國立高雄大學圖資館 |

語系: 繁體中文

說明(常見問題)

圖資館首頁

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Transnational German cinemaencounter...

Herrschner, Irina.

Transnational German cinemaencountering Germany through film and events /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Transnational German cinemaedited by Irina Herrschner, Kirsten Stevens, Benjamin Nickl.
其他題名:	encountering Germany through film and events /
其他作者:	Herrschner, Irina.
出版者:	Cham :Springer International Publishing :2021.
面頁冊數:	xi, 201 p. :ill., digital ;24 cm.
Contained By:	Springer Nature eBook
標題:	Motion pictures, German.
電子資源:	https://doi.org/10.1007/978-3-030-72917-2
ISBN:	9783030729172

Transnational German cinemaencountering Germany through film and events /
Transnational German cinemaencountering Germany through film and events /[electronic resource] :edited by Irina Herrschner, Kirsten Stevens, Benjamin Nickl. - Cham :Springer International Publishing :2021. - xi, 201 p. :ill., digital ;24 cm. - Global Germany in transnational dialogues,2522-5332. - Global Germany in transnational dialogues..

This volume explores the notion of German cinema as both a national and increasingly transnational entity. It brings together chapters that analyse the international circuits of development and distribution that shape the emerging films as part of a contemporary "German cinema", the events and spectacles that help frame and re-frame national cinemas and their discoverability, and the well-known filmmakers who sit at the vanguard of the contemporary canon. Thereby, it explores what we understand as German cinema today and the many points where this idea of national cinema can be interrogated, expanded and opened up to new readings. At the heart of this interrogation is a keen awareness of the technological, social, economic and cultural changes that have an impact on global cinemas more broadly: new distribution channels such as streaming platforms and online film festivals, and audience engagement that transcends national borders as well as the cinema space. International film production and financing further heightens the transnational aspects of cinema, a quality that is often neglected in marketing and branding of the filmic product. With particular focus on film festivals, this volume explores the tensions between the national and transnational in film, but also in the events that sit at the heart of global cinema culture. It includes contributions from filmmakers, cultural managers and other professionals in the field of film and cinema, as well as scholarly contributions from academics researching popular culture, film, and events in relation to Germany.

ISBN: 9783030729172

Standard No.: 10.1007/978-3-030-72917-2doiSubjects--Topical Terms:

905861
Motion pictures, German.

LC Class. No.: PN1993.5.G3 / T73 2021

Dewey Class. No.: 791.430943

Transnational German cinemaencountering Germany through film and events /
LDR:02683nmm a2200325 a 4500 001 608412
003 DE-He213
005 20210831134649.0
006 m d
007 cr nn 008maaau
008 220119s2021 sz s 0 eng d
020 $a 9783030729172 $q (electronic bk.)
020 $a 9783030729165 $q (paper)
024 7 $a 10.1007/978-3-030-72917-2 $2 doi
035 $a 978-3-030-72917-2
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1993.5.G3 $b T73 2021
072 7 $a JHB $2 bicssc
072 7 $a SOC052000 $2 bisacsh
072 7 $a JHB $2 thema
082 0 4 $a 791.430943 $2 23
090 $a PN1993.5.G3 $b T772 2021
245 0 0 $a Transnational German cinema $h [electronic resource] : $b encountering Germany through film and events / $c edited by Irina Herrschner, Kirsten Stevens, Benjamin Nickl.
260 $a Cham : $b Springer International Publishing : $b Imprint: Springer, $c 2021.
300 $a xi, 201 p. : $b ill., digital ; $c 24 cm.
490 1 $a Global Germany in transnational dialogues, $x 2522-5332
520 $a This volume explores the notion of German cinema as both a national and increasingly transnational entity. It brings together chapters that analyse the international circuits of development and distribution that shape the emerging films as part of a contemporary "German cinema", the events and spectacles that help frame and re-frame national cinemas and their discoverability, and the well-known filmmakers who sit at the vanguard of the contemporary canon. Thereby, it explores what we understand as German cinema today and the many points where this idea of national cinema can be interrogated, expanded and opened up to new readings. At the heart of this interrogation is a keen awareness of the technological, social, economic and cultural changes that have an impact on global cinemas more broadly: new distribution channels such as streaming platforms and online film festivals, and audience engagement that transcends national borders as well as the cinema space. International film production and financing further heightens the transnational aspects of cinema, a quality that is often neglected in marketing and branding of the filmic product. With particular focus on film festivals, this volume explores the tensions between the national and transnational in film, but also in the events that sit at the heart of global cinema culture. It includes contributions from filmmakers, cultural managers and other professionals in the field of film and cinema, as well as scholarly contributions from academics researching popular culture, film, and events in relation to Germany.
650 0 $a Motion pictures, German. $3 905861
650 0 $a Motion picture industry $z Germany. $3 803695
650 0 $a Film festivals. $3 481929
650 1 4 $a Media Sociology. $3 677240
650 2 4 $a Global Cinema and TV. $3 826586
650 2 4 $a Cultural Studies. $3 561258
650 2 4 $a Screen Studies. $3 823838
650 2 4 $a Media and Communication. $3 742407
700 1 $a Herrschner, Irina. $3 806041
700 1 $a Stevens, Kirsten. $3 763101
700 1 $a Nickl, Benjamin. $3 806040
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer Nature eBook
830 0 $a Global Germany in transnational dialogues. $3 806043
856 4 0 $u https://doi.org/10.1007/978-3-030-72917-2
950 $a Social Sciences (SpringerNature-41176)