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Ageing, gender, embodiment and dance...

Schwaiger, Elisabeth, (1957-)

Ageing, gender, embodiment and dancefinding a balance /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Ageing, gender, embodiment and danceElisabeth Schwaiger.
其他題名:	finding a balance /
作者:	Schwaiger, Elisabeth,
出版者:	Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2012.
面頁冊數:	1 online resource (xiii, 213 p.)
標題:	Mind and body.
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9780230359086
ISBN:	9780230359086 (electronic bk.)

Ageing, gender, embodiment and dancefinding a balance /
Schwaiger, Elisabeth,1957-

Ageing, gender, embodiment and dancefinding a balance /[electronic resource] :Elisabeth Schwaiger. - Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2012. - 1 online resource (xiii, 213 p.)

Includes bibliographical references and index.

Acknowledgements -- Prelude -- Constructing Ageing, Gender and Self -- Gendered Ageing in Theatrical Dance -- The Dancers Speak -- Dancing Between Construction and Experience -- Dancing the Self Through Ageing -- Counter-discourses -- Valuing the Mature Dancer: Cross-cultural Perspectives -- Coda -- Appendix A: Constructing Ageing and Gender: a Selective Literature Review -- References -- Index.

Dancers in Western cultures have traditionally been subject to age-grading and have retired earlier from performance than those in less body-based professions. The underlying rationale for this has been that the dancer no longer possesses the physical capital to successfully execute the physically demanding steps, assumptions that�this book challenges. Using an interdisciplinary approach, it critically examines how dancers' bodies are constructed, experienced, and understood within their culture as they age, arguing that both gender and the dance genre practiced and performed inform dancers' perceptions and constitution as a mature dancing subject. Focusing predominantly on dancers in Western cultures which value gendered youthful physicality, it presents an alternative, nondualistic understanding of the mature dancer as culturally situated and embodied, where the 'interior' and 'exterior', practice and performance, the studio and the stage, are not separate but imbricated in this constitution.

ISBN: 9780230359086 (electronic bk.)

Source: 467343Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

179816
Mind and body.
Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: GV1595 / .S34 2012

Dewey Class. No.: 128/.2

Ageing, gender, embodiment and dancefinding a balance /
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504 $a Includes bibliographical references and index.
505 0 $a Acknowledgements -- Prelude -- Constructing Ageing, Gender and Self -- Gendered Ageing in Theatrical Dance -- The Dancers Speak -- Dancing Between Construction and Experience -- Dancing the Self Through Ageing -- Counter-discourses -- Valuing the Mature Dancer: Cross-cultural Perspectives -- Coda -- Appendix A: Constructing Ageing and Gender: a Selective Literature Review -- References -- Index.
505 0 $a Constructing aging, gender and self -- Gendered aging in theatrical dance -- The dancers speak -- Dancing between construction and experience -- Dancing the self through aging -- Counter-discourses -- Valuing the mature dancer : cross-cultural perspectives.
520 $a Dancers in Western cultures have traditionally been subject to age-grading and have retired earlier from performance than those in less body-based professions. The underlying rationale for this has been that the dancer no longer possesses the physical capital to successfully execute the physically demanding steps, assumptions that�this book challenges. Using an interdisciplinary approach, it critically examines how dancers' bodies are constructed, experienced, and understood within their culture as they age, arguing that both gender and the dance genre practiced and performed inform dancers' perceptions and constitution as a mature dancing subject. Focusing predominantly on dancers in Western cultures which value gendered youthful physicality, it presents an alternative, nondualistic understanding of the mature dancer as culturally situated and embodied, where the 'interior' and 'exterior', practice and performance, the studio and the stage, are not separate but imbricated in this constitution.
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