國立高雄大學圖資館 |

語系: 繁體中文

說明(常見問題)

圖資館首頁

登入

回首頁 到查詢結果 [ subject:"Satire in art." ]

切換: 標籤 | MARC模式 | ISBD

The business of satirical prints in ...

Baker, James.

The business of satirical prints in late-Georgian England

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The business of satirical prints in late-Georgian Englandby James Baker.
作者:	Baker, James.
出版者:	Cham :Springer International Publishing :2017.
面頁冊數:	xiii, 232 p. :ill., digital ;22 cm.
Contained By:	Springer eBooks
標題:	Prints, English17th century.
電子資源:	http://dx.doi.org/10.1007/978-3-319-49989-5
ISBN:	9783319499895$q(electronic bk.)

The business of satirical prints in late-Georgian England
Baker, James.

The business of satirical prints in late-Georgian England[electronic resource] /by James Baker. - Cham :Springer International Publishing :2017. - xiii, 232 p. :ill., digital ;22 cm. - Palgrave studies in the history of the media. - Palgrave studies in the history of the media..

Acknowledgements -- List of Tables/Figures -- Chapter 1: Beginnings -- Chapter 2: Scandal -- Chapter 3: Production -- Chapter 4: People -- Chapter 5: Trade Networks -- Chapter 6: The Physical Marketplace -- Chapter 7: The Shops -- Chapter 8: Satiric Stock -- Bibliography -- Index.

This book explores English single sheet satirical prints published from 1780-1820, the people who made those prints, and the businesses that sold them. It examines how these objects were made, how they were sold, and how both the complexity of the production process and the necessity to sell shaped and constrained the satiric content these objects contained. It argues that production, sale, and environment are crucial to understanding late-Georgian satirical prints. A majority of these prints were, after all, published in London and were therefore woven into the commercial culture of the Great Wen. Because of this city and its culture, the activities of the many individuals involved in transforming a single satirical design into a saleable and commercially viable object were underpinned by a nexus of making, selling, and consumption. Neglecting any one part of this nexus does a disservice both to the late-Georgian satirical print, these most beloved objects of British art, and to the story of their late-Georgian apotheosis - a story that James Baker develops not through the designs these objects contained, but rather through those objects and the designs they contained in the making.

ISBN: 9783319499895$q(electronic bk.)

Standard No.: 10.1007/978-3-319-49989-5doiSubjects--Topical Terms:

779821
Prints, English
--17th century.

LC Class. No.: NE628 / .B35 2017

Dewey Class. No.: 769.942

The business of satirical prints in late-Georgian England
LDR:02499nmm a2200337 a 4500 001 512133
003 DE-He213
005 20170411080047.0
006 m d
007 cr nn 008maaau
008 171226s2017 gw s 0 eng d
020 $a 9783319499895$q(electronic bk.)
020 $a 9783319499888$q(paper)
024 7 $a 10.1007/978-3-319-49989-5 $2 doi
035 $a 978-3-319-49989-5
040 $a GP $c GP
041 0 $a eng
050 4 $a NE628 $b .B35 2017
072 7 $a HBJD $2 bicssc
072 7 $a HBLH $2 bicssc
072 7 $a HIS010000 $2 bisacsh
082 0 4 $a 769.942 $2 23
090 $a NE628 $b .B167 2017
100 1 $a Baker, James. $3 779820
245 1 4 $a The business of satirical prints in late-Georgian England $h [electronic resource] / $c by James Baker.
260 $a Cham : $c 2017. $b Springer International Publishing : $b Imprint: Palgrave Macmillan,
300 $a xiii, 232 p. : $b ill., digital ; $c 22 cm.
490 1 $a Palgrave studies in the history of the media
505 0 $a Acknowledgements -- List of Tables/Figures -- Chapter 1: Beginnings -- Chapter 2: Scandal -- Chapter 3: Production -- Chapter 4: People -- Chapter 5: Trade Networks -- Chapter 6: The Physical Marketplace -- Chapter 7: The Shops -- Chapter 8: Satiric Stock -- Bibliography -- Index.
520 $a This book explores English single sheet satirical prints published from 1780-1820, the people who made those prints, and the businesses that sold them. It examines how these objects were made, how they were sold, and how both the complexity of the production process and the necessity to sell shaped and constrained the satiric content these objects contained. It argues that production, sale, and environment are crucial to understanding late-Georgian satirical prints. A majority of these prints were, after all, published in London and were therefore woven into the commercial culture of the Great Wen. Because of this city and its culture, the activities of the many individuals involved in transforming a single satirical design into a saleable and commercially viable object were underpinned by a nexus of making, selling, and consumption. Neglecting any one part of this nexus does a disservice both to the late-Georgian satirical print, these most beloved objects of British art, and to the story of their late-Georgian apotheosis - a story that James Baker develops not through the designs these objects contained, but rather through those objects and the designs they contained in the making.
650 0 $a Prints, English $y 17th century. $3 779821
650 0 $a Prints, English $y 18th century. $3 779822
650 0 $a Satire in art. $3 779823
650 1 4 $a History. $3 263737
650 2 4 $a History of Early Modern Europe. $3 740337
650 2 4 $a History of Britain and Ireland. $3 739805
650 2 4 $a Printing and Publishing. $3 737991
650 2 4 $a Cultural History. $3 742092
650 2 4 $a Culture and Technology. $3 764447
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer eBooks
830 0 $a Palgrave studies in the history of the media. $3 478412
856 4 0 $u http://dx.doi.org/10.1007/978-3-319-49989-5
950 $a History (Springer-41172)