國立高雄大學圖資館 |

登入

回首頁

Indigenous plots in twenty-first century Latin American cinema

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Indigenous plots in twenty-first century Latin American cinemaby Maria Chiara D'Argenio.
作者:	D'Argenio, Maria Chiara.
出版者:	Cham :Springer International Publishing :2022.
面頁冊數:	xii, 287 p. :ill., digital ;24 cm.
Contained By:	Springer Nature eBook
標題:	Motion picturesHistory21st century.Latin America
電子資源:	https://doi.org/10.1007/978-3-030-93914-4
ISBN:	9783030939144$q(electronic bk.)

Indigenous plots in twenty-first century Latin American cinema
D'Argenio, Maria Chiara.

Indigenous plots in twenty-first century Latin American cinema[electronic resource] /by Maria Chiara D'Argenio. - Cham :Springer International Publishing :2022. - xii, 287 p. :ill., digital ;24 cm.

Chapter 1. Inter/cultural Films for Global Consumption -- Chapter 2. Holistic Cultural Criticism and the Social Life of Films: Madeinusa (2006) and La teta asustada (2009) -- Chapter 3.Realist Modes of Production and the Politics of Memory: Ixcanul (2015) and La llorona (2019) -- Chapter 4. Human Rights Culture and the (Im)Possibilities of Decoloniality: El abrazo de la serpiente (2015) -- Chapter 5. Coloniality, Affect and Queering Gestures: Zona sur (2009) -- Chapter 6. Necropolitics, Activism and Pedagogy: Terra Vermelha (2008) -- Chapter 7. Coevalness, Indigenous Modernity and Indigenization: El sueno del mara'akame (2016) -- Chapter 8. The Power of Aesthetics: Retablo (2017), Winaypacha (2017), Cancion sin nombre (2019)

In this engaging book, Maria Chiara D'Argenio delineates a turn in recent Latin American filmmaking towards inter/cultural feature films made by non-Indigenous directors. Aimed at a global audience, but played by Indigenous actors, these films tell Indigenous stories in Indigenous languages. Over the last two decades, a growing number of Latin American films have screened the Indigenous experience by combining the local and the global in a way that has proved appealing at international film festivals. Locating the films in composite webs of past and present traditions and forms, Indigenous Plots in Twenty-First Century Latin American Cinema examines the critical reflection offered by recent inter/cultural films and the socio-cultural impact, if any, they might have had. Through the analysis of a selection of films produced between 2006 and 2019, the book gauges the extent to which non-Indigenous directors who set out to engage critically with colonial legacies and imaginaries, as well as with contemporary Indigenous marginalization, succeed in addressing these concerns by 'unthinking' and 'undoing' Western centrism and coloniality. Drawing on a wide range of disciplines and considering the entire cinematic process - from pre-production to the films' production, circulation and critical reception - Indigenous Plots in Twenty-First Century Latin American Cinema makes the case for a holistic cultural criticism to explain the cultural and political work cinema does in specific historical contexts. Maria Chiara D'Argenio has published extensively on Latin American cinema and Peruvian visual culture and is lecturer in the Department of Spanish, Portuguese and Latin American Studies at University College London, UK.

ISBN: 9783030939144$q(electronic bk.)

Standard No.: 10.1007/978-3-030-93914-4doiSubjects--Topical Terms:

642114
Motion pictures
--History--Latin America--21st century.

LC Class. No.: PN1993.5.L3

Dewey Class. No.: 791.43098

Indigenous plots in twenty-first century Latin American cinema
LDR:03480nmm a2200325 a 4500 001 623171
003 DE-He213
005 20220331195317.0
006 m d
007 cr nn 008maaau
008 221209s2022 sz s 0 eng d
020 $a 9783030939144$q(electronic bk.)
020 $a 9783030939137$q(paper)
024 7 $a 10.1007/978-3-030-93914-4 $2 doi
035 $a 978-3-030-93914-4
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1993.5.L3
072 7 $a AP $2 bicssc
072 7 $a PER004000 $2 bisacsh
072 7 $a AT $2 thema
082 0 4 $a 791.43098 $2 23
090 $a PN1993.5.L3 $b D217 2022
100 1 $a D'Argenio, Maria Chiara. $3 925262
245 1 0 $a Indigenous plots in twenty-first century Latin American cinema $h [electronic resource] / $c by Maria Chiara D'Argenio.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2022.
300 $a xii, 287 p. : $b ill., digital ; $c 24 cm.
505 0 $a Chapter 1. Inter/cultural Films for Global Consumption -- Chapter 2. Holistic Cultural Criticism and the Social Life of Films: Madeinusa (2006) and La teta asustada (2009) -- Chapter 3.Realist Modes of Production and the Politics of Memory: Ixcanul (2015) and La llorona (2019) -- Chapter 4. Human Rights Culture and the (Im)Possibilities of Decoloniality: El abrazo de la serpiente (2015) -- Chapter 5. Coloniality, Affect and Queering Gestures: Zona sur (2009) -- Chapter 6. Necropolitics, Activism and Pedagogy: Terra Vermelha (2008) -- Chapter 7. Coevalness, Indigenous Modernity and Indigenization: El sueno del mara'akame (2016) -- Chapter 8. The Power of Aesthetics: Retablo (2017), Winaypacha (2017), Cancion sin nombre (2019)
520 $a In this engaging book, Maria Chiara D'Argenio delineates a turn in recent Latin American filmmaking towards inter/cultural feature films made by non-Indigenous directors. Aimed at a global audience, but played by Indigenous actors, these films tell Indigenous stories in Indigenous languages. Over the last two decades, a growing number of Latin American films have screened the Indigenous experience by combining the local and the global in a way that has proved appealing at international film festivals. Locating the films in composite webs of past and present traditions and forms, Indigenous Plots in Twenty-First Century Latin American Cinema examines the critical reflection offered by recent inter/cultural films and the socio-cultural impact, if any, they might have had. Through the analysis of a selection of films produced between 2006 and 2019, the book gauges the extent to which non-Indigenous directors who set out to engage critically with colonial legacies and imaginaries, as well as with contemporary Indigenous marginalization, succeed in addressing these concerns by 'unthinking' and 'undoing' Western centrism and coloniality. Drawing on a wide range of disciplines and considering the entire cinematic process - from pre-production to the films' production, circulation and critical reception - Indigenous Plots in Twenty-First Century Latin American Cinema makes the case for a holistic cultural criticism to explain the cultural and political work cinema does in specific historical contexts. Maria Chiara D'Argenio has published extensively on Latin American cinema and Peruvian visual culture and is lecturer in the Department of Spanish, Portuguese and Latin American Studies at University College London, UK.
650 0 $a Motion pictures $z Latin America $x History $y 21st century. $3 642114
650 0 $a Indigenous peoples in motion pictures. $3 478783
650 0 $a Indigenous peoples $z Latin America. $3 925263
650 1 4 $a Latin American Film and TV. $3 925264
650 2 4 $a Latin American Culture. $3 745000
650 2 4 $a Global Film and TV. $3 923336
650 2 4 $a Latin American/Caribbean Literature. $3 792912
650 2 4 $a Political Science. $3 274226
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-3-030-93914-4
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)