語系:
繁體中文
English
說明(常見問題)
圖資館首頁
登入
回首頁
到查詢結果
[ subject:"Cognitive Psychology." ]
切換:
標籤
|
MARC模式
|
ISBD
Cognition, mindreading, and Shakespe...
~
Helms, Nicholas R.
Cognition, mindreading, and Shakespeare's characters
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Cognition, mindreading, and Shakespeare's charactersby Nicholas R. Helms.
作者:
Helms, Nicholas R.
出版者:
Cham :Springer International Publishing :2019.
面頁冊數:
x, 229 p. :ill., digital ;24 cm.
Contained By:
Springer eBooks
標題:
Shakespeare.
電子資源:
https://doi.org/10.1007/978-3-030-03565-5
ISBN:
9783030035655$q(electronic bk.)
Cognition, mindreading, and Shakespeare's characters
Helms, Nicholas R.
Cognition, mindreading, and Shakespeare's characters
[electronic resource] /by Nicholas R. Helms. - Cham :Springer International Publishing :2019. - x, 229 p. :ill., digital ;24 cm. - Cognitive studies in literature and performance. - Cognitive studies in literature and performance..
1. The Mind's Construction: An Introduction to Mindreading in Shakespeare -- 2. Reading the Mind: Cognitive Science and Close Reading -- 3. Inferring the Mind: Parasites and the Breakdown of Inference in Othello -- 4. Imagining the Mind: Empathy and Misreading in Much Ado About Nothing -- 5. Integrating Minds: Blending Methods in The King Is Alive and Twelfth Night -- 6. Finding the Frame: Inference in Romeo and Juliet -- 7. Reading Incoherence: How Shakespeare Speaks Back to Cognitive Science -- 8. Mindreading as Engagement: Active Spectators and "The Strangers' Case".
Cognition, Mindreading, and Shakespeare's Characters brings cognitive science to Shakespeare, applying contemporary theories of mindreading to Shakespeare's construction of character. Building on the work of the philosopher Alvin Goldman and cognitive literary critics such as Bruce McConachie and Lisa Zunshine, Nicholas Helms uses the language of mindreading to analyze inference and imagination throughout Shakespeare's plays, dwelling at length on misread minds in King Lear, Much Ado About Nothing, Othello, and Romeo and Juliet. Shakespeare manipulates the mechanics of misreading to cultivate an early modern audience of adept mindreaders, an audience that continues to contemplate the moral ramifications of Shakespeare's characters even after leaving the playhouse. Using this cognitive literary approach, Helms reveals how misreading fuels Shakespeare's enduring popular appeal and investigates the ways in which Shakespeare's characters can both corroborate and challenge contemporary cognitive theories of the human mind.
ISBN: 9783030035655$q(electronic bk.)
Standard No.: 10.1007/978-3-030-03565-5doiSubjects--Topical Terms:
806683
Shakespeare.
LC Class. No.: PR2989 / .H35 2019
Dewey Class. No.: 822.33
Cognition, mindreading, and Shakespeare's characters
LDR
:02656nmm a2200337 a 4500
001
555767
003
DE-He213
005
20190709114905.0
006
m d
007
cr nn 008maaau
008
191121s2019 gw s 0 eng d
020
$a
9783030035655$q(electronic bk.)
020
$a
9783030035648$q(paper)
024
7
$a
10.1007/978-3-030-03565-5
$2
doi
035
$a
978-3-030-03565-5
040
$a
GP
$c
GP
041
0
$a
eng
050
4
$a
PR2989
$b
.H35 2019
072
7
$a
DSGS
$2
bicssc
072
7
$a
LIT015000
$2
bisacsh
072
7
$a
DSG
$2
thema
082
0 4
$a
822.33
$2
23
090
$a
PR2989
$b
.H481 2019
100
1
$a
Helms, Nicholas R.
$3
838029
245
1 0
$a
Cognition, mindreading, and Shakespeare's characters
$h
[electronic resource] /
$c
by Nicholas R. Helms.
260
$a
Cham :
$b
Springer International Publishing :
$b
Imprint: Palgrave Macmillan,
$c
2019.
300
$a
x, 229 p. :
$b
ill., digital ;
$c
24 cm.
490
1
$a
Cognitive studies in literature and performance
505
0
$a
1. The Mind's Construction: An Introduction to Mindreading in Shakespeare -- 2. Reading the Mind: Cognitive Science and Close Reading -- 3. Inferring the Mind: Parasites and the Breakdown of Inference in Othello -- 4. Imagining the Mind: Empathy and Misreading in Much Ado About Nothing -- 5. Integrating Minds: Blending Methods in The King Is Alive and Twelfth Night -- 6. Finding the Frame: Inference in Romeo and Juliet -- 7. Reading Incoherence: How Shakespeare Speaks Back to Cognitive Science -- 8. Mindreading as Engagement: Active Spectators and "The Strangers' Case".
520
$a
Cognition, Mindreading, and Shakespeare's Characters brings cognitive science to Shakespeare, applying contemporary theories of mindreading to Shakespeare's construction of character. Building on the work of the philosopher Alvin Goldman and cognitive literary critics such as Bruce McConachie and Lisa Zunshine, Nicholas Helms uses the language of mindreading to analyze inference and imagination throughout Shakespeare's plays, dwelling at length on misread minds in King Lear, Much Ado About Nothing, Othello, and Romeo and Juliet. Shakespeare manipulates the mechanics of misreading to cultivate an early modern audience of adept mindreaders, an audience that continues to contemplate the moral ramifications of Shakespeare's characters even after leaving the playhouse. Using this cognitive literary approach, Helms reveals how misreading fuels Shakespeare's enduring popular appeal and investigates the ways in which Shakespeare's characters can both corroborate and challenge contemporary cognitive theories of the human mind.
650
1 4
$a
Shakespeare.
$3
806683
650
2 4
$a
Literary Theory.
$3
739951
650
2 4
$a
Cognitive Psychology.
$3
273717
710
2
$a
SpringerLink (Online service)
$3
273601
773
0
$t
Springer eBooks
830
0
$a
Cognitive studies in literature and performance.
$3
461372
856
4 0
$u
https://doi.org/10.1007/978-3-030-03565-5
950
$a
Literature, Cultural and Media Studies (Springer-41173)
筆 0 讀者評論
全部
電子館藏
館藏
1 筆 • 頁數 1 •
1
條碼號
館藏地
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
000000168579
電子館藏
1圖書
電子書
EB PR2989 H481 2019 2019
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
多媒體檔案
https://doi.org/10.1007/978-3-030-03565-5
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼
登入