國立高雄大學圖資館 |

Language: English

Back to Search results for [ subject:"Dystopian films" ]

Music and the environment in dystopi...

Hart, Heidi.

Music and the environment in dystopian narrativesounding the disaster /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Music and the environment in dystopian narrativeby Heidi Hart.
Reminder of title:	sounding the disaster /
Author:	Hart, Heidi.
Published:	Cham :Springer International Publishing :2018.
Description:	xii, 100 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
Subject:	Ecomusicology.
Online resource:	https://doi.org/10.1007/978-3-030-01815-3
ISBN:	9783030018153$q(electronic bk.)

Music and the environment in dystopian narrativesounding the disaster /
Hart, Heidi.

Music and the environment in dystopian narrativesounding the disaster /[electronic resource] :by Heidi Hart. - Cham :Springer International Publishing :2018. - xii, 100 p. :ill., digital ;24 cm. - Palgrave studies in music and literature. - Palgrave studies in music and literature..

1. Introduction -- 2. Mozart in Space: A Love Story -- 3. Apocalyptic Body Song: The Book of Joan -- 4. Fossil Opera: Persephone in the Late Anthropocene -- 5. Mozart on Ice: Expedition to the End of the World -- 6. Sounding the Hurricane: Mahagonny -- 7. Conclusion: Topical and Indigenous Perspectives.

Music and the Environment in Dystopian Narrative: Sounding the Disaster investigates the active role of music in film and fiction portraying climate crisis. From contemporary science fiction and environmental film to "Anthropocene opera," the most arresting eco-narratives draw less on background music than on the power of sound to move fictional action and those who receive it. Beginning with a reflection on a Mozart recording on the 1970s' Voyager Golden Record, this book explores links between music and violence in Lidia Yuknavitch's 2017 novel The Book of Joan, songless speech in the opera Persephone in the Late Anthropocene, interrupted lyricism in the eco-documentary Expedition to the End of the World, and dread-inducing hurricane music in the Brecht-Weill opera Rise and Fall of the City of Mahagonny. In all of these works, music allows for a state of critical vulnerability in its hearers, communicating planetary crisis in an embodied way.

ISBN: 9783030018153$q(electronic bk.)

Standard No.: 10.1007/978-3-030-01815-3doiSubjects--Topical Terms:

824791
Ecomusicology.

LC Class. No.: ML3799.3 / .H378 2018

Dewey Class. No.: 780.0304

Music and the environment in dystopian narrativesounding the disaster /
LDR:02324nmm a2200337 a 4500 001 545759
003 DE-He213
005 20190325141323.0
006 m d
007 cr nn 008maaau
008 190530s2018 gw s 0 eng d
020 $a 9783030018153$q(electronic bk.)
020 $a 9783030018146$q(paper)
024 7 $a 10.1007/978-3-030-01815-3 $2 doi
035 $a 978-3-030-01815-3
040 $a GP $c GP
041 0 $a eng
050 4 $a ML3799.3 $b .H378 2018
072 7 $a DSBH $2 bicssc
072 7 $a LIT024000 $2 bisacsh
072 7 $a DSBH $2 thema
082 0 4 $a 780.0304 $2 23
090 $a ML3799.3 $b .H325 2018
100 1 $a Hart, Heidi. $3 824790
245 1 0 $a Music and the environment in dystopian narrative $h [electronic resource] : $b sounding the disaster / $c by Heidi Hart.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Pivot, $c 2018.
300 $a xii, 100 p. : $b ill., digital ; $c 24 cm.
490 1 $a Palgrave studies in music and literature
505 0 $a 1. Introduction -- 2. Mozart in Space: A Love Story -- 3. Apocalyptic Body Song: The Book of Joan -- 4. Fossil Opera: Persephone in the Late Anthropocene -- 5. Mozart on Ice: Expedition to the End of the World -- 6. Sounding the Hurricane: Mahagonny -- 7. Conclusion: Topical and Indigenous Perspectives.
520 $a Music and the Environment in Dystopian Narrative: Sounding the Disaster investigates the active role of music in film and fiction portraying climate crisis. From contemporary science fiction and environmental film to "Anthropocene opera," the most arresting eco-narratives draw less on background music than on the power of sound to move fictional action and those who receive it. Beginning with a reflection on a Mozart recording on the 1970s' Voyager Golden Record, this book explores links between music and violence in Lidia Yuknavitch's 2017 novel The Book of Joan, songless speech in the opera Persephone in the Late Anthropocene, interrupted lyricism in the eco-documentary Expedition to the End of the World, and dread-inducing hurricane music in the Brecht-Weill opera Rise and Fall of the City of Mahagonny. In all of these works, music allows for a state of critical vulnerability in its hearers, communicating planetary crisis in an embodied way.
650 0 $a Ecomusicology. $3 824791
650 0 $a Dystopias in literature. $3 250822
650 0 $a Dystopian films $x History and criticism. $3 824792
650 0 $a Climatic changes in literature. $3 686818
650 1 4 $a Contemporary Literature. $3 744998
650 2 4 $a North American Literature. $3 740988
650 2 4 $a Music. $3 227185
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer eBooks
830 0 $a Palgrave studies in music and literature. $3 773211
856 4 0 $u https://doi.org/10.1007/978-3-030-01815-3
950 $a Literature, Cultural and Media Studies (Springer-41173)