國立高雄大學圖資館 |

語系: 繁體中文

說明(常見問題)

圖資館首頁

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Baroque aesthetics in contemporary A...

Eljaiek Rodriguez, Gabriel Andres.

Baroque aesthetics in contemporary American horror

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Baroque aesthetics in contemporary American horrorby Gabriel Eljaiek-Rodriguez.
作者:	Eljaiek Rodriguez, Gabriel Andres.
出版者:	Cham :Springer International Publishing :2021.
面頁冊數:	viii, 179 p. :ill., digital ;24 cm.
Contained By:	Springer Nature eBook
標題:	Horror filmsHistory and criticism.United States
電子資源:	https://doi.org/10.1007/978-3-030-88251-8
ISBN:	9783030882518$q(electronic bk.)

Baroque aesthetics in contemporary American horror
Eljaiek Rodriguez, Gabriel Andres.

Baroque aesthetics in contemporary American horror[electronic resource] /by Gabriel Eljaiek-Rodriguez. - Cham :Springer International Publishing :2021. - viii, 179 p. :ill., digital ;24 cm.

1.Introduction. Tracing Monstrous Multiplicity -- 2.Baroque Aesthetics and Horrors -- 3.US Baroque Horror Series: American Horror Story, Penny Dreadful, Hemlock Grove -- 4.Saturating the Big Screen: Insidious Franchise and The Conjuring Universe -- 5.Baroque Horror Politics. Get Out and American Horror Story: Cult -- 6.Conclusion: "My name is Legion for we are many.".

This book traces a trend that has emerged in recent years within the modern panorama of American horror film and television, the concurrent-and often overwhelming-use of multiple stock characters, themes and tropes taken from classics of the genre. American Horror Story, Insidious and The Conjuring are examples of a filmic tendency to address a series of topics and themes so vast that at first glance each taken separately would seem to suffice for individual films or shows. This book explores this trend in its visible connections with American Horror, but also with cultural and artistic movements from outside the US, namely Baroque art and architecture, Asian Horror, and European Horror. It analyzes how these hybrid products are constructed and discusses the socio-political issues that they raise. The repeated and excessive barrage of images, tropes and scenarios from distinct subgenres of iconic horror films come together to make up an aesthetic that is referred to in this book as Baroque Horror. In many ways similar to the reactions provoked by the artistic movement of the same name that flourished in the XVII century, these productions induce shock, awe, fear, and surprise. Eljaiek-Rodriguez details how American directors and filmmakers construct these narratives using different and sometimes disparate elements that come together to function as a whole, terrifying the audience through their frenetic accumulation of images, tropes and plot twists. The book also addresses some of the effects that these complex films and series have produced both in the panorama of contemporary horror, as well as in how we understand politics in a divisive world that pushes for ideological homogenizations. Gabriel Eljaiek-Rodriguez is a Colombian writer and academic. He teaches at Spelman College in Atlanta, USA, and has written extensively on the Latin American Gothic, Horror cinema, and cultural migration. He has published Selva de fantasmas: El gotico en la literatura y el cine latinoamericanos (2017); The Migration and Politics of Monsters in Latin American Cinema (Palgrave Macmillan, 2018), and Colombian Gothic in Cinema and Literature (2021)

ISBN: 9783030882518$q(electronic bk.)

Standard No.: 10.1007/978-3-030-88251-8doiSubjects--Topical Terms:

619853
Horror films
--History and criticism.--United States

LC Class. No.: PN1993.5.U6 / E55 2021

Dewey Class. No.: 791.4361640973

Baroque aesthetics in contemporary American horror
LDR:03552nmm a2200325 a 4500 001 612384
003 DE-He213
005 20211210133150.0
006 m d
007 cr nn 008maaau
008 220526s2021 sz s 0 eng d
020 $a 9783030882518$q(electronic bk.)
020 $a 9783030882501$q(paper)
024 7 $a 10.1007/978-3-030-88251-8 $2 doi
035 $a 978-3-030-88251-8
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1993.5.U6 $b E55 2021
072 7 $a AP $2 bicssc
072 7 $a PER000000 $2 bisacsh
072 7 $a AT $2 thema
082 0 4 $a 791.4361640973 $2 23
090 $a PN1993.5.U6 $b E43 2021
100 1 $a Eljaiek Rodriguez, Gabriel Andres. $3 910837
245 1 0 $a Baroque aesthetics in contemporary American horror $h [electronic resource] / $c by Gabriel Eljaiek-Rodriguez.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2021.
300 $a viii, 179 p. : $b ill., digital ; $c 24 cm.
505 0 $a 1.Introduction. Tracing Monstrous Multiplicity -- 2.Baroque Aesthetics and Horrors -- 3.US Baroque Horror Series: American Horror Story, Penny Dreadful, Hemlock Grove -- 4.Saturating the Big Screen: Insidious Franchise and The Conjuring Universe -- 5.Baroque Horror Politics. Get Out and American Horror Story: Cult -- 6.Conclusion: "My name is Legion for we are many.".
520 $a This book traces a trend that has emerged in recent years within the modern panorama of American horror film and television, the concurrent-and often overwhelming-use of multiple stock characters, themes and tropes taken from classics of the genre. American Horror Story, Insidious and The Conjuring are examples of a filmic tendency to address a series of topics and themes so vast that at first glance each taken separately would seem to suffice for individual films or shows. This book explores this trend in its visible connections with American Horror, but also with cultural and artistic movements from outside the US, namely Baroque art and architecture, Asian Horror, and European Horror. It analyzes how these hybrid products are constructed and discusses the socio-political issues that they raise. The repeated and excessive barrage of images, tropes and scenarios from distinct subgenres of iconic horror films come together to make up an aesthetic that is referred to in this book as Baroque Horror. In many ways similar to the reactions provoked by the artistic movement of the same name that flourished in the XVII century, these productions induce shock, awe, fear, and surprise. Eljaiek-Rodriguez details how American directors and filmmakers construct these narratives using different and sometimes disparate elements that come together to function as a whole, terrifying the audience through their frenetic accumulation of images, tropes and plot twists. The book also addresses some of the effects that these complex films and series have produced both in the panorama of contemporary horror, as well as in how we understand politics in a divisive world that pushes for ideological homogenizations. Gabriel Eljaiek-Rodriguez is a Colombian writer and academic. He teaches at Spelman College in Atlanta, USA, and has written extensively on the Latin American Gothic, Horror cinema, and cultural migration. He has published Selva de fantasmas: El gotico en la literatura y el cine latinoamericanos (2017); The Migration and Politics of Monsters in Latin American Cinema (Palgrave Macmillan, 2018), and Colombian Gothic in Cinema and Literature (2021)
650 0 $a Horror films $z United States $x History and criticism. $3 619853
650 0 $a Horror television programs $z United States $x History and criticism. $3 910838
650 0 $a Aesthetics, Baroque in motion pictures. $3 910839
650 1 4 $a American Cinema and TV. $3 826537
650 2 4 $a Genre. $3 745009
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-3-030-88251-8
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)