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Imagining the audience in early mode...

Low, Jennifer A., (1962-)

Imagining the audience in early modern drama, 1558-1642

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Imagining the audience in early modern drama, 1558-1642edited by Jennifer A. Low and Nova Myhill.
其他作者:	Low, Jennifer A.,
出版者:	New York :Palgrave Macmillan,2011.
面頁冊數:	1 online resource (viii, 218 p.)
標題:	English dramaHistory and criticism.Early modern and Elizabethan, 1500-1600
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9780230118393
ISBN:	9780230118393 (electronic bk.)

Imagining the audience in early modern drama, 1558-1642
Imagining the audience in early modern drama, 1558-1642[electronic resource] /edited by Jennifer A. Low and Nova Myhill. - 1st ed. - New York :Palgrave Macmillan,2011. - 1 online resource (viii, 218 p.)

Includes bibliographical references and index.

Machine generated contents note: -- Introduction: Audience and Audiences -- Nova Myhill and Jennifer A. Low * Crowd Control -- Paul Menzer * Taking the Stage: Spectators as Spectacle in the Caroline Private Theaters -- Nova Myhill * The Curious Case of the Two Audiences: Thomas Dekker's Match Me in London -- Mark Bayer * Door Number Three? Time, Space, and Audience in The Menaechmi and The Comedy of Errors -- Jennifer A. Low * Audience as Witness in Edward II -- Meg F. Pearson * Lord of thy presence: Bodies, Performance, and Audience Interpretation in Shakespeare's King John -- Erika T. Lin * Charismatic Audience: A 1559 Pageant -- David M. Bergeron * Audience, Actors, and Taking Part in the Revels -- Emma Rhatigan * Bleared Vision in The Taming of the Shrew -- James Wells * Fitzgrave's Jewel: Audience and Anticlimax in Middleton and Shakespeare -- Jeremy Lopez.

"The role of the audience takes on new importance when performance is reconceived as a dialectical activity. The essays in this collection examine the relationship between dramatic performance and audience in the work of Shakespeare and his contemporaries. That relationship is complicated by multiple conceptions of the audience: playwrights imagine their audiences; actors address them; the audience actually attending the play is yet another entity. The authors combine theatre history and cultural analysis with examinations of plays and productions to explore how those involved in early modern productions conceived of their audience, how audiences shaped the dramas they watched, and even how the roles of actor and audience member sometimes merged"--

ISBN: 9780230118393 (electronic bk.)Subjects--Topical Terms:

178984
English drama
--History and criticism.--Early modern and Elizabethan, 1500-1600Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PR658.A88 / I43 2011eb

Dewey Class. No.: 822/.045/09031

Imagining the audience in early modern drama, 1558-1642
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505 8 $a Machine generated contents note: -- Introduction: Audience and Audiences -- Nova Myhill and Jennifer A. Low * Crowd Control -- Paul Menzer * Taking the Stage: Spectators as Spectacle in the Caroline Private Theaters -- Nova Myhill * The Curious Case of the Two Audiences: Thomas Dekker's Match Me in London -- Mark Bayer * Door Number Three? Time, Space, and Audience in The Menaechmi and The Comedy of Errors -- Jennifer A. Low * Audience as Witness in Edward II -- Meg F. Pearson * Lord of thy presence: Bodies, Performance, and Audience Interpretation in Shakespeare's King John -- Erika T. Lin * Charismatic Audience: A 1559 Pageant -- David M. Bergeron * Audience, Actors, and Taking Part in the Revels -- Emma Rhatigan * Bleared Vision in The Taming of the Shrew -- James Wells * Fitzgrave's Jewel: Audience and Anticlimax in Middleton and Shakespeare -- Jeremy Lopez.
520 $a "The role of the audience takes on new importance when performance is reconceived as a dialectical activity. The essays in this collection examine the relationship between dramatic performance and audience in the work of Shakespeare and his contemporaries. That relationship is complicated by multiple conceptions of the audience: playwrights imagine their audiences; actors address them; the audience actually attending the play is yet another entity. The authors combine theatre history and cultural analysis with examinations of plays and productions to explore how those involved in early modern productions conceived of their audience, how audiences shaped the dramas they watched, and even how the roles of actor and audience member sometimes merged"-- $c Provided by publisher.
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