國立高雄大學圖資館 |

Musical variationtoward a transformational perspective /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Musical variationby Carlos de Lemos Almada.
其他題名:	toward a transformational perspective /
作者:	Almada, Carlos.
出版者:	Cham :Springer Nature Switzerland :2023.
面頁冊數:	xxxv, 307 p. :ill., digital ;24 cm.
Contained By:	Springer Nature eBook
標題:	VariationsHistory and criticism.
電子資源:	https://doi.org/10.1007/978-3-031-31451-3
ISBN:	9783031314513$q(electronic bk.)

Musical variationtoward a transformational perspective /
Almada, Carlos.

Musical variationtoward a transformational perspective /[electronic resource] :by Carlos de Lemos Almada. - Cham :Springer Nature Switzerland :2023. - xxxv, 307 p. :ill., digital ;24 cm. - Computational music science,1868-0313. - Computational music science..

Part. I. Decontextualized Variation -- Chapter. 1. Basic concepts -- Chapter. 2. Decomposable variation -- Chapter. 3. Measurement of similarity -- Chapter. 4. Transformational operations -- Chapter. 5. Measurement of similarity -- Part II. Variation on time -- Chapter. 6. Grundgestalt -- Chapter. 7. Developing variation -- Part III. Analysis: Brahms -Intermezzo in A Major Op.118/2 -- Chapter. 8. Formal, harmonic, and metric structure -- Chapter. 9. Derivative analysis -- Afterword -- Further Reading -- Part. IV. Appendices -- Appendix A. Variation in non-tonal contexts -- Appendix B. MDA -- Appendix. C. Algorithms.

This book offers an in-depth analysis of musical variation through a systematic approach, heavily influenced by the principles of Grundgestalt and developed variations, both created by the Austrian composer Arnold Schoenberg (1874-1951) The author introduces a new transformational-derivative model and the theory that supports it, specifically crafted for the examination of tonal music. The idea for this book emerged during a sabbatical at Columbia University, while the content is the product of extensive research conducted at the Federal University of Rio de Janeiro, resulting in the development of the Model of Derivative Analysis. This model places emphasis on the connections between musical entities rather than viewing them as separate entities. As a case study, the Intermezzo in A Major Op.118/2 by Brahms is selected for analysis. The author's goal is to provide a formal and structured approach while maintaining the text's readability and appeal for both musicians and mathematicians in the field of music theory. The book concludes with the author's recommendations for further research.

ISBN: 9783031314513$q(electronic bk.)

Standard No.: 10.1007/978-3-031-31451-3doiSubjects--Topical Terms:

958073
Variations
--History and criticism.

LC Class. No.: MT64.V37

Dewey Class. No.: 781.825

Musical variationtoward a transformational perspective /
LDR:02816nmm a2200361 a 4500 001 648329
003 DE-He213
005 20230714113336.0
006 m d
007 cr nn 008maaau
008 240116s2023 sz s 0 eng d
020 $a 9783031314513$q(electronic bk.)
020 $a 9783031314506$q(paper)
024 7 $a 10.1007/978-3-031-31451-3 $2 doi
035 $a 978-3-031-31451-3
040 $a GP $c GP
041 0 $a eng
050 4 $a MT64.V37
072 7 $a PBW $2 bicssc
072 7 $a AVA $2 bicssc
072 7 $a MAT003000 $2 bisacsh
072 7 $a PBW $2 thema
072 7 $a AVA $2 thema
082 0 4 $a 781.825 $2 23
090 $a MT64.V37 $b A444 2023
100 1 $a Almada, Carlos. $3 958072
245 1 0 $a Musical variation $h [electronic resource] : $b toward a transformational perspective / $c by Carlos de Lemos Almada.
260 $a Cham : $b Springer Nature Switzerland : $b Imprint: Springer, $c 2023.
300 $a xxxv, 307 p. : $b ill., digital ; $c 24 cm.
490 1 $a Computational music science, $x 1868-0313
505 0 $a Part. I. Decontextualized Variation -- Chapter. 1. Basic concepts -- Chapter. 2. Decomposable variation -- Chapter. 3. Measurement of similarity -- Chapter. 4. Transformational operations -- Chapter. 5. Measurement of similarity -- Part II. Variation on time -- Chapter. 6. Grundgestalt -- Chapter. 7. Developing variation -- Part III. Analysis: Brahms -Intermezzo in A Major Op.118/2 -- Chapter. 8. Formal, harmonic, and metric structure -- Chapter. 9. Derivative analysis -- Afterword -- Further Reading -- Part. IV. Appendices -- Appendix A. Variation in non-tonal contexts -- Appendix B. MDA -- Appendix. C. Algorithms.
520 $a This book offers an in-depth analysis of musical variation through a systematic approach, heavily influenced by the principles of Grundgestalt and developed variations, both created by the Austrian composer Arnold Schoenberg (1874-1951) The author introduces a new transformational-derivative model and the theory that supports it, specifically crafted for the examination of tonal music. The idea for this book emerged during a sabbatical at Columbia University, while the content is the product of extensive research conducted at the Federal University of Rio de Janeiro, resulting in the development of the Model of Derivative Analysis. This model places emphasis on the connections between musical entities rather than viewing them as separate entities. As a case study, the Intermezzo in A Major Op.118/2 by Brahms is selected for analysis. The author's goal is to provide a formal and structured approach while maintaining the text's readability and appeal for both musicians and mathematicians in the field of music theory. The book concludes with the author's recommendations for further research.
650 0 $a Variations $x History and criticism. $3 958073
650 0 $a Variations $x Analysis, appreciation. $3 958074
650 0 $a Variations $x Mathematics. $3 958075
650 1 4 $a Mathematics in Music. $3 563603
650 2 4 $a Applications of Mathematics. $3 273744
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer Nature eBook
830 0 $a Computational music science. $3 702665
856 4 0 $u https://doi.org/10.1007/978-3-031-31451-3
950 $a Computer Science (SpringerNature-11645)