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Performing new German realitiesTurki...

Ozdamar, Emine Sevgi, (1946-)

Performing new German realitiesTurkish-German scripts of postmigration /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Performing new German realitiesby Lizzie Stewart.
其他題名:	Turkish-German scripts of postmigration /
作者:	Stewart, Lizzie.
出版者:	Cham :Springer International Publishing :2021.
面頁冊數:	xix, 322 p. :ill., digital ;24 cm.
Contained By:	Springer Nature eBook
標題:	Theater and societyGermany.
電子資源:	https://link.springer.com/openurl.asp?genre=book&isbn=978-3-030-69848-5
ISBN:	9783030698485$q(electronic bk.)

Performing new German realitiesTurkish-German scripts of postmigration /
Stewart, Lizzie.

Performing new German realitiesTurkish-German scripts of postmigration /[electronic resource] :by Lizzie Stewart. - Cham :Springer International Publishing :2021. - xix, 322 p. :ill., digital ;24 cm. - Contemporary performance interactions,2634-5870. - Contemporary performance interactions..

1. Introduction: Turkish-German Scripts of Postmigration -- 2. Scripts of Migration: Emine Sevgi Ozdamar's Early Plays (1982-2000) -- 3. Zaimoglu/Senkel/Shakespeare: Othello (2003) and the "Turkish-German" Rewrite -- 4. The "Neo-Muslima" Enters the Scene: Black Virgins (2006) and the Postmigrant Theatre -- 5. Performing Institutional Change: New Faces, Shadow Voices (2008) -- 6. Celebrating the New "Normal"? Emine Sevgi Ozdamar's Perikizi (2010) and the Festival Context -- 7. Conclusion: Scripting New Realities - New Realities to Script.

'One in four people in Germany today have a so-called migration background, however, the relationship between theatre and migration there has only recently begun to take centre stage. Indeed, fifty years after large-scale Turkish labour migration to the Federal Republic of Germany began, theatre by Turkish-German artists is only now becoming a consistent feature of Germany's influential state-funded theatrical landscape. Drawing on extensive archival and field work, this book asks where, when, why, and how plays engaging with the new realities of "postmigrant" Germany have been performed over the past 30 years. Focusing on plays by renowned artists Emine Sevgi Ozdamar, and Feridun Zaimoglu/Gunter Senkel, it asks which new realities have been scripted in the theatrical sphere in the process - in the imaginations of playwrights, readers, audience members; in the enactment and direction of scripts on stage; and in the performance of new institutional approaches and cultural policies. Highlighting the role this theatre has played in a larger, ongoing re-scripting of the German stage, this study presents a critical perspective on contemporary European theatre and opens innovative developments in the conceptualization of theatre and post/migration from the German context to English language readers.

ISBN: 9783030698485$q(electronic bk.)

Standard No.: 10.1007/978-3-030-69848-5doiSubjects--Personal Names:

898188
Ozdamar, Emine Sevgi,
1946---Criticism and interpretation.Subjects--Topical Terms:

898191
Theater and society
--Germany.

LC Class. No.: PN2654

Dewey Class. No.: 792.0943

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520 $a 'One in four people in Germany today have a so-called migration background, however, the relationship between theatre and migration there has only recently begun to take centre stage. Indeed, fifty years after large-scale Turkish labour migration to the Federal Republic of Germany began, theatre by Turkish-German artists is only now becoming a consistent feature of Germany's influential state-funded theatrical landscape. Drawing on extensive archival and field work, this book asks where, when, why, and how plays engaging with the new realities of "postmigrant" Germany have been performed over the past 30 years. Focusing on plays by renowned artists Emine Sevgi Ozdamar, and Feridun Zaimoglu/Gunter Senkel, it asks which new realities have been scripted in the theatrical sphere in the process - in the imaginations of playwrights, readers, audience members; in the enactment and direction of scripts on stage; and in the performance of new institutional approaches and cultural policies. Highlighting the role this theatre has played in a larger, ongoing re-scripting of the German stage, this study presents a critical perspective on contemporary European theatre and opens innovative developments in the conceptualization of theatre and post/migration from the German context to English language readers.
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