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Intersecting film, music, and queerness
~
Dubowsky, Jack Curtis.
Intersecting film, music, and queerness
Record Type:
Electronic resources : Monograph/item
Title/Author:
Intersecting film, music, and queernessby Jack Curtis Dubowsky.
Author:
Dubowsky, Jack Curtis.
Published:
London :Palgrave Macmillan UK :2016.
Description:
viii, 266 p. :ill., digital ;24 cm.
Contained By:
Springer eBooks
Subject:
Homosexuality in motion pictures.
Online resource:
https://doi.org/10.1057/9781137454218
ISBN:
9781137454218$q(electronic bk.)
Intersecting film, music, and queerness
Dubowsky, Jack Curtis.
Intersecting film, music, and queerness
[electronic resource] /by Jack Curtis Dubowsky. - London :Palgrave Macmillan UK :2016. - viii, 266 p. :ill., digital ;24 cm. - Palgrave studies in audio-visual culture. - Palgrave studies in audio-visual culture..
Intersecting Film, Music, and Queerness uses musicology and queer theory to uncover meaning and message in canonical American cinema. This study considers how queer readings are reinforced or nuanced through analysis of musical score. Taking a broad approach to queerness that questions heteronormative and homonormative patriarchal structures, binary relationships, gender assumptions and anxieties, this book challenges existing interpretations of what is progressive and what is retrogressive in cinema. Examined films include Bride of Frankenstein, Louisiana Story, Rudolph the Red-Nosed Reindeer, Blazing Saddles, Edward Scissorhands, Brokeback Mountain, Boys Don't Cry, Transamerica, Thelma & Louise, Go Fish and The Living End, with special attention given to films that subvert or complicate genre. Music is analyzed with concern for composition, intertextual references, absolute musical structures, song lyrics, recording, arrangement, and performance issues. This multidisciplinary work, featuring groundbreaking research, analysis, and theory, offers new close readings and a model for future scholarship.
ISBN: 9781137454218$q(electronic bk.)
Standard No.: 10.1057/9781137454218doiSubjects--Topical Terms:
220250
Homosexuality in motion pictures.
LC Class. No.: PN1995.9.H55 / D83 2016
Dewey Class. No.: 791.436526642
Intersecting film, music, and queerness
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Intersecting Film, Music, and Queerness uses musicology and queer theory to uncover meaning and message in canonical American cinema. This study considers how queer readings are reinforced or nuanced through analysis of musical score. Taking a broad approach to queerness that questions heteronormative and homonormative patriarchal structures, binary relationships, gender assumptions and anxieties, this book challenges existing interpretations of what is progressive and what is retrogressive in cinema. Examined films include Bride of Frankenstein, Louisiana Story, Rudolph the Red-Nosed Reindeer, Blazing Saddles, Edward Scissorhands, Brokeback Mountain, Boys Don't Cry, Transamerica, Thelma & Louise, Go Fish and The Living End, with special attention given to films that subvert or complicate genre. Music is analyzed with concern for composition, intertextual references, absolute musical structures, song lyrics, recording, arrangement, and performance issues. This multidisciplinary work, featuring groundbreaking research, analysis, and theory, offers new close readings and a model for future scholarship.
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Literature, Cultural and Media Studies (Springer-41173)
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EB PN1995.9.H55 D818 2016 2016
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https://doi.org/10.1057/9781137454218
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