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Graphic Scotland: Visuality and Empire, 1810 – 1913.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Graphic Scotland: Visuality and Empire, 1810 – 1913.
作者:	Golobish, Laura M.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, 2022
面頁冊數:	281 p.
附註:	Source: Dissertations Abstracts International, Volume: 84-05, Section: A.
附註:	Advisor: Anderson-Riedel, Susanne.
Contained By:	Dissertations Abstracts International84-05A.
標題:	Art history.
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29208879
ISBN:	9798357558169

Graphic Scotland: Visuality and Empire, 1810 – 1913.
Golobish, Laura M.

Graphic Scotland: Visuality and Empire, 1810 – 1913. - Ann Arbor : ProQuest Dissertations & Theses, 2022 - 281 p.

Source: Dissertations Abstracts International, Volume: 84-05, Section: A.

Thesis (Ph.D.)--The University of New Mexico, 2022.

This item must not be sold to any third party vendors.

Graphic Scotland: Visuality and Empire, 1810–1913 interrogates the aesthetic, technological, and literary conventions used to represent Scotland’s character in nineteenth-century publications. Beginning in the late eighteenth century, publishers, authors, and readers began to correlate the material format of prints, books, illustration, and bookbinding with individual and national character. Periodicals and literature drew the correlations between the aesthetic conventions of picturesque Scottish landscape, physiognomy of Scottish authors, and bookbinding to frame ideas about Scottish character as a didactic model for middle class British and American readers. Thus, Graphic Scotland offers an intertextual reading of three illustrated publications about Scotland–J.R. Osgood’s 1882 edition of Scott’s Lady of the Lake; John Watson’s lithographic magazine The Glasgow Looking Glass (1825–1826), and Charles Scribner’s 1913 edition of Robert Louis Stevenson’s Kidnapped–to trace the visual transmission of Scottish character through multiple genres, techniques, and material properties to examine the ways Scotland functions as a model for the character of homes, nations, and empire.

ISBN: 9798357558169Subjects--Topical Terms:

766010
Art history.
Subjects--Index Terms:

Bookbinding

Graphic Scotland: Visuality and Empire, 1810 – 1913.
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502 $a Thesis (Ph.D.)--The University of New Mexico, 2022.
506 $a This item must not be sold to any third party vendors.
520 $a Graphic Scotland: Visuality and Empire, 1810–1913 interrogates the aesthetic, technological, and literary conventions used to represent Scotland’s character in nineteenth-century publications. Beginning in the late eighteenth century, publishers, authors, and readers began to correlate the material format of prints, books, illustration, and bookbinding with individual and national character. Periodicals and literature drew the correlations between the aesthetic conventions of picturesque Scottish landscape, physiognomy of Scottish authors, and bookbinding to frame ideas about Scottish character as a didactic model for middle class British and American readers. Thus, Graphic Scotland offers an intertextual reading of three illustrated publications about Scotland–J.R. Osgood’s 1882 edition of Scott’s Lady of the Lake; John Watson’s lithographic magazine The Glasgow Looking Glass (1825–1826), and Charles Scribner’s 1913 edition of Robert Louis Stevenson’s Kidnapped–to trace the visual transmission of Scottish character through multiple genres, techniques, and material properties to examine the ways Scotland functions as a model for the character of homes, nations, and empire.
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