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Gay identity, new storytelling and t...

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Gay identity, new storytelling and the media

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Gay identity, new storytelling and the mediaChristopher Pullen.
作者:	Pullen, Christopher,
出版者:	Basingstoke :Palgrave Macmillan,c2009.
面頁冊數:	xiv, 266 p. :ill. ;23 cm.
標題:	Gays in popular culture.
電子資源:	access to fulltext (Palgrave)
ISBN:	9780230236646

Gay identity, new storytelling and the media
Pullen, Christopher,1959-

Gay identity, new storytelling and the media[electronic resource] /Christopher Pullen. - Basingstoke :Palgrave Macmillan,c2009. - xiv, 266 p. :ill. ;23 cm.

Includes bibliographical references and index.

List of Illustrations -- Preface -- Acknowledgements -- Introduction: Placing the Self Withinthe Frame -- New Storytelling: Transitions from the Past -- Gay Identity and Self-Reflexivity -- Community, History and Transformation -- Factual Media Space: Intimacy, Participation and Therapy -- Commodity and Family -- Teenage Identity and Ritual -- OtherStorytelling and the New Frontier -- Conclusion: Fragmentation and Cohesion -- Notes  -- Filmography -- Works Cited -- Index.

This book offers a critical introduction to gay and lesbian identitywithin the media, focusing on the potential of 'new storytelling'. Foregrounding case studies which are taken principally from television, film and online media, a central focus is placed upon the narrative potential of individual storytellers who as self-reflexive producers, writers, performers and (active) audiences generate new discourses for gay and lesbian identity. This reveals not only the high-profile political potential of gay men and lesbians who as authors and media producers havechallenged ideologies (such as Debra Chasnoff, Quentin Crisp, Russell T. Davies, Ellen DeGeneres, Todd Haynes, Christopher Isherwood, Derek Jarman, Tony Kushner, k.d. lang, Armistead Maupin and Sarah Waters), butalso the subjective and subversive contributions of popular figures not normally connected to gay and lesbian ideals (such as Alan Bennett, Dirk Bogarde, Russell Harty and Gore Vidal). Furthermore, the emerging narrative potential of web-based new media and the significance of youthand non-Western identity are revealed in the formation of contemporarystorytelling frames and the construction of new social worlds. Markinga shift away from previous approaches to gay and lesbian identity within the media, which haveoften relied upon film theory, historical appropriation and anecdotal accounts, this book foregrounds discursive and multivalent potentials, contextualising political emergences. Gay Identity, New Storytelling and the Media is not an exposure of different experience; rather it is the celebration ofdiverse yet coalescent narratives. This offers empowerment to gay and lesbian voices, revealing thecritical advance of new storytelling.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230236646

Standard No.: 10.1057/9780230236646doiSubjects--Topical Terms:

176015
Gays in popular culture.
Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: HQ76.25 / .P85 2009

Dewey Class. No.: 306.766

Gay identity, new storytelling and the media
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505 0 $a List of Illustrations -- Preface -- Acknowledgements -- Introduction: Placing the Self Withinthe Frame -- New Storytelling: Transitions from the Past -- Gay Identity and Self-Reflexivity -- Community, History and Transformation -- Factual Media Space: Intimacy, Participation and Therapy -- Commodity and Family -- Teenage Identity and Ritual -- OtherStorytelling and the New Frontier -- Conclusion: Fragmentation and Cohesion -- Notes  -- Filmography -- Works Cited -- Index.
520 $a This book offers a critical introduction to gay and lesbian identitywithin the media, focusing on the potential of 'new storytelling'. Foregrounding case studies which are taken principally from television, film and online media, a central focus is placed upon the narrative potential of individual storytellers who as self-reflexive producers, writers, performers and (active) audiences generate new discourses for gay and lesbian identity. This reveals not only the high-profile political potential of gay men and lesbians who as authors and media producers havechallenged ideologies (such as Debra Chasnoff, Quentin Crisp, Russell T. Davies, Ellen DeGeneres, Todd Haynes, Christopher Isherwood, Derek Jarman, Tony Kushner, k.d. lang, Armistead Maupin and Sarah Waters), butalso the subjective and subversive contributions of popular figures not normally connected to gay and lesbian ideals (such as Alan Bennett, Dirk Bogarde, Russell Harty and Gore Vidal). Furthermore, the emerging narrative potential of web-based new media and the significance of youthand non-Western identity are revealed in the formation of contemporarystorytelling frames and the construction of new social worlds. Markinga shift away from previous approaches to gay and lesbian identity within the media, which haveoften relied upon film theory, historical appropriation and anecdotal accounts, this book foregrounds discursive and multivalent potentials, contextualising political emergences. Gay Identity, New Storytelling and the Media is not an exposure of different experience; rather it is the celebration ofdiverse yet coalescent narratives. This offers empowerment to gay and lesbian voices, revealing thecritical advance of new storytelling.
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856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9780230236646 $z access to fulltext (Palgrave)