國立高雄大學圖資館 |

語系: 繁體中文

說明(常見問題)

圖資館首頁

登入

回首頁 到查詢結果 [ subject:"Film noir" ]

切換: 標籤 | MARC模式 | ISBD

Rethinking the femme fatale in film ...

Grossman, Julie, (1962-)

Rethinking the femme fatale in film noirready for her close-up /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Rethinking the femme fatale in film noirJulie Grossman.
其他題名:	ready for her close-up /
作者:	Grossman, Julie,
出版者:	Basingstoke :Palgrave Macmillan,c2009.
面頁冊數:	xi, 176 p. :ill. ;23 cm.
標題:	Femmes fatales in motion pictures.
電子資源:	access to fulltext (Palgrave)
ISBN:	9780230274983

Rethinking the femme fatale in film noirready for her close-up /
Grossman, Julie,1962-

Rethinking the femme fatale in film noirready for her close-up /[electronic resource] :Julie Grossman. - Basingstoke :Palgrave Macmillan,c2009. - xi, 176 p. :ill. ;23 cm.

Introduction : "no one mourns the wicked" -- Film noir's "femmes fatales" : moving beyond gender fantasies -- "Well, aren't we ambitious? :desire, domesticity, and the "femme fatale" -- Psychological disordersand "wiretapping the unconscious" : film noir listens to women -- Looking back - Victorinoir: modern women and the fatal(e) progeny of Victorian representations -- Looking forward- deconstructing the "femme Fatale".

The 'femme fatale' figure in film noir has long served as a central defining feature of theserich and compelling films of the post-war American period. In Rethinking the Femme Fatale in Film Noir, Julie Grossman shows the extent to which the women often labelled as 'femmes fatales' are in fact sympathetic modern women, whose stories of strength, witand privation command fascination. This study undertakes to erode the category of the 'femme fatale' in favour of careful close readings of film noir and a larger consideration of the drawbacks of labelling womenas angels and 'femmes fatales', a perverse cultural inheritance from the Victorian era. Moreover, the book offers a case for reorienting attention in studies of film noir away from the narrow construction of the 'femme fatale' phantom and toward a more open receptivity to the vibrant women, the compelling female narrative, and the imagery sympathetic to both that, Grossman argues, are all commonly on offer in film noir.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 9780230274983

Standard No.: 10.1057/9780230274983doiSubjects--Topical Terms:

461638
Femmes fatales in motion pictures.
Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PN1995.9

Dewey Class. No.: 791.436522

Rethinking the femme fatale in film noirready for her close-up /
LDR:02575nmm 2200289Ia 4500 001 260004
003 OCoLC
005 20100709082139.0
006 m d
007 cr cn|
008 100903s2009 enka s 000 0 eng d
020 $a 9780230274983
020 $a 0230274986
024 7 $a 10.1057/9780230274983 $2 doi
035 $a (OCoLC)608023872
035 $a ocn608023872
040 $a UKPGM $b eng $c UKPGM
049 $a APTA
050 1 4 $a PN1995.9
082 0 4 $a 791.436522 $2 22
100 1 $a Grossman, Julie, $d 1962- $3 461637
245 1 0 $a Rethinking the femme fatale in film noir $h [electronic resource] : $b ready for her close-up / $c Julie Grossman.
260 $a Basingstoke : $b Palgrave Macmillan, $c c2009.
300 $a xi, 176 p. : $b ill. ; $c 23 cm.
505 0 $a Introduction : "no one mourns the wicked" -- Film noir's "femmes fatales" : moving beyond gender fantasies -- "Well, aren't we ambitious? :desire, domesticity, and the "femme fatale" -- Psychological disordersand "wiretapping the unconscious" : film noir listens to women -- Looking back - Victorinoir: modern women and the fatal(e) progeny of Victorian representations -- Looking forward- deconstructing the "femme Fatale".
520 $a The 'femme fatale' figure in film noir has long served as a central defining feature of theserich and compelling films of the post-war American period. In Rethinking the Femme Fatale in Film Noir, Julie Grossman shows the extent to which the women often labelled as 'femmes fatales' are in fact sympathetic modern women, whose stories of strength, witand privation command fascination. This study undertakes to erode the category of the 'femme fatale' in favour of careful close readings of film noir and a larger consideration of the drawbacks of labelling womenas angels and 'femmes fatales', a perverse cultural inheritance from the Victorian era. Moreover, the book offers a case for reorienting attention in studies of film noir away from the narrow construction of the 'femme fatale' phantom and toward a more open receptivity to the vibrant women, the compelling female narrative, and the imagery sympathetic to both that, Grossman argues, are all commonly on offer in film noir.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2010. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Apr. 12, 2010). $n Access may be restricted to users at subscribing institutions.
650 0 $a Femmes fatales in motion pictures. $3 461638
650 0 $a Film noir $x History and criticism. $3 461639
655 7 $a Electronic books. $2 local. $3 214472
710 2 $a Palgrave Connect (Online service) $3 459825
776 1 $c Original $z 9780230233287 $z 0230233287 $w (OCoLC)317926750
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9780230274983 $z access to fulltext (Palgrave)