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Chinese martial arts film and the philosophy of action

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Chinese martial arts film and the philosophy of actionStephen Teo.
作者:	Teo, Stephen.
出版者:	Abingdon, Oxon ;Routledge,2021.
面頁冊數:	1 online resource (164 p.) :ill.
標題:	Martial arts filmsHistory and criticism.China
電子資源:	https://www.taylorfrancis.com/books/9781003035435
ISBN:	9781003035435 (electronic bk.)

Chinese martial arts film and the philosophy of action
Teo, Stephen.

Chinese martial arts film and the philosophy of action[electronic resource] /Stephen Teo. - Abingdon, Oxon ;Routledge,2021. - 1 online resource (164 p.) :ill. - Media, culture and social change in Asia ;70.

"This book focuses on the philosophy of Chinese martial arts film, arguing that philosophy provides a key to understanding the whole genre. It draws on Chinese philosophical ideas derived from, or based on, Confucianism, Daoism, Buddhism, and other schools of thought such as Mohism and Legalism, examines a cluster of recent Chinese martial arts films centering on the figure of the xia - the heroic protagonist, the Chinese equivalent of medieval Europe's knight-errant - and outlines the philosophical principles and themes undergirding the actions of xia and their narratives. Overall, the author argues that the genre, apart from being an action-oriented entertainment medium, is inherently moral and ethical"--

ISBN: 9781003035435 (electronic bk.)Subjects--Topical Terms:

952971
Martial arts films
--History and criticism.--ChinaIndex Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PN1995.9.H3 / T464 2021

Dewey Class. No.: 791.4/3657

Chinese martial arts film and the philosophy of action
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490 1 $a Media, culture and social change in Asia ; $v 70
520 $a "This book focuses on the philosophy of Chinese martial arts film, arguing that philosophy provides a key to understanding the whole genre. It draws on Chinese philosophical ideas derived from, or based on, Confucianism, Daoism, Buddhism, and other schools of thought such as Mohism and Legalism, examines a cluster of recent Chinese martial arts films centering on the figure of the xia - the heroic protagonist, the Chinese equivalent of medieval Europe's knight-errant - and outlines the philosophical principles and themes undergirding the actions of xia and their narratives. Overall, the author argues that the genre, apart from being an action-oriented entertainment medium, is inherently moral and ethical"-- $c Provided by publisher.
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