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Samuel Richardson, dress, and discourse

Oliver, Kathleen M.

Samuel Richardson, dress, and discourse

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Samuel Richardson, dress, and discourseKathleen M. Oliver.
作者:	Oliver, Kathleen M.
出版者:	Houndmills, Basingstoke, Hampshire [England] ;PalgraveMacmillan,2008.
面頁冊數:	x, 229 p. :ill.
標題:	Epistolary fiction, EnglishHistory and criticism.
電子資源:	access to fulltext (Palgrave)
ISBN:	9780230584624

Samuel Richardson, dress, and discourse
Oliver, Kathleen M.

Samuel Richardson, dress, and discourse[electronic resource] /Kathleen M. Oliver. - Houndmills, Basingstoke, Hampshire [England] ;PalgraveMacmillan,2008. - x, 229 p. :ill.

Includes bibliographical references (p. 198-226) and index.

Introduction -- PART I: THE BODY AND DRESS OF THOUGHT -- Dress and the Discourses of the Mind-- Dress in Eighteenth-Century Life and Literature -- PART II: DRESSING FOR SUCCESS WITH PAMELA -- Ladies, Gentlemen, and Servants: Virtue and the Domestic Ideal -- b3 sSo Neat, So Clean, So Pretty! b4 s: Dressing Up Virtue -- Quaker, Rustic, and Fool: Masquerading with Mrs. B. -- PART III: WINDOWSHOPPING THE ESSENTIAL SELF WITH CLARISSA -- Virtuous Stays and Sexual Hoops: The Social Self -- b3 sOf Her Own Invention b4 s: Revealing the Self -- b3 sWhere . . . Art is Disguised b4 s: Concealingthe Self -- PART IV: REFASHIONING THE WORLD WITH SIR CHARLES GRANDISON -- b3 sA Conformist to Fashion b4 s: Dressing for Duty -- b3 sA Mighty Glitter b4 s: Seeing through the Veil -- b3 sDressinginColours b4 s: Changing the Guard -- Conclusion -- Notes -- Works Cited -- Index.

While dress is but one way of entering into a text, and a small point of entry at that, analysis of dress in Richardson's novels provides us with insights into the nature of novel writing in eighteenth-century England; into the nature of Richardson's novelistic project of constructing a legible domestic feminine body whose signification remains stable; and into the paradox that Richardson'sideal, sensible (as possessedof sensibility) female body is ultimately coded as male. It also callsinto question the whole construct of the b3 sdomestic woman b4 s and what this construct means in terms of bourgeois ideology: Is the ideal domestic woman merely a man in drag?

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230584624

Standard No.: 10.1057/9780230584624doiSubjects--Personal Names:

475148
Richardson, Samuel,
1689-1761--Criticism and interpretation.Subjects--Topical Terms:

214254
Epistolary fiction, English
--History and criticism.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PR3667 / .O45 2008eb

Dewey Class. No.: 823/.6

Samuel Richardson, dress, and discourse
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300 $a x, 229 p. : $b ill.
504 $a Includes bibliographical references (p. 198-226) and index.
505 0 $a Introduction -- PART I: THE BODY AND DRESS OF THOUGHT -- Dress and the Discourses of the Mind-- Dress in Eighteenth-Century Life and Literature -- PART II: DRESSING FOR SUCCESS WITH PAMELA -- Ladies, Gentlemen, and Servants: Virtue and the Domestic Ideal -- b3 sSo Neat, So Clean, So Pretty! b4 s: Dressing Up Virtue -- Quaker, Rustic, and Fool: Masquerading with Mrs. B. -- PART III: WINDOWSHOPPING THE ESSENTIAL SELF WITH CLARISSA -- Virtuous Stays and Sexual Hoops: The Social Self -- b3 sOf Her Own Invention b4 s: Revealing the Self -- b3 sWhere . . . Art is Disguised b4 s: Concealingthe Self -- PART IV: REFASHIONING THE WORLD WITH SIR CHARLES GRANDISON -- b3 sA Conformist to Fashion b4 s: Dressing for Duty -- b3 sA Mighty Glitter b4 s: Seeing through the Veil -- b3 sDressinginColours b4 s: Changing the Guard -- Conclusion -- Notes -- Works Cited -- Index.
520 $a While dress is but one way of entering into a text, and a small point of entry at that, analysis of dress in Richardson's novels provides us with insights into the nature of novel writing in eighteenth-century England; into the nature of Richardson's novelistic project of constructing a legible domestic feminine body whose signification remains stable; and into the paradox that Richardson'sideal, sensible (as possessedof sensibility) female body is ultimately coded as male. It also callsinto question the whole construct of the b3 sdomestic woman b4 s and what this construct means in terms of bourgeois ideology: Is the ideal domestic woman merely a man in drag?
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