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Imaging identitytext, mediality and ...

Heusser, Martin.

Imaging identitytext, mediality and contemporary visual culture /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Imaging identityedited by Johannes Riquet, Martin Heusser.
其他題名:	text, mediality and contemporary visual culture /
其他作者:	Riquet, Johannes.
出版者:	Cham :Springer International Publishing :2019.
面頁冊數:	xvi, 333 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
標題:	Identity (Psychology) in art.
電子資源:	https://doi.org/10.1007/978-3-030-21774-7
ISBN:	9783030217747$q(electronic bk.)

Imaging identitytext, mediality and contemporary visual culture /
Imaging identitytext, mediality and contemporary visual culture /[electronic resource] :edited by Johannes Riquet, Martin Heusser. - Cham :Springer International Publishing :2019. - xvi, 333 p. :ill., digital ;24 cm.

"A provocative book that is frequently as delightful as insightful. Its ambitious scope-ranging from the selfie and hip-hop celebrity culture to Vietnam War photography and image/text relationships-and its deep engagement with theory and cultures will make this an exciting book for scholars across disciplines." - George Micajah Phillips, Assistant Professor of English at Franklin College, USA This volume explores the many facets and ongoing transformations of our visual identities in the twentieth and twenty-first centuries. Its chapters engage with the constitution of personal, national and cultural identities at the intersection of the verbal and the visual across a range of media. They are attentive to how the medialities and (im)materialities of modern image culture inflect our conceptions of identity, examining the cultural and political force of literature, films, online video messages, rap songs, selfies, digital algorithms, social media, computer-generated images, photojournalism and branding, among others. They also reflect on the image theories that emerged in the same time span-from early theorists such as Charles S. Peirce to twentieth-century models like those proposed by Roland Barthes and Jacques Derrida as well as more recent theories by Jacques Rancière, W. J. T. Mitchell and others. The contributors of Images of Identity come from a wide range of disciplines including literary studies, media studies, art history, tourism studies and semiotics. The book will appeal to an interdisciplinary readership interested in contemporary visual culture and image theory.

ISBN: 9783030217747$q(electronic bk.)

Standard No.: 10.1007/978-3-030-21774-7doiSubjects--Topical Terms:

177781
Identity (Psychology) in art.

LC Class. No.: NX650.I35 / I43 2019

Dewey Class. No.: 700.108

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520 $a "A provocative book that is frequently as delightful as insightful. Its ambitious scope-ranging from the selfie and hip-hop celebrity culture to Vietnam War photography and image/text relationships-and its deep engagement with theory and cultures will make this an exciting book for scholars across disciplines." - George Micajah Phillips, Assistant Professor of English at Franklin College, USA This volume explores the many facets and ongoing transformations of our visual identities in the twentieth and twenty-first centuries. Its chapters engage with the constitution of personal, national and cultural identities at the intersection of the verbal and the visual across a range of media. They are attentive to how the medialities and (im)materialities of modern image culture inflect our conceptions of identity, examining the cultural and political force of literature, films, online video messages, rap songs, selfies, digital algorithms, social media, computer-generated images, photojournalism and branding, among others. They also reflect on the image theories that emerged in the same time span-from early theorists such as Charles S. Peirce to twentieth-century models like those proposed by Roland Barthes and Jacques Derrida as well as more recent theories by Jacques Rancière, W. J. T. Mitchell and others. The contributors of Images of Identity come from a wide range of disciplines including literary studies, media studies, art history, tourism studies and semiotics. The book will appeal to an interdisciplinary readership interested in contemporary visual culture and image theory.
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