sz s 0 eng d
020 $a 9783030550776$q(electronic bk.)
020 $a 9783030550769$q(paper)
024 7 $a 10.1007/978-3-030-55077-6 $2 doi
035 $a 978-3-030-55077-6
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1993.5.E18 $b R46 2020
072 7 $a AP $2 bicssc
072 7 $a PER000000 $2 bisacsh
072 7 $a AT $2 thema
082 0 4 $a 791.436095 $2 23
090 $a PN1993.5.E18 $b R399 2020
245 0 0 $a Renegotiating film genres in East Asian cinemas and beyond $h [electronic resource] / $c edited by Lin Feng, James Aston.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2020.
300 $a xiii, 266 p. : $b ill. (some col.), digital ; $c 24 cm.
490 1 $a East Asian popular culture, $x 2634-5935
505 0 $a 1. Introduction -- 2. Rapidly Shifting Landscapes: Two Case Studies in in the UK Distribution and Exhibition of Chinese Language Films in the 21st Century -- 3. East Asian Noir: Transnational Film Noir in Japan, Korea and Hong Kong -- 4. The Wolf is Coming: Genre hybridity in the contemporary Chinese Blockbuster -- 5. Fantasy, Vampirism, and Genre/Gender Wars on the Chinese Screen of the Roaring 1920s -- 6. Premodern History and the Contemporary South Korean Period Blockbuster -- 7. Chinese Censorship, Genre Mediation and the Puzzle Films of Leste Chen -- 8. Critiquing New Generational Japanese Horror: "Youthful Fatalisms, Old Aesthetics" -- 9. Genre and Censorship: The Crime Film in Late Colonial Hong Kong -- 10. Old Shanghai and Film Noir Crossover.
520 $a This book brings together nine original chapters to examine genre agency in East Asian cinema within the transnational context. It addresses several urgent and pertinent issues such as the distribution and exhibition practices of East Asian genre films, intra-regional creative flow of screen culture, and genre's creative response to censorship. The volume expands the scholarly discussion of the rich heritage and fast-changing landscape of filmmaking in East Asian cinemas. Confronting the complex interaction between genres, filmic narrative and aesthetics, film history and politics, and cross-cultural translation, this book not only reevaluates genre's role in film production, distribution, and consumption, but also tackles several under-explored areas in film studies and transnational cinema, such as the history of East Asian commercial cinema, the East Asian film industry, and cross-media and cross-market film dissemination. Lin Feng is the Director of Studies of History of Art and Film at the University of Leicester, UK. Her research primarily focuses on Chinese and transnational cinemas, cinematic cities, star studies, and the representation and reception of East Asia in Anglophone cinemas. James Aston is a Senior Lecturer in Film Studies at the University of Hull, UK. His research primarily focuses on contemporary global horror and East Asian cinemas. He is the author of Hardcore Horror in the 21st Century: Production, Marketing and Consumption (2018)
650 0 $a Film genres $z East Asia. $3 881516
650 1 4 $a Asian Cinema and TV. $3 828552
650 2 4 $a Genre. $3 745009
650 2 4 $a Asian Culture. $3 744825
650 2 4 $a Global Cinema and TV. $3 826586
700 1 $a Feng, Lin. $3 494535
700 1 $a Aston, James. $3 881515
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer Nature eBook
830 0 $a East Asian popular culture. $3 750238
856 4 0 $u https://doi.org/10.1007/978-3-030-55077-6
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)