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Refugees, theatre and crisisperformi...

Jeffers, Alison, (1961-)

Refugees, theatre and crisisperforming global identities /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Refugees, theatre and crisisAlison Jeffers.
其他題名:	performing global identities /
其他題名:	Refugees, theater and crisis
作者:	Jeffers, Alison,
出版者:	Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2012.
面頁冊數:	1 online resource (xiii, 197 p.) :ill.
標題:	TheaterPolitical aspects.
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9780230354821
ISBN:	9780230354821 (electronic bk.)

Refugees, theatre and crisisperforming global identities /
Jeffers, Alison,1961-

Refugees, theatre and crisisperforming global identities /[electronic resource] :Refugees, theater and crisisAlison Jeffers. - Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2012. - 1 online resource (xiii, 197 p.) :ill. - Performance interventions. - Performance interventions..

Includes bibliographical references and index.

List of Illustrations -- Acknowledgements -- Preface -- Introduction: Stories, Words and Points of View -- Refugees, Crisis and Bureaucratic Performance -- Hosts and Guests: National Performance and the Ethics of Hospitality -- Taking up Space and Making a Noise: Minority Performances of Activism -- 'We With Them and Them With Us': Diverse Cultural Performances -- Conclusion: Face to Face or Shoulder to Shoulder? -- Notes -- References -- Index --.

Refugees who have travelled to western states to claim asylum must prove that they are 'Convention refugees' before they can be considered 'legitimate': they must show that they have fled individual persecution in their home country and that they fear persecution should they return. In the course of arguing their case as 'Convention refugees' they become enmeshed in bureaucratic performance which often casts them as conventional refugees, those who confirm to cultural expectations of suffering, passivity and silence. This book examines a range of theatre and performance practices that address questions of responsibility, hospitality and understanding. Using examples from Europe, Australia and the US it shows how theatre has represented refugees to the citizens of those states. It discusses the many ways that refugees have represented themselves through theatre and the arts and the challenges that they face as a result of mistrust and the expectations that are placed on them.

ISBN: 9780230354821 (electronic bk.)

Source: 400319Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

290031
Theater
--Political aspects.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PN1643 / .J44 2012

Dewey Class. No.: 792.02/2

Refugees, theatre and crisisperforming global identities /
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505 0 $a List of Illustrations -- Acknowledgements -- Preface -- Introduction: Stories, Words and Points of View -- Refugees, Crisis and Bureaucratic Performance -- Hosts and Guests: National Performance and the Ethics of Hospitality -- Taking up Space and Making a Noise: Minority Performances of Activism -- 'We With Them and Them With Us': Diverse Cultural Performances -- Conclusion: Face to Face or Shoulder to Shoulder? -- Notes -- References -- Index --.
505 0 $a Introduction: stories, words and points of view -- Refugees, crisis and bureaucratic performance -- Hosts and guests: national performance and the ethics of hospitality -- Taking up space and making a noise: minority performances of activism -- 'We with them and them with us': diverse cultural performances -- Conclusion: face to face or shoulder to shoulder.
520 $a Refugees who have travelled to western states to claim asylum must prove that they are 'Convention refugees' before they can be considered 'legitimate': they must show that they have fled individual persecution in their home country and that they fear persecution should they return. In the course of arguing their case as 'Convention refugees' they become enmeshed in bureaucratic performance which often casts them as conventional refugees, those who confirm to cultural expectations of suffering, passivity and silence. This book examines a range of theatre and performance practices that address questions of responsibility, hospitality and understanding. Using examples from Europe, Australia and the US it shows how theatre has represented refugees to the citizens of those states. It discusses the many ways that refugees have represented themselves through theatre and the arts and the challenges that they face as a result of mistrust and the expectations that are placed on them.
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