語系:
繁體中文
English
說明(常見問題)
圖資館首頁
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Craziness and carnival in neo-noir C...
~
Kuoshu, Harry H.
Craziness and carnival in neo-noir Chinese cinema
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Craziness and carnival in neo-noir Chinese cinemaby Harry H. Kuoshu.
作者:
Kuoshu, Harry H.
出版者:
Cham :Springer International Publishing :2021.
面頁冊數:
xi, 158 p. :ill., digital ;24 cm.
Contained By:
Springer Nature eBook
標題:
Film noirHistory and criticism.China
電子資源:
https://doi.org/10.1007/978-3-030-73081-9
ISBN:
9783030730819$q(electronic bk.)
Craziness and carnival in neo-noir Chinese cinema
Kuoshu, Harry H.
Craziness and carnival in neo-noir Chinese cinema
[electronic resource] /by Harry H. Kuoshu. - Cham :Springer International Publishing :2021. - xi, 158 p. :ill., digital ;24 cm. - Chinese literature and culture in the world. - Chinese literature and culture in the world..
Chapter 1: Introduction: Crazy Stone Phenomenon and Chinese Neo-Noir Comedies -- Chapter 2: Prelude: Rehumanization Craziness and Traditional Noir -- Chapter 3: Discourses: Crazy Stone Dropped in a "Postmodern" Pond -- Chapter 4: Films: Because of Crazy Stone -- Chapter 5: Dual Retrievals of Cinematic Craziness: A Coda.
Craziness and Carnival in Neo-Noir Chinese Cinema offers an in-depth discussion of the "stone phenomenon" in Chinese film production and cinematic discourses triggered by the extraordinary success of the 2006 low-budget film, Crazy Stone. Surveying the nuanced implications of the film noir genre, Harry Kuoshu argues that global neo noir maintains a mediascape of references, borrowings, and re-workings and explores various social and cultural issues that constitute this Chinese episode of neo noir. Combining literary explorations of carnival, postmodernism, and post-socialism, Kuoshu advocates for neo noir as a cultural phenomenon that connects filmmakers, film critics, and film audiences rather than an industrial genre. Harry H. Kuoshu is Herring Endowed Chair in Asian Studies and Film Studies at Furman University, USA, where he teaches courses on Chinese film, literature, culture and language. In addition to scholarly articles, he is the author of Lightness of Being in China (1999), Celluloid China (2002), and Metro Movies: Cinematic Urbanism in Post-Mao China (2011)
ISBN: 9783030730819$q(electronic bk.)
Standard No.: 10.1007/978-3-030-73081-9doiSubjects--Uniform Titles:
Crazy stone (Motion picture)
Subjects--Topical Terms:
891458
Film noir
--History and criticism.--China
LC Class. No.: PN1995.9.F54 / K867 2021
Dewey Class. No.: 791.43655
Craziness and carnival in neo-noir Chinese cinema
LDR
:02464nmm a2200337 a 4500
001
597958
003
DE-He213
005
20210730091615.0
006
m d
007
cr nn 008maaau
008
211019s2021 sz s 0 eng d
020
$a
9783030730819$q(electronic bk.)
020
$a
9783030730802$q(paper)
024
7
$a
10.1007/978-3-030-73081-9
$2
doi
035
$a
978-3-030-73081-9
040
$a
GP
$c
GP
041
0
$a
eng
050
4
$a
PN1995.9.F54
$b
K867 2021
072
7
$a
DS
$2
bicssc
072
7
$a
LIT008000
$2
bisacsh
072
7
$a
DS
$2
thema
082
0 4
$a
791.43655
$2
23
090
$a
PN1995.9.F54
$b
K96 2021
100
1
$a
Kuoshu, Harry H.
$3
891457
245
1 0
$a
Craziness and carnival in neo-noir Chinese cinema
$h
[electronic resource] /
$c
by Harry H. Kuoshu.
260
$a
Cham :
$b
Springer International Publishing :
$b
Imprint: Palgrave Macmillan,
$c
2021.
300
$a
xi, 158 p. :
$b
ill., digital ;
$c
24 cm.
490
1
$a
Chinese literature and culture in the world
505
0
$a
Chapter 1: Introduction: Crazy Stone Phenomenon and Chinese Neo-Noir Comedies -- Chapter 2: Prelude: Rehumanization Craziness and Traditional Noir -- Chapter 3: Discourses: Crazy Stone Dropped in a "Postmodern" Pond -- Chapter 4: Films: Because of Crazy Stone -- Chapter 5: Dual Retrievals of Cinematic Craziness: A Coda.
520
$a
Craziness and Carnival in Neo-Noir Chinese Cinema offers an in-depth discussion of the "stone phenomenon" in Chinese film production and cinematic discourses triggered by the extraordinary success of the 2006 low-budget film, Crazy Stone. Surveying the nuanced implications of the film noir genre, Harry Kuoshu argues that global neo noir maintains a mediascape of references, borrowings, and re-workings and explores various social and cultural issues that constitute this Chinese episode of neo noir. Combining literary explorations of carnival, postmodernism, and post-socialism, Kuoshu advocates for neo noir as a cultural phenomenon that connects filmmakers, film critics, and film audiences rather than an industrial genre. Harry H. Kuoshu is Herring Endowed Chair in Asian Studies and Film Studies at Furman University, USA, where he teaches courses on Chinese film, literature, culture and language. In addition to scholarly articles, he is the author of Lightness of Being in China (1999), Celluloid China (2002), and Metro Movies: Cinematic Urbanism in Post-Mao China (2011)
630
0 0
$a
Crazy stone (Motion picture)
$3
891459
650
0
$a
Film noir
$z
China
$x
History and criticism.
$3
891458
650
1 4
$a
Asian Literature.
$3
739810
650
2 4
$a
Asian Cinema and TV.
$3
828552
650
2 4
$a
Cultural Theory.
$3
744952
650
2 4
$a
Literary Theory.
$3
739951
650
2 4
$a
Film Theory.
$3
745014
650
2 4
$a
Close Reading.
$3
787656
710
2
$a
SpringerLink (Online service)
$3
273601
773
0
$t
Springer Nature eBook
830
0
$a
Chinese literature and culture in the world.
$3
644685
856
4 0
$u
https://doi.org/10.1007/978-3-030-73081-9
950
$a
Literature, Cultural and Media Studies (SpringerNature-41173)
筆 0 讀者評論
全部
電子館藏
館藏
1 筆 • 頁數 1 •
1
條碼號
館藏地
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
000000196688
電子館藏
1圖書
電子書
EB PN1995.9.F54 K96 2021 2021
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
多媒體檔案
https://doi.org/10.1007/978-3-030-73081-9
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼
登入