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[ subject:"Homosexuality in motion pictures." ]
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Homosexuality and Italian cinemafrom...
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Giori, Mauro.
Homosexuality and Italian cinemafrom the fall of Fascism to the years of lead /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Homosexuality and Italian cinemaby Mauro Giori.
其他題名:
from the fall of Fascism to the years of lead /
作者:
Giori, Mauro.
出版者:
London :Palgrave Macmillan UK :2017.
面頁冊數:
xvi, 272 p. :ill. (some col.), digital ;22 cm.
Contained By:
Springer eBooks
標題:
Homosexuality in motion pictures.
電子資源:
http://dx.doi.org/10.1057/978-1-137-56593-8
ISBN:
9781137565938$q(electronic bk.)
Homosexuality and Italian cinemafrom the fall of Fascism to the years of lead /
Giori, Mauro.
Homosexuality and Italian cinema
from the fall of Fascism to the years of lead /[electronic resource] :by Mauro Giori. - London :Palgrave Macmillan UK :2017. - xvi, 272 p. :ill. (some col.), digital ;22 cm.
1. Introduction -- 2. Silence -- 3. Enjoying the Darkness -- 4. Undressing the Other -- 5. Luchinidi and Pasolinidi -- 6. Love in the Time of Panic -- 7. Sexual Revolution, Italian Style -- 8. Pornography of Death -- 9. The Only Good Thing -- 10. Homophiles and Gays Go to the Movies -- 11. Conclusion: Martyrdom and Pleasure.
This book is the first to establish the relevance of same-sex desires, pleasures and anxieties in the cinema of post-war Italy. It explores cinematic representations of homosexuality and their significance in a wider cultural struggle in Italy involving society, cinema, and sexuality between the 1940s and 1970s. Besides tracing the evolution of representations through both art and popular films, this book also analyses connections with consumer culture, film criticism and politics. Giori uncovers how complicated negotiations between challenges to and valorization of dominant forms of knowledge of homosexuality shaped representations and argues that they were not always the outcome of hatred but also sought to convey unmentionable pleasures and complicities. Through archival research and a survey of more than 600 films, the author enriches our understanding of thirty years of Italian film and cultural history.
ISBN: 9781137565938$q(electronic bk.)
Standard No.: 10.1057/978-1-137-56593-8doiSubjects--Topical Terms:
220250
Homosexuality in motion pictures.
LC Class. No.: PN1995.9.H55 / G56 2017
Dewey Class. No.: 791.4308664
Homosexuality and Italian cinemafrom the fall of Fascism to the years of lead /
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1. Introduction -- 2. Silence -- 3. Enjoying the Darkness -- 4. Undressing the Other -- 5. Luchinidi and Pasolinidi -- 6. Love in the Time of Panic -- 7. Sexual Revolution, Italian Style -- 8. Pornography of Death -- 9. The Only Good Thing -- 10. Homophiles and Gays Go to the Movies -- 11. Conclusion: Martyrdom and Pleasure.
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This book is the first to establish the relevance of same-sex desires, pleasures and anxieties in the cinema of post-war Italy. It explores cinematic representations of homosexuality and their significance in a wider cultural struggle in Italy involving society, cinema, and sexuality between the 1940s and 1970s. Besides tracing the evolution of representations through both art and popular films, this book also analyses connections with consumer culture, film criticism and politics. Giori uncovers how complicated negotiations between challenges to and valorization of dominant forms of knowledge of homosexuality shaped representations and argues that they were not always the outcome of hatred but also sought to convey unmentionable pleasures and complicities. Through archival research and a survey of more than 600 films, the author enriches our understanding of thirty years of Italian film and cultural history.
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