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The clay writershaping in creative w...

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The clay writershaping in creative writing /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The clay writerby Zoran Zivkovic.
其他題名:	shaping in creative writing /
作者:	Zivkovic, Zoran.
出版者:	Cham :Springer International Publishing :2019.
面頁冊數:	xii, 136 p. :ill. (some col.), digital ;24 cm.
Contained By:	Springer eBooks
標題:	Creative writing.
電子資源:	https://doi.org/10.1007/978-3-030-19753-7
ISBN:	9783030197537$q(electronic bk.)

The clay writershaping in creative writing /
Zivkovic, Zoran.

The clay writershaping in creative writing /[electronic resource] :by Zoran Zivkovic. - Cham :Springer International Publishing :2019. - xii, 136 p. :ill. (some col.), digital ;24 cm.

Part I Essays -- The Clay Writer -- Annotations 1 -- Part II Fiction -- The Telephone -- Sherlock Holmes' Last Case: The Letter -- Fingernails -- Lost Illusions -- The First Loop -- Infernal Library -- Annotations 2.

This concise book by the well-known Serbian writer and literary researcher summarizes his decade-long experience of teaching creative writing at the Faculty of Philology, University of Belgrade. Always offering attendees four good reasons for not attending his course, or, in a broader perspective, discouraging them from professional writing altogether, the author reflects ultimately on what it really takes to become a writer of literary fiction. This essay, which makes up the first part of this work, is complemented by a selection of witty short stories, forming the second part, and which have been used as templates in the teaching context.

ISBN: 9783030197537$q(electronic bk.)

Standard No.: 10.1007/978-3-030-19753-7doiSubjects--Topical Terms:

218757
Creative writing.

LC Class. No.: PN189 / .Z58 2019

Dewey Class. No.: 808.02

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505 0 $a Part I Essays -- The Clay Writer -- Annotations 1 -- Part II Fiction -- The Telephone -- Sherlock Holmes' Last Case: The Letter -- Fingernails -- Lost Illusions -- The First Loop -- Infernal Library -- Annotations 2.
520 $a This concise book by the well-known Serbian writer and literary researcher summarizes his decade-long experience of teaching creative writing at the Faculty of Philology, University of Belgrade. Always offering attendees four good reasons for not attending his course, or, in a broader perspective, discouraging them from professional writing altogether, the author reflects ultimately on what it really takes to become a writer of literary fiction. This essay, which makes up the first part of this work, is complemented by a selection of witty short stories, forming the second part, and which have been used as templates in the teaching context.
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