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Visual typologies from the early mod...

Klich, Lynda.

Visual typologies from the early modern to the contemporarylocal contexts and global practices /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Visual typologies from the early modern to the contemporaryedited by Lynda Klich and Tara Zanardi
其他題名:	local contexts and global practices /
其他作者:	Klich, Lynda.
出版者:	New York, NY :Routledge,2019
面頁冊數:	1 online resource (xx, 298 p.)
標題:	Manners and customs in art
電子資源:	https://www.taylorfrancis.com/books/9781315515137
ISBN:	9781315515137 (ebk.)

Visual typologies from the early modern to the contemporarylocal contexts and global practices /
Visual typologies from the early modern to the contemporarylocal contexts and global practices /[electronic resource] :edited by Lynda Klich and Tara Zanardi - New York, NY :Routledge,2019 - 1 online resource (xx, 298 p.) - Routledge research in art history. - Routledge research in art history.

Includes bibliographical references and index

Repeating, Borrowing, and Serializing -- Staging Place -- Performing the Documentary -- Materials of Typologies -- Unmasking Stereotypes

Visual Typologies from the Early Modern to the Contemporary' investigates the pictorial representation of types from the sixteenth to the twenty-first century. Originating in longstanding visual traditions, including street crier prints and costume albums, these images share certain conventions, as they seek to convey knowledge about different peoples. The genre of the type became widespread in the early modern period, developing into a global language of identity. The essays explore diverse pictorial representations of types, customs, and dress in numerous media, including paintings, prints, postcards, photographs, and garments. Together, they reveal that the activation of typological strategies, including seriality, repetition, appropriation, and subversion has produced a universal and dynamic pictorial language. Typological images highlight the tensions between the local and the international, the specific and the communal, and similarity and difference inherent in the construction of identity. The first full-length study to treat these images as a broader genre, Visual Typologies gives voice to a marginalized form of representation. Together, the essays debunk the classification of such images as unmediated and authentic representations, offering fresh methodological frameworks to consider their meanings locally and globally, and establishing common ground about the operations of objects that sought to shape, embody, or challenge individual and collective identities

ISBN: 9781315515137 (ebk.)

LCCN: 2018004212Subjects--Topical Terms:

900467
Manners and customs in art

LC Class. No.: N8222.M36 / V57 2019

Dewey Class. No.: 700.1

Visual typologies from the early modern to the contemporarylocal contexts and global practices /
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300 $a 1 online resource (xx, 298 p.)
490 1 $a Routledge research in art history
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505 0 $a Repeating, Borrowing, and Serializing -- Staging Place -- Performing the Documentary -- Materials of Typologies -- Unmasking Stereotypes
520 8 $a Visual Typologies from the Early Modern to the Contemporary' investigates the pictorial representation of types from the sixteenth to the twenty-first century. Originating in longstanding visual traditions, including street crier prints and costume albums, these images share certain conventions, as they seek to convey knowledge about different peoples. The genre of the type became widespread in the early modern period, developing into a global language of identity. The essays explore diverse pictorial representations of types, customs, and dress in numerous media, including paintings, prints, postcards, photographs, and garments. Together, they reveal that the activation of typological strategies, including seriality, repetition, appropriation, and subversion has produced a universal and dynamic pictorial language. Typological images highlight the tensions between the local and the international, the specific and the communal, and similarity and difference inherent in the construction of identity. The first full-length study to treat these images as a broader genre, Visual Typologies gives voice to a marginalized form of representation. Together, the essays debunk the classification of such images as unmediated and authentic representations, offering fresh methodological frameworks to consider their meanings locally and globally, and establishing common ground about the operations of objects that sought to shape, embody, or challenge individual and collective identities
650 0 $a Manners and customs in art $3 900467
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