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Adaptation and the new art filmremak...

Mooney, William H.

Adaptation and the new art filmremaking the classics in the twilight of cinema /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Adaptation and the new art filmby William H. Mooney.
其他題名:	remaking the classics in the twilight of cinema /
作者:	Mooney, William H.
出版者:	Cham :Springer International Publishing :2021.
面頁冊數:	x, 279 p. :ill., digital ;24 cm.
Contained By:	Springer Nature eBook
標題:	Film remakesHistory and criticism.
電子資源:	https://doi.org/10.1007/978-3-030-62934-2
ISBN:	9783030629342$q(electronic bk.)

Adaptation and the new art filmremaking the classics in the twilight of cinema /
Mooney, William H.

Adaptation and the new art filmremaking the classics in the twilight of cinema /[electronic resource] :by William H. Mooney. - Cham :Springer International Publishing :2021. - x, 279 p. :ill., digital ;24 cm. - Palgrave studies in adaptation and visual culture,2634-629X. - Palgrave studies in adaptation and visual culture..

Introduction -- Part 1: Rainer Werner Fassbinder and Douglas Sirk -- Chapter 1: The Recreation of All that Heaven Allows as Angst Essen Seele Auf (Fear Eats the Soul, 1974) -- Part 2: Derivations and Procedural Challenges -- Chapter 2. The Palimpsestuous Ghost of Rome Open City (1945) in The Lives of Others (2006) -- Chapter 3. Clouds of Sils Maria and All about Eve: Adapting a Classic Paradigm -- Chapter 4. Leos Carax: Les Amants du Pont-Neuf and City Lights -- Part 3: Nostalgic Adventures and Aesthetic Complications -- Chapter 5. Chantal Akerman in the Labyrinth of Desire: La Captive, Marcel Proust, and Vertigo -- Chapter 6. The Coen Brothers' Retrospective Foreboding -- Chapter 7. Baz Luhrmann's Outsized Ambition: The Great Gatsby and Citizen Kane -- Chapter 8. Conclusion.

Since the 1990s, the expropriation of canonical works of cinema has been a fundamental dimension of art-film exploration. Rainer Werner Fassbinder provides an early model of open adaptation of film classics, followed ever more boldly by the Coen Brothers, Chantal Akerman, Alex Carax, Todd Haynes, Florian Henckel von Donnersmarck, Baz Luhrmann, and Olivier Assayas. This book devotes chapters to each of these directors to examine how their films redeploy landmark precursors such as City Lights (1931), Citizen Kane(1941), Rome Open City (1945), All About Eve (1950), and Vertigo (1958) in order to probe our psychological, philosophical, and historical situations in a postmodern societe du spectacle. In broadly diverse ways, each of these directors complicates received notions of the past and its representation, while probing the transformative media evolution and dislocation of the present, in film art and in society.

ISBN: 9783030629342$q(electronic bk.)

Standard No.: 10.1007/978-3-030-62934-2doiSubjects--Topical Terms:

462778
Film remakes
--History and criticism.

LC Class. No.: PN1995.9.R45 / M666 2021

Dewey Class. No.: 791.436

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