語系:
繁體中文
English
說明(常見問題)
圖資館首頁
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
From Victim to Savior: Women in Demonic Possession Films.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
From Victim to Savior: Women in Demonic Possession Films.
作者:
Graham, Faith.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, 2022
面頁冊數:
67 p.
附註:
Source: Masters Abstracts International, Volume: 83-09.
附註:
Advisor: Schmid, David.
Contained By:
Masters Abstracts International83-09.
標題:
Film studies.
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28965201
ISBN:
9798790658648
From Victim to Savior: Women in Demonic Possession Films.
Graham, Faith.
From Victim to Savior: Women in Demonic Possession Films.
- Ann Arbor : ProQuest Dissertations & Theses, 2022 - 67 p.
Source: Masters Abstracts International, Volume: 83-09.
Thesis (M.A.)--State University of New York at Buffalo, 2022.
This item must not be sold to any third party vendors.
The amount of theoretical work devoted to demonic possession horror films has been limited in comparison to its counterpart, the slasher. In an attempt to track the demonic possession sub-genre and its changes—or lack thereof—in this thesis I analyze the The Exorcist, The Last Exorcism, The Exorcism of Emily Rose, The Possession of Hannah Grace, Evil Dead, and lastly, Jennifer’s Body. Since little critical work has been done on this sub-genre, I use criticism of slasher movies to conclude that there has been little to no progression of the demonic possession film. Jennifer’s Body is not the latest demonic possession film discussed in this thesis but it is the only one that took the model The Exorcist created and twisted it to produce a progressive take on the genre. The renewed popularity of the slasher sub-genre in recent years and the related decline of demonic possession films, which were once the top sub-genre of horror in movie theaters, suggests that something has to change for demonic possession films to succeed again. I argue that the sub-genre needs to embrace what Jennifer’s Body attempted, and allow women to be their own saviors instead of showing possession as a punishment for a woman’s “shortcomings.” Additionally, the sub-genre should open itself up and place men in the position of the possessed and allow them to have the same emotions as the possessed woman—primal terror, sorrow, and fear.
ISBN: 9798790658648Subjects--Topical Terms:
886722
Film studies.
Subjects--Index Terms:
Demonic possession
From Victim to Savior: Women in Demonic Possession Films.
LDR
:02621nmm a2200397 4500
001
636077
005
20230501063853.5
006
m o d
007
cr#unu||||||||
008
230724s2022 ||||||||||||||||| ||eng d
020
$a
9798790658648
035
$a
(MiAaPQ)AAI28965201
035
$a
AAI28965201
040
$a
MiAaPQ
$c
MiAaPQ
100
1
$a
Graham, Faith.
$3
942361
245
1 0
$a
From Victim to Savior: Women in Demonic Possession Films.
260
1
$a
Ann Arbor :
$b
ProQuest Dissertations & Theses,
$c
2022
300
$a
67 p.
500
$a
Source: Masters Abstracts International, Volume: 83-09.
500
$a
Advisor: Schmid, David.
502
$a
Thesis (M.A.)--State University of New York at Buffalo, 2022.
506
$a
This item must not be sold to any third party vendors.
520
$a
The amount of theoretical work devoted to demonic possession horror films has been limited in comparison to its counterpart, the slasher. In an attempt to track the demonic possession sub-genre and its changes—or lack thereof—in this thesis I analyze the The Exorcist, The Last Exorcism, The Exorcism of Emily Rose, The Possession of Hannah Grace, Evil Dead, and lastly, Jennifer’s Body. Since little critical work has been done on this sub-genre, I use criticism of slasher movies to conclude that there has been little to no progression of the demonic possession film. Jennifer’s Body is not the latest demonic possession film discussed in this thesis but it is the only one that took the model The Exorcist created and twisted it to produce a progressive take on the genre. The renewed popularity of the slasher sub-genre in recent years and the related decline of demonic possession films, which were once the top sub-genre of horror in movie theaters, suggests that something has to change for demonic possession films to succeed again. I argue that the sub-genre needs to embrace what Jennifer’s Body attempted, and allow women to be their own saviors instead of showing possession as a punishment for a woman’s “shortcomings.” Additionally, the sub-genre should open itself up and place men in the position of the possessed and allow them to have the same emotions as the possessed woman—primal terror, sorrow, and fear.
590
$a
School code: 0656.
650
4
$a
Film studies.
$3
886722
650
4
$a
British & Irish literature.
$3
826995
650
4
$a
Comparative literature.
$3
207651
653
$a
Demonic possession
653
$a
Feminist studies
653
$a
Film studies
653
$a
Horror
653
$a
Women in horror
690
$a
0593
690
$a
0900
690
$a
0295
710
2
$a
State University of New York at Buffalo.
$b
English.
$3
826897
773
0
$t
Masters Abstracts International
$g
83-09.
790
$a
0656
791
$a
M.A.
792
$a
2022
793
$a
English
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28965201
筆 0 讀者評論
全部
電子館藏
館藏
1 筆 • 頁數 1 •
1
條碼號
館藏地
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
000000222981
電子館藏
可隔夜借閱
電子書
EB 2022
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
多媒體檔案
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28965201
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼
登入