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Theatre and performance in the Asia-...

Varney, Denise.

Theatre and performance in the Asia-Pacificregional modernities in the global era /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Theatre and performance in the Asia-PacificDenise Varney...[et al.].
其他題名:	regional modernities in the global era /
其他作者:	Varney, Denise.
出版者:	[Basingstoke] :Palgrave Macmillan,2013.
面頁冊數:	1 online resource.
標題:	TheaterPacific Area.
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137367891
ISBN:	9781137367891 (electronic bk.)

Theatre and performance in the Asia-Pacificregional modernities in the global era /
Theatre and performance in the Asia-Pacificregional modernities in the global era /[electronic resource] :Denise Varney...[et al.]. - [Basingstoke] :Palgrave Macmillan,2013. - 1 online resource. - Studies in international performance. - Studies in international performance..

Introduction: Regional Modernities in the Global Era -- PART I: CHANGING FORMS OF THEATRE AND DRAMA -- 1. Modern Australian Drama: Haunted by the Past -- 2. Modernity and the Self in Singapore: Emily of Emerald Hill -- 3. Modern Drama and Postcolonial Modernity in Indonesia -- 4. Hirata Oriza's Tokyo Notes and the New Modern -- PART II: MOBILE PERFORMANCE AND FLUID IDENTITIES -- 5. Solid and Liquid Modernities in Regional Australia -- 6. Staging Indonesian Modernity After Suharto -- 7. 'Youth is not the Only Thing That Passes at Sonic Speed': Speed and Private Lives in Okada Toshiki's The Sonic Life of a Giant Tortoise -- 8. Dramaturgy of the Liquid: Cargo Kuala Lumpur-Singapore -- PART III: BEYOND REGIONALITY: THE ASIA-PACIFIC'S GLOBAL REACH -- 9. Australian Adaptations: The European Turn -- 10. Performing Liquid Modernity: Chay Yew's Visible Cities in Singapore -- 11. Performing 'Authentic Indonesia' Transculturally -- 12. Kawamura Takeshi's Theatre and the Spectacle of Adaptation -- PART IV: REGIONAL FLOWS -- 13. Cultural Exchange, Arts Festivals and Markers of Modernity -- Conclusion.

"Theatre and Performance in the Asia-Pacific" is an analysis of the theatrical imaginative as it manifests in theatre and performance in Australia, Indonesia, Japan and Singapore. The sites encompass marked differences in language, performance, history and politics, and variations in the solidity and volatility of their imagined worlds. Recognizing these differences, the book explores contrasts in each nation as it identifies with the region and the cultural interconnections that support a regional identity. While the four nations demonstrate degrees of ambivalence and connection to the Asia-Pacific as a region, the project argues that relations to modernity and globalization are less nation-specific. The project articulates a regional configuration of modernity which is multiple, contradictory but nonetheless regional. Each nation has in common the imperative to reconcile with and adapt to European modernity in a way that renders global modernity multiple rather than singular.

ISBN: 9781137367891 (electronic bk.)

Source: 548011Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

645487
Theater
--Pacific Area.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PN2860 / .T44 2013

Dewey Class. No.: 792.091823

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505 0 $a Introduction: Regional Modernities in the Global Era -- PART I: CHANGING FORMS OF THEATRE AND DRAMA -- 1. Modern Australian Drama: Haunted by the Past -- 2. Modernity and the Self in Singapore: Emily of Emerald Hill -- 3. Modern Drama and Postcolonial Modernity in Indonesia -- 4. Hirata Oriza's Tokyo Notes and the New Modern -- PART II: MOBILE PERFORMANCE AND FLUID IDENTITIES -- 5. Solid and Liquid Modernities in Regional Australia -- 6. Staging Indonesian Modernity After Suharto -- 7. 'Youth is not the Only Thing That Passes at Sonic Speed': Speed and Private Lives in Okada Toshiki's The Sonic Life of a Giant Tortoise -- 8. Dramaturgy of the Liquid: Cargo Kuala Lumpur-Singapore -- PART III: BEYOND REGIONALITY: THE ASIA-PACIFIC'S GLOBAL REACH -- 9. Australian Adaptations: The European Turn -- 10. Performing Liquid Modernity: Chay Yew's Visible Cities in Singapore -- 11. Performing 'Authentic Indonesia' Transculturally -- 12. Kawamura Takeshi's Theatre and the Spectacle of Adaptation -- PART IV: REGIONAL FLOWS -- 13. Cultural Exchange, Arts Festivals and Markers of Modernity -- Conclusion.
520 $a "Theatre and Performance in the Asia-Pacific" is an analysis of the theatrical imaginative as it manifests in theatre and performance in Australia, Indonesia, Japan and Singapore. The sites encompass marked differences in language, performance, history and politics, and variations in the solidity and volatility of their imagined worlds. Recognizing these differences, the book explores contrasts in each nation as it identifies with the region and the cultural interconnections that support a regional identity. While the four nations demonstrate degrees of ambivalence and connection to the Asia-Pacific as a region, the project argues that relations to modernity and globalization are less nation-specific. The project articulates a regional configuration of modernity which is multiple, contradictory but nonetheless regional. Each nation has in common the imperative to reconcile with and adapt to European modernity in a way that renders global modernity multiple rather than singular.
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