國立高雄大學圖資館 |

Sustainability challenges in the fashion industrycivilization crisis, decolonization, cultural legacy, and transitions /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Sustainability challenges in the fashion industryedited by Miguel Angel Gardetti, Rosa Patricia Larios-Francia.
其他題名:	civilization crisis, decolonization, cultural legacy, and transitions /
其他作者:	Gardetti, Miguel Angel.
出版者:	Singapore :Springer Nature Singapore :2023.
面頁冊數:	xii, 313 p. :ill. (chiefly color), digital ;24 cm.
Contained By:	Springer Nature eBook
標題:	Clothing tradeSustainable methods.
電子資源:	https://doi.org/10.1007/978-981-99-0349-8
ISBN:	9789819903498$q(electronic bk.)

Sustainability challenges in the fashion industrycivilization crisis, decolonization, cultural legacy, and transitions /
Sustainability challenges in the fashion industrycivilization crisis, decolonization, cultural legacy, and transitions /[electronic resource] :edited by Miguel Angel Gardetti, Rosa Patricia Larios-Francia. - Singapore :Springer Nature Singapore :2023. - xii, 313 p. :ill. (chiefly color), digital ;24 cm. - Sustainable textiles: production, processing, manufacturing & chemistry,2662-7116. - Sustainable textiles: production, processing, manufacturing & chemistry..

Introduction -- Retrofitting ETRO: Upholstering the robe's design tradition through transitional spaces -- A Communal approach to Sustainable Fashion -- Towards an inclusive Fashion System -- Frankie Welch's "Cherokee Alphabet" Design: Cultural Appreciation or Cultural Appropriation -- Fashion and the ethnography museum - Practices of decoloniality -- Other Voices: Dynamic Tradition, Empowerment and Andean Fashion in Peru -- Cultural & Cultural Appropriation Challenges of Indigenous People in the Global Fashion Industry -- The Anatomy of One Size Fits All -- Conversations on Decoloniality and Fashion: Speaking, Listening and Collectively (Un)Learning -- Fashion and identity in virtual spaces -- Interventions in traditional clothing systems through anthropological perspective -- Foregrounding the Value of Traitional Indian Crafts: Voices from the Fringe -- Change, imitation and cosmotechnics: fashion and its political possibilities -- Telling the Indigenous Ghanaian Fashion Cosmovision: The Case of Royal Ahenema Sandals -- Artisans, Creativity, and Ethics: "Skill Regimes" in a Mumbai Fashion Export House -- The Fashion Crossroad Method: Political and Epistemological Practices.

Fashion, and the growth of fashion, are presented as the manifestation of a process of civilization, within a capitalist culture (capital understood as material possessions) that has become global and imperialist, of which - in an economic sense - the industry (or the fashion system?) functions as one of its main instruments of exploitation. And with respect to design, Arturo Escobar said: "Can design detach itself from its roots in modernist practices of unsustainability and defuturization and reorient itself towards other commitments, practices, narratives and ontological enactions? Moreover, can design be part of the toolkit for the transition to the pluriverze (i.e. a world in which many worlds can fit)?" This book presents the importance of cultural sustainability in the textiles and fashion industry, decolonizing fashion system and promotes the design for transitions.

ISBN: 9789819903498$q(electronic bk.)

Standard No.: 10.1007/978-981-99-0349-8doiSubjects--Topical Terms:

918872
Clothing trade
--Sustainable methods.

LC Class. No.: HD9940.A2

Dewey Class. No.: 338.47687

Sustainability challenges in the fashion industrycivilization crisis, decolonization, cultural legacy, and transitions /
LDR:03296nmm a2200337 a 4500 001 646842
003 DE-He213
005 20230610124955.0
006 m d
007 cr nn 008maaau
008 240116s2023 si s 0 eng d
020 $a 9789819903498$q(electronic bk.)
020 $a 9789819903481$q(paper)
024 7 $a 10.1007/978-981-99-0349-8 $2 doi
035 $a 978-981-99-0349-8
040 $a GP $c GP
041 0 $a eng
050 4 $a HD9940.A2
072 7 $a RNU $2 bicssc
072 7 $a SCI026000 $2 bisacsh
072 7 $a RNU $2 thema
082 0 4 $a 338.47687 $2 23
090 $a HD9940.A2 $b S964 2023
245 0 0 $a Sustainability challenges in the fashion industry $h [electronic resource] : $b civilization crisis, decolonization, cultural legacy, and transitions / $c edited by Miguel Angel Gardetti, Rosa Patricia Larios-Francia.
260 $a Singapore : $b Springer Nature Singapore : $b Imprint: Springer, $c 2023.
300 $a xii, 313 p. : $b ill. (chiefly color), digital ; $c 24 cm.
490 1 $a Sustainable textiles: production, processing, manufacturing & chemistry, $x 2662-7116
505 0 $a Introduction -- Retrofitting ETRO: Upholstering the robe's design tradition through transitional spaces -- A Communal approach to Sustainable Fashion -- Towards an inclusive Fashion System -- Frankie Welch's "Cherokee Alphabet" Design: Cultural Appreciation or Cultural Appropriation -- Fashion and the ethnography museum - Practices of decoloniality -- Other Voices: Dynamic Tradition, Empowerment and Andean Fashion in Peru -- Cultural & Cultural Appropriation Challenges of Indigenous People in the Global Fashion Industry -- The Anatomy of One Size Fits All -- Conversations on Decoloniality and Fashion: Speaking, Listening and Collectively (Un)Learning -- Fashion and identity in virtual spaces -- Interventions in traditional clothing systems through anthropological perspective -- Foregrounding the Value of Traitional Indian Crafts: Voices from the Fringe -- Change, imitation and cosmotechnics: fashion and its political possibilities -- Telling the Indigenous Ghanaian Fashion Cosmovision: The Case of Royal Ahenema Sandals -- Artisans, Creativity, and Ethics: "Skill Regimes" in a Mumbai Fashion Export House -- The Fashion Crossroad Method: Political and Epistemological Practices.
520 $a Fashion, and the growth of fashion, are presented as the manifestation of a process of civilization, within a capitalist culture (capital understood as material possessions) that has become global and imperialist, of which - in an economic sense - the industry (or the fashion system?) functions as one of its main instruments of exploitation. And with respect to design, Arturo Escobar said: "Can design detach itself from its roots in modernist practices of unsustainability and defuturization and reorient itself towards other commitments, practices, narratives and ontological enactions? Moreover, can design be part of the toolkit for the transition to the pluriverze (i.e. a world in which many worlds can fit)?" This book presents the importance of cultural sustainability in the textiles and fashion industry, decolonizing fashion system and promotes the design for transitions.
650 0 $a Clothing trade $x Sustainable methods. $3 918872
650 0 $a Clothing trade $x Social aspects. $3 602906
650 0 $a Textile industry $x Environmental aspects. $3 683142
650 0 $a Textile industry $x Social aspects. $3 955872
650 0 $a Social responsibility of business. $3 200434
650 1 4 $a Sustainability. $3 376755
650 2 4 $a Cultural Heritage. $3 276076
650 2 4 $a Wood, fabric, and textiles. $3 913294
650 2 4 $a Fashion and the Body. $3 919946
650 2 4 $a Economic Geography. $3 274590
700 1 $a Gardetti, Miguel Angel. $3 729138
700 1 $a Larios-Francia, Rosa Patricia. $3 901340
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer Nature eBook
830 0 $a Sustainable textiles: production, processing, manufacturing & chemistry. $3 858560
856 4 0 $u https://doi.org/10.1007/978-981-99-0349-8
950 $a Earth and Environmental Science (SpringerNature-11646)