國立高雄大學圖資館 |

登入

回首頁

Understanding CCI through Chinese theatre

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Understanding CCI through Chinese theatreby Haili Ma.
作者:	Ma, Haili.
出版者:	Cham :Springer International Publishing :2024.
面頁冊數:	v, 162 p. :ill., digital ;24 cm.
Contained By:	Springer Nature eBook
標題:	Theater and societyChina.
標題:	China
電子資源:	https://doi.org/10.1007/978-3-031-45874-3
ISBN:	9783031458743$q(electronic bk.)

Understanding CCI through Chinese theatre
Ma, Haili.

Understanding CCI through Chinese theatre[electronic resource] /by Haili Ma. - Cham :Springer International Publishing :2024. - v, 162 p. :ill., digital ;24 cm.

1. Introduction -- 2. Zhejiang all-female Yueju, from textile factory to creative cluster -- 3. Xi'an Qinqiang, 'creative destruction' for new urban branding -- 4. Suzhou Kunqu, conspicuous consumption for the new scholar middle class -- 5. Dongbei Errenzhuan, the rise and fall of a Chinese entertainment industry -- 6. Fujian Gaojiaxi, global illegal migrants' opera consumption -- 7. Shanghai Huju, Opera Village verses Disneyland, the power of the tradition -- 8. Conclusion.

This book examines the development of Cultural and Creative Industries (CCI) in China through the angle of Chinese Theatre, xiqu. It focuses on the political and socio-economic transition period at the turn of the 21st century, as China evolves from 'Made in China' to 'Created in China', highlighting associated class reconstruction and cultural production and consumption. There are many forms of Chinese Theatre, the most popular one throughout Chinese history to date is the sing-song drama, collectively refers to as xiqu, which currently has over 300 regional styles across China. In 2014, President Xi Jinping's Beijing Talk on Arts and Literature, which serves as China's latest Chinese Communist Party (CCP) ideological direction and cultural policy, stressed that 'the future of Chinese cultural and creative industries is to be anchored on traditional art forms, such as xiqu'. Such Chinese cultural and creative industry distinction will be addressed in this book. Haili Ma is Associate Professor in the School of Performance and Cultural Industries at the University of Leeds, UK. Haili's research focuses on Chinese theatre and the cultural and creative industries in global contexts. Before coming to the UK in 1997, Haili was a member of the Shanghai Luwan All-Female Yue Opera Company, specializing in Xiaosheng (male role) Haili is the author of Urban Politics and Cultural Capital: The Case of Chinese Opera (2015)

ISBN: 9783031458743$q(electronic bk.)

Standard No.: 10.1007/978-3-031-45874-3doiSubjects--Topical Terms:

972527
Theater and society
--China.Subjects--Geographical Terms:

236825
China

LC Class. No.: PN2871.5

Dewey Class. No.: 792.0951

Understanding CCI through Chinese theatre
LDR:02912nmm a2200337 a 4500 001 661113
003 DE-He213
005 20231213041643.0
006 m d
007 cr nn 008maaau
008 241106s2024 sz s 0 eng d
020 $a 9783031458743$q(electronic bk.)
020 $a 9783031458736$q(paper)
024 7 $a 10.1007/978-3-031-45874-3 $2 doi
035 $a 978-3-031-45874-3
040 $a GP $c GP
041 0 $a eng
050 4 $a PN2871.5
072 7 $a JFC $2 bicssc
072 7 $a 1F $2 bicssc
072 7 $a SOC000000 $2 bisacsh
072 7 $a JBCC $x 1F $2 thema
082 0 4 $a 792.0951 $2 23
090 $a PN2871.5 $b .M111 2024
100 1 $a Ma, Haili. $3 972526
245 1 0 $a Understanding CCI through Chinese theatre $h [electronic resource] / $c by Haili Ma.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Pivot, $c 2024.
300 $a v, 162 p. : $b ill., digital ; $c 24 cm.
505 0 $a 1. Introduction -- 2. Zhejiang all-female Yueju, from textile factory to creative cluster -- 3. Xi'an Qinqiang, 'creative destruction' for new urban branding -- 4. Suzhou Kunqu, conspicuous consumption for the new scholar middle class -- 5. Dongbei Errenzhuan, the rise and fall of a Chinese entertainment industry -- 6. Fujian Gaojiaxi, global illegal migrants' opera consumption -- 7. Shanghai Huju, Opera Village verses Disneyland, the power of the tradition -- 8. Conclusion.
520 $a This book examines the development of Cultural and Creative Industries (CCI) in China through the angle of Chinese Theatre, xiqu. It focuses on the political and socio-economic transition period at the turn of the 21st century, as China evolves from 'Made in China' to 'Created in China', highlighting associated class reconstruction and cultural production and consumption. There are many forms of Chinese Theatre, the most popular one throughout Chinese history to date is the sing-song drama, collectively refers to as xiqu, which currently has over 300 regional styles across China. In 2014, President Xi Jinping's Beijing Talk on Arts and Literature, which serves as China's latest Chinese Communist Party (CCP) ideological direction and cultural policy, stressed that 'the future of Chinese cultural and creative industries is to be anchored on traditional art forms, such as xiqu'. Such Chinese cultural and creative industry distinction will be addressed in this book. Haili Ma is Associate Professor in the School of Performance and Cultural Industries at the University of Leeds, UK. Haili's research focuses on Chinese theatre and the cultural and creative industries in global contexts. Before coming to the UK in 1997, Haili was a member of the Shanghai Luwan All-Female Yue Opera Company, specializing in Xiaosheng (male role) Haili is the author of Urban Politics and Cultural Capital: The Case of Chinese Opera (2015)
650 0 $a Theater and society $z China. $3 972527
650 0 $a Theater and state $z China. $3 972528
650 1 4 $a Asian Culture. $3 744825
650 2 4 $a Theatre and Performance Arts. $3 913285
650 2 4 $a Cultural Policy and Politics. $3 760266
650 2 4 $a Cultural Heritage. $3 276076
651 0 $a China $3 236825
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-3-031-45874-3
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)