國立高雄大學圖資館 |

語系: 繁體中文

說明(常見問題)

圖資館首頁

登入

回首頁 到查詢結果 [ subject:"War films" ]

切換: 標籤 | MARC模式 | ISBD

Cinema's military industrial complex /

Grieveson, Lee, (1969-)

Cinema's military industrial complex /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Cinema's military industrial complex /edited by Haidee Wasson and Lee Grieveson.
其他作者:	Wasson, Haidee,
面頁冊數:	1 online resource (397 p.)
標題:	Motion picture industryMilitary aspectsUnited States.
電子資源:	https://portal.igpublish.com/iglibrary/search/UCPB0001744.html
ISBN:	0520291506

Cinema's military industrial complex /
Cinema's military industrial complex /edited by Haidee Wasson and Lee Grieveson. - 1st ed. - 1 online resource (397 p.)

Includes bibliographical references and index.

Cinema’s military industrial complex -- Dedication -- Contents -- List of Illustrations -- Acknowledgments -- Chapter 1: The Military’s Cinema Complex -- Part One: The Military’s Cinema Apparatus -- Chapter 2: Experimental Viewing Protocols: Film Projection and the American Military -- Chapter 3: Mobilizing the Moving Image: Movie Machines at US Military Bases and Veterans’ Hospitals during World War II -- Chapter 4: Through America’s Eyes: Cinerama and the Cold War -- Chapter 5: An Army of Theaters: Military, Technological, and Industrial Change in US Army Motion-Picture Exhibition -- Part Two: Strategies of Viewing -- Chapter 6: War in Peace: The American Legion and the Continuing Service of Film -- Chapter 7: Managing the Trauma of Labor: Military Psychiatric Cinema in World War II -- Chapter 8: The Cinema Intelligence Apparatus: Gregory Bateson, the Museum of Modern Art Film Library, and the Intelligence Work of Film Studies during World War II -- Chapter 9: Epistemology of the Checkpoint: Gillo Pontecorvo’s Battle of Algiers and the Doctrine of Counterinsurgency -- Part Three: Military-Made Movies -- Chapter 10: Between the Front Lines: Military Training Films, Machine Guns, and the Great War -- Chapter 11: From Wartime Instruction to Superpower Cinema: Maintaining the Military-Industrial Documentary -- Chapter 12: Framing the Bomb in the West: The View from Lookout Mountain -- Chapter 13: Occupation, Diplomacy, and the Moving Image: The US Army as Cultural Interlocutor in Korea, 1945–1948 -- Chapter 14: Shots Made around the World: DASPO’s Documentation of the Vietnam War -- Part Four: The Military and Its Collaborators -- Chapter 15: War, Media, and the Security of State and Capital -- Chapter 16: Star Testimonies: World War and the Cultural Politics of Authority -- Chapter 17: "A Treacherous Tightrope": The Office of War Information, Psychological Warfare, and Film Distribution in Liberated Europe -- Chapter 18: "A Campaign of Truth": Marshall Plan Films in Greece -- Bibliography -- List of Contributors -- Index.

The vast and influential American military has been aided and abetted by cinema since the earliest days of the medium. The army, navy, and air force put films to work in myriad ways, enlisting them to entertain, train, and heal soldiers as well as to propagandize, strategize, spy, map, and develop weapons, from rifles to atomic bombs. Presenting new essays based on archival research, Cinema’s Military Industrial Complex addresses the relationship of military cinema to Hollywood, technological innovation, new modes of filmmaking, unique film styles and genres, and the rise of American soft power across the long twentieth century. This rich and timely volume is essential for scholars interested in the military’s use of media and the exercise of influence within and beyond American borders.

Mode of access: World Wide Web.

ISBN: 0520291506Subjects--Topical Terms:

870032
Motion picture industry
--Military aspects--United States.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PN1993.5.U6

Dewey Class. No.: 384.80973

Cinema's military industrial complex /
LDR:03884nmm a2200313 i 4500 001 580252
006 m eo d
008 201229s2018 cau ob 001 0 eng d
020 $a 0520291506
020 $a 0520291514
020 $a 0520965264
020 $a 9780520291508
020 $a 9780520291515
020 $a 9780520965263
035 $a UCPB0001744
040 $a iG Publishing $b eng $c iG Publishing $e rda
050 0 0 $a PN1993.5.U6
082 0 0 $a 384.80973
245 0 0 $a Cinema's military industrial complex / $c edited by Haidee Wasson and Lee Grieveson.
250 $a 1st ed.
264 1 $a Oakland, California : $b University of California Press, $c 2018.
300 $a 1 online resource (397 p.)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
504 $a Includes bibliographical references and index.
505 0 $a Cinema’s military industrial complex -- Dedication -- Contents -- List of Illustrations -- Acknowledgments -- Chapter 1: The Military’s Cinema Complex -- Part One: The Military’s Cinema Apparatus -- Chapter 2: Experimental Viewing Protocols: Film Projection and the American Military -- Chapter 3: Mobilizing the Moving Image: Movie Machines at US Military Bases and Veterans’ Hospitals during World War II -- Chapter 4: Through America’s Eyes: Cinerama and the Cold War -- Chapter 5: An Army of Theaters: Military, Technological, and Industrial Change in US Army Motion-Picture Exhibition -- Part Two: Strategies of Viewing -- Chapter 6: War in Peace: The American Legion and the Continuing Service of Film -- Chapter 7: Managing the Trauma of Labor: Military Psychiatric Cinema in World War II -- Chapter 8: The Cinema Intelligence Apparatus: Gregory Bateson, the Museum of Modern Art Film Library, and the Intelligence Work of Film Studies during World War II -- Chapter 9: Epistemology of the Checkpoint: Gillo Pontecorvo’s Battle of Algiers and the Doctrine of Counterinsurgency -- Part Three: Military-Made Movies -- Chapter 10: Between the Front Lines: Military Training Films, Machine Guns, and the Great War -- Chapter 11: From Wartime Instruction to Superpower Cinema: Maintaining the Military-Industrial Documentary -- Chapter 12: Framing the Bomb in the West: The View from Lookout Mountain -- Chapter 13: Occupation, Diplomacy, and the Moving Image: The US Army as Cultural Interlocutor in Korea, 1945–1948 -- Chapter 14: Shots Made around the World: DASPO’s Documentation of the Vietnam War -- Part Four: The Military and Its Collaborators -- Chapter 15: War, Media, and the Security of State and Capital -- Chapter 16: Star Testimonies: World War and the Cultural Politics of Authority -- Chapter 17: "A Treacherous Tightrope": The Office of War Information, Psychological Warfare, and Film Distribution in Liberated Europe -- Chapter 18: "A Campaign of Truth": Marshall Plan Films in Greece -- Bibliography -- List of Contributors -- Index.
520 $a The vast and influential American military has been aided and abetted by cinema since the earliest days of the medium. The army, navy, and air force put films to work in myriad ways, enlisting them to entertain, train, and heal soldiers as well as to propagandize, strategize, spy, map, and develop weapons, from rifles to atomic bombs. Presenting new essays based on archival research, Cinema’s Military Industrial Complex addresses the relationship of military cinema to Hollywood, technological innovation, new modes of filmmaking, unique film styles and genres, and the rise of American soft power across the long twentieth century. This rich and timely volume is essential for scholars interested in the military’s use of media and the exercise of influence within and beyond American borders.
538 $a Mode of access: World Wide Web.
650 0 $a Motion picture industry $x Military aspects $z United States. $3 870032
650 0 $a War films $z United States $x History and criticism. $3 325397
650 0 $a Military cinematography $z United States. $3 870033
655 4 $a Electronic books. $2 local. $3 214472
700 1 $a Wasson, Haidee, $d 1970- $e editor. $3 870031
700 1 $a Grieveson, Lee, $d 1969- $e author. $3 870028
856 4 0 $u https://portal.igpublish.com/iglibrary/search/UCPB0001744.html