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Theatre aurality

Kendrick, Lynne.

Theatre aurality

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Theatre auralityby Lynne Kendrick.
作者:	Kendrick, Lynne.
出版者:	London :Palgrave Macmillan UK :2017.
面頁冊數:	xxviii, 164 p. :ill., digital ;22 cm.
Contained By:	Springer eBooks
標題:	TheatersSound effects.
電子資源:	http://dx.doi.org/10.1057/978-1-137-45233-7
ISBN:	9781137452337$q(electronic bk.)

Theatre aurality
Kendrick, Lynne.

Theatre aurality[electronic resource] /by Lynne Kendrick. - London :Palgrave Macmillan UK :2017. - xxviii, 164 p. :ill., digital ;22 cm.

This book explores the critical field of theatre sound and the sonic phenomena of theatre. It draws together a wide range of related topics, including sound design and sonic sonographies, voice as a performance of sound, listening as auditory performance, and audience as resonance. It explores radical forms of sonic performance and our engagement in it, from the creation of sonic subjectivities to noise as a politics of sound. The introductory chapters trace the innate aurality of theatre and the history of sound effects and design, while also interrogating why the art of theatre sound was delayed and underrepresented in philosophy as well as theatre and performance theory. Subsequent chapters explore the emergence of aurally engaged theatre practice and focus on examples of contemporary sound in and as theatre, including theatre in the dark, headphone theatre and immersive theatre, amongst others, through theories of perception and philosophies of listening, vocality, sonority and noise.

ISBN: 9781137452337$q(electronic bk.)

Standard No.: 10.1057/978-1-137-45233-7doiSubjects--Topical Terms:

538281
Theaters
--Sound effects.

LC Class. No.: PN2091.S6 / K463 2017

Dewey Class. No.: 790.2

Theatre aurality
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300 $a xxviii, 164 p. : $b ill., digital ; $c 22 cm.
520 $a This book explores the critical field of theatre sound and the sonic phenomena of theatre. It draws together a wide range of related topics, including sound design and sonic sonographies, voice as a performance of sound, listening as auditory performance, and audience as resonance. It explores radical forms of sonic performance and our engagement in it, from the creation of sonic subjectivities to noise as a politics of sound. The introductory chapters trace the innate aurality of theatre and the history of sound effects and design, while also interrogating why the art of theatre sound was delayed and underrepresented in philosophy as well as theatre and performance theory. Subsequent chapters explore the emergence of aurally engaged theatre practice and focus on examples of contemporary sound in and as theatre, including theatre in the dark, headphone theatre and immersive theatre, amongst others, through theories of perception and philosophies of listening, vocality, sonority and noise.
650 0 $a Theaters $x Sound effects. $3 538281
650 0 $a Theaters $x Stage-setting and scenery. $3 364724
650 1 4 $a Cultural and Media Studies. $3 732821
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950 $a Literature, Cultural and Media Studies (Springer-41173)