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The age of caricature :satirical prints in the reign of George III /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	The age of caricature :Diana Donald.
其他題名:	satirical prints in the reign of George III /
作者:	Donald, Diana.
出版者:	New Haven :Published for the Paul Mellon Centre for Studies in British Art by Yale University Press,1996.
面頁冊數:	viii, 248 pages :illustrations (some color) ;29 cm
標題:	1700-1820
標題:	Political satire, EnglishHistory and criticism.
標題:	Great BritainEconomic policy1979-1997.
ISBN:	0300066058

The age of caricature :satirical prints in the reign of George III /
Donald, Diana.

The age of caricature :satirical prints in the reign of George III /Diana Donald. - New Haven :Published for the Paul Mellon Centre for Studies in British Art by Yale University Press,1996. - viii, 248 pages :illustrations (some color) ;29 cm

Includes bibliographical references (pages 199-243) and index.

Introduction: The Laughing Audience --1.

The late eighteenth century in England was the first great age of cartooning, and British caricature prints of the period have long been enjoyed for their humour and vitality. Now Diana Donald presents the first major study of these caricatures, challenging many assumptions about them. She shows that they were a widely disseminated form of political expression and propaganda, being as subtle and eloquent as the written word.

ISBN: 0300066058

�45.00

LCCN: 95049193

Nat. Bib. No.: GB9634875bnbSubjects--Personal Names:

436703
George
III,King of Great Britain,1738-1820--Humor.Subjects--Chronological Terms:

1700-1820
Subjects--Topical Terms:

249370
Political satire, English
--History and criticism.Subjects--Geographical Terms:

381151
Great Britain
--Economic policy--1979-1997.Subjects--Index Terms:

SatireIndex Terms--Genre/Form:

707539
Caricatures and cartoons.

LC Class. No.: DA505 / .D73 1996

Dewey Class. No.: 941.07/3

Universal Decimal Class. No.: (41)741.5 DON

The age of caricature :satirical prints in the reign of George III /
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505 0 0 $t Introduction: The Laughing Audience -- $g 1. $t 'The Miserable Tribe of Party Etchers' -- $g 2. $t Wit and Emblem: The Language of Political Prints -- $g 3. $t 'Struggles for Happiness': The Fashionable World -- $g 4. $t The Crowd in Caricature: 'A Picture of England'? -- $g 5. $t 'John Bull bother'd': The French Revolution and the Propaganda War of the 1790s -- $t Epilogue: Peterloo and the End of the Georgian Tradition in Satire.
520 $a The late eighteenth century in England was the first great age of cartooning, and British caricature prints of the period have long been enjoyed for their humour and vitality. Now Diana Donald presents the first major study of these caricatures, challenging many assumptions about them. She shows that they were a widely disseminated form of political expression and propaganda, being as subtle and eloquent as the written word.
520 8 $a Analysing the meanings of the prints, Donald applies current perspectives on the eighteenth century to the changing roles of women and constructions of gender, the alleged rise of a consumer society, the growth of political awareness outside aristocratic circles, and the problems of defining 'class' values in the later Georgian era.
520 8 $a Discussing the social position of the Georgian satirist within the hierarchy of high and low art production, she also examines the relationship between the shifting styles of political prints and the antagonisms of different political cultures. She looks at caricatures of fashion as expressions of ambivalent attitudes to luxury and 'high society'; depictions of the crowd and the light they shed on the myth of the freeborn Englishman; and what caricatures reveal about British reactions to the French Revolution.
520 8 $a Donald concludes her study with the demise of the Georgian satirical print in the early nineteenth century, which she attributes in part to the new and urgent political purposes of radicals in the post Napoleonic era.
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