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Greek tragedy and the contemporary actor

Dunbar, Zachary.

Greek tragedy and the contemporary actor

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Greek tragedy and the contemporary actorby Zachary Dunbar, Stephe Harrop.
作者:	Dunbar, Zachary.
其他作者:	Harrop, Stephe.
出版者:	Cham :Springer International Publishing :2018.
面頁冊數:	ix, 237 p. :digital ;23 cm.
Contained By:	Springer eBooks
標題:	TheaterGreece.
電子資源:	https://doi.org/10.1007/978-3-319-95471-4
ISBN:	9783319954714$q(electronic bk.)

Greek tragedy and the contemporary actor
Dunbar, Zachary.

Greek tragedy and the contemporary actor[electronic resource] /by Zachary Dunbar, Stephe Harrop. - Cham :Springer International Publishing :2018. - ix, 237 p. :digital ;23 cm.

1. Introduction -- 2. The Aristotelian Legacy -- 3. The Stanislavski Legacy -- 4. Acting Sound -- 5. Acting Myth -- 6. Acting Space -- 7. Acting Chorus -- 8. Conclusions.

This book offers a provocative and groundbreaking re-appraisal of the demands of acting ancient tragedy, informed by cutting-edge scholarship in the fields of actor training, theatre history, and classical reception. Its interdisciplinary reach means that it is uniquely positioned to identify, interrogate, and de-mystify the cliches which cluster around Greek tragedy, giving acting students, teachers, and theatre-makers the chance to access a vital range of current debates, and modelling ways in which an enhanced understanding of this material can serve as the stimulus for new experiments in the studio or rehearsal room. Two theoretical chapters contend that Aristotelian readings of tragedy, especially when combined with elements of Stanislavski's (early) actor-training practice, can actually prevent actors from interacting productively with ancient plays and practices. The four chapters which follow (Acting Sound, Acting Myth, Acting Space, and Acting Chorus) examine specific challenges in detail, combining historical summaries with a survey of key modern practitioners, and a sequence of practical exercises.

ISBN: 9783319954714$q(electronic bk.)

Standard No.: 10.1007/978-3-319-95471-4doiSubjects--Topical Terms:

350762
Theater
--Greece.

LC Class. No.: PA3201 / .D86 2018

Dewey Class. No.: 792.0938

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520 $a This book offers a provocative and groundbreaking re-appraisal of the demands of acting ancient tragedy, informed by cutting-edge scholarship in the fields of actor training, theatre history, and classical reception. Its interdisciplinary reach means that it is uniquely positioned to identify, interrogate, and de-mystify the cliches which cluster around Greek tragedy, giving acting students, teachers, and theatre-makers the chance to access a vital range of current debates, and modelling ways in which an enhanced understanding of this material can serve as the stimulus for new experiments in the studio or rehearsal room. Two theoretical chapters contend that Aristotelian readings of tragedy, especially when combined with elements of Stanislavski's (early) actor-training practice, can actually prevent actors from interacting productively with ancient plays and practices. The four chapters which follow (Acting Sound, Acting Myth, Acting Space, and Acting Chorus) examine specific challenges in detail, combining historical summaries with a survey of key modern practitioners, and a sequence of practical exercises.
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